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iChat: Grey's Don McKinney, Executive Creative Director, Discusses Broadband VideoBy Ken Liebeskind
May 14, 2008 -- Don McKinney, who joined Grey as executive creative director/director of digital development on May 2, takes a truly creative approach to the profession. He's not a technologist and doesn't overly concern himself with broadband video formats, but concentrates on the creative execution of client campaigns...
Note From The Editors of SHOOT: Special Fall 2007 Directors >e.dition Coming This MondaySHOOTonline.com will be publishing a Special Directors >e.dition on Monday, October 29th...
October 26, 2007 -- SHOOTonline.com will be publishing a Special Directors >e.dition on Monday, October 29th, that will contain the entire Directors' section from SHOOT's October 26th Print Issue.  Look for it in your email in-box on Monday! To download the interactive PDF version of the SHOOT Fall 2007 Directors Issue print issue click here.
iChat: Tremor Media's CEO Jason GlickmanSeptember 19, 2007 -- The role of ad networks in the broadband video advertising universe can't be overstated. They're the place to go to buy advertising on the majority of sites. Jason Glickman, CEO of Tremor Media, one of the largest ad networks that specializes in video advertising, explains how advertisers can benefit from a network buy, how Tremor supports a variety of new ad formats...
My Damn Channel Partners With MySpaceSeptember 12, 2007 -- MyDamnChannel.com, the site that launched in late July and is playing original content from comedians, filmmakers and musicians, announced a partnership with MySpace yesterday, enabling it to extend its content across one of the most...
iSPOT of the Week: "Nerd Buddy," Dell's First Viral Film, Promotes DellConnect Repair ServiceBy Ken Liebeskind
May 16, 2007 -- To promote DellConnect, a tool that lets Dell service and support associates diagnose and repair...
iSPOT of the Week: Documentary Style Video Supports IBMBy Ken Liebeskind
March 21, 2007 -- "I believe the city of New York really is safer today then it was years ago," said Evelyn Rosario, a NYPD officer. The line comes from Fighting Crime With Ones and Zeros, a six-minute documentary style video from Ogilvy, New York and Maysles Films, New York...
FLASHBACK: 5 YEARS/10 YEARSJune 15, 2001 -- JUNE 14, 1996/Director Allan van Rijn will join bicoastal RSA-USA next month, for exclusive spot representation. Paris-based Frog still reps him in France, while RSA, London, handles him in Europe….German-born-and-based Nikolai Karo has signed with bicoastal Harmony Pictures, making his first stab at the U.S. market….Actor-director Adam Arkin has signed with Brownstone Films, Santa Monica, for exclusive representation as a spot helmer, already securing his very first ad assignment….Bicoastal The End has promoted staff East Coast rep Guy Quinlan to the post of Los Angeles-based executive producer….
Jimmy And JazzBy Robert Goldrich
June 15, 2001 -- Call it a personal bias, but the public service and low-budget categories at this year's AICP Show caught my eye, because each had an honoree that had first gained widespread industry exposure in "The Best Work You May Never See" gallery. While SHOOT takes great pleasure in uncovering obscure, creatively worthwhile spots via that gallery, there's a heightened gratification when some of that fare goes on to gain additional major recognition.
Dot ContributionBy Bruce Nadel
June 15, 2001 -- Recession looms! Dozens of new-media companies crash and burn! Joe Paper Billionaire hits the street in search of a brick-and-mortar job! The advertising industry braces itself for the disappearance of tens of millions of dollars! We've been inundated with dotcom gloom and doom for months. What could possibly be the upside of this story?
Self-PreservationBy ROBERT GOLDRICH
June 08, 2001 -- Film preservation is a worthy cause that has gained high-profile attention—but largely as it pertains to theatrical features and television programs. Major universities, museums and industry organizations, like the American Film Institute, are engaged in significant efforts to preserve film and TV fare, especially in light of the artistic treasures that have been lost over the years, such as silent movies and kinescopes from the early days of television.
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