*
"I helped to make Honduras right for the
American fruit companies in 1903. I helped to make Mexico - and especially
Tampico - safe for American oil interests in 1914. I helped make Haiti
and Cuba a decent place for the National City Bank boys to collect revenues
in. I brought life to the Dominican Republic for American sugar in 1916.
In China, in 1937, I helped see to it that Standard Oil went its way unmolested.
I was rewarded with honors, medals, and promotions. Looking back on it,
I feel I might have given Al Capone a few hints. The best he could do was
to operate his racket in three city districts. We Marines operated on three
continents..."
--Major-General Smedley "Old Gimlet Eye" Butler, USMC, conflicted hero of the Spanish American War, the Boxer Rebellion, World War I, and sundry other interventionist games of the first part of the 20th century. The only thing missing I see there is Hawaii... |
~ Odd Lots ~(Odd stuff, and lots of it)Curious? Baffled? Just ask!
I try to add new things, or old things that haven't been posted before, since according to the stats people check back here rather a lot. We aim to please! (...we just don't know how accurate we are, so don't stand too close to the target.) <—The purpose of this is probably the mildly-eccentric, low-key amusement of finding your home on an atlas or aerial photo, I've decided. |
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mostly courtesy of Cafe Press) |
for your safety & my convenience) |
Although I scorn to beg for feedback, (or to threaten,
either) -- I will point out that constructive criticism not
infrequently has been known to garner sneak previews of future updates
as well as advance notice of said updates…Nor let it be said I don't try
to make it easy — the bulletin
board is an attempt to overcome the trepidation of those for whom email
is too direct and intimidating a means of communication, and requires no
name or email address — be as anonymously bold as you please!
UPDATES
NOTE: if you want to link to anything on this site, go
ahead, whether to recommend or hold up for contempt — since I've published
it I can hardly complain, can I? However, I would appreciate an email letting
me know you've done so, to prevent confusion in my mind as to why people
are showing up all the sudden. (Oh, and don't plagiarize, either — but
a credited archiving is not imo plagiarism. Still, it's standard operating
procedure to request permission before hosting someone else's work, so
I'll request the same. Saving to your hard drive for rereading is fine,
of course.) —Philosopher At Large
39,500 signatures and counting (up 1500 since last time!) A forlorn hope, but who knows the end of things? 11/13/04 PDF version of Vol 2 of the Script (Act III and the Enteract) available for download now. It should work all right: it's zipped but still about 11 mb, due to the multimedia part, the graphics and particularly the embedded sound files, but as it is set up, you should be able to see a bookmark for whatever scene you are reading of Act 3 where there are lyrics, see a tab for the melody, and go there and click on the "note" icon and hear a wav file, coded with the help of abc and a friend who has the right software and knows how to use SoundFonts. Also, you can use the bookmark tabs to check ObRefs in each scene, quickly, and the back button to go back to your page, and not have to flip back and forth. Of course unfortunately these will not be maintained if you decide to print it out. Um. It's 347 pages long of which 59 is the endnotes. Sorry... 10/8/04 No, I haven't abandoned or forgotten, though I've been so involved in fighting the good fight against those responsible for Tol Euphrates, beyond RL issues (see below), that I haven't been able to straighten out my notes to a point where I'm happy with the conclusion yet, for style reasons. But in the meantime, in gratitude to all y'all, here is the first part of The Script in PDF format (zipped it's about 2MB.) This file contains Acts I and II and the Endnotes to both of them, plus the Illustrations, in a page size that should print okay on both US and A4 paper. There is a slightly wider left hand margin so that you can bind it, if you want - it's almost 200 pages. Volume 2 is not quite ready yet. (There are still some bugs to work out of dealing with 200+ page files on my system. Let me know if there are any issues with either the zip or the pdf. And thanks to reader Stultiloquentia for suggesting this, quite a while back! Also, here is a page of personal recommends - all things which I own or have owned (and perhaps lent or given away or borrowed or checked out myself. This isn't one of those Amazon algorithms that picks things that you might like based on what other people have bought. I'll add to it, and probably end up breaking it out into separate sections, but for now it's all one page. You don't have to buy from it - if you do, I get iirc .04 on the dollar - you can just use it to get information and support your local shops, if you prefer. But if you like my writing and you want a convenient way of seeing if I might have read/watched/heard something, and enjoyed it, Shelfspace is a way of having it all in one place. If you haven't yet seen Jenny Dolfen's work, she's an illustrator who's done some fine Silmarillion watercolors, but others as well in Forgotten Realms, George Martin, RPGs, and general fantasy. Here's an image of a young merman, with a convincing 3-D aquatic feeling that is so often lacking from renderings of the merfolk. Enjoy— 8/5/04
I've got resumes out. But while I expect I can get a part-time job, or perhaps two, in my line of work, or else in retail, this isn't a good solution. There is no long-term prospect for me in capitalism, because I'm not a saleswoman, can't be, and I don't have the familial/crony connections to get me into management. I'll never be able to retire or even deal with an emergency, the way things are, and I can't afford to go back to school, either, which isn't a sure-fire thing anyway. So despite my misgivings - and insecurities - I'm doing what I see other online writers doing, and putting up a button so that readers may, if they like, contribute. If I get enough money, I will write (and other associated activities like researching and illustrating) full time, fiction and social justice both. (Not all of it will be online: I will also work on finishing one of my novels.) Part - make that most - of me thinks this is nuts, that the idea of say of 25 people per day being willing to donate US$3.00 to make up for my paycheck is as likely as me winning the lottery. I mean, we're all broke, right? But then I see other people doing it, fulltime, and I think - what the heck, I might as well try. What have I to lose, but my pride? |
Guest Stars |
5/10/02 Protectors
of the Plot Continuum
Exiled unjustly from ffnet, here you will find PPC: TOS, by Jay & Acacia,
aka Harpwire, Assassins Extraordinaire,
numerous spinoffs, and the PPC Posting Board.
Back up and running 3/11/03!
"Do not meddle in the affairs of assassins, for we are
heavily-armed and quick to anger. And not noticeably subtle."
Henry
and Eliza, A Novel
"As
Sir George and Lady Harcourt were superintending the Labours of their Haymakers,
rewarding the industry of some by smiles of approbation, & punishing
the idleness of others
by a cudgel, they perceived lying closely concealed beneath the thick foliage
of a Haycock,
a beautifull little Girl not more than 3 months old..."
Jack
& Alice, A Novel (in 9 chapters)
"The Johnsons were a family of Love, & though a little addicted to
the Bottle & the Dice,
had many good Qualities."
Frederic
& Elfrida, A Novel (in 5 chapters)
"From this period, the intimacy between the Families of Fitzroy, Drummond,
and Falknor
daily increased, till at length it grew to such a pitch, that they did
not scruple to kick one
another out of the window on the slightest provocation."
The
Visit, A Play in 2 Acts
WILLOUGHBY.
Come Girls, let us circulate the Bottle.
SOPHY.
A very good notion, Cousin; & I will second it with all my Heart. Stanly,
you don't drink.
STANLY.
Madam, I am drinking draughts of Love from Cloe's eyes.
SOPHY.
That's poor nourishment truly. Come, drink to her better acquaintance.
A
Letter From a Young Lady, whose feeling being too Strong for her Judgement,
led her into
the commission of Errors which her Heart disapproved. —
Just what it says...
Original Fiction |
For your delight or horror:
"The
Script"
A Boy, A Girl, & A Dog: The
Lay of Leithian Dramatic Script
(with apologies to Messrs. Shakespeare and Tolkien)
7/12/03 Geneology chart (rev 3) with the combined royal houses
of the Eldar and the Edain, based on LOTR & Silm., with some input
from HOME, in plain
black and color
formats; (many thanks to Vorondis for indicating where references in HOME
could be found.)
|
An index page showing the relation of all current and planned Silmarillion stories, including those listed below.
(Stories from the cycle For One Year of the Sun: Terrible Gifts - short story, complete, very dark, R for violence-with-reason. Context provided in the Notes . Betrayals, Renunciations— - sequel to Terrible Gifts: Tol Sirion II. Not as violent as the previous story, but more psychologically oppressive. Complete. Shadow and Silver - Tol Sirion III. Complete. PG13 - R for thematic reasons, not for the treatment of them. Fell
Knowledge - Anfauglith. Complete. Fairly short; PG13 - R for horror,
some violence.
Hunting - short and practically cheerful (PG for monster slaying) set late in the First Age. Complete.
In Brethil's Shade - short story, First Age, minimal angst. Concerning Two Kings and a Message from a Lady...Complete. Exultation of Gold - Extremely Short Story, First Age, Complete, G -- Never Laugh at Live Dragons . . . Because he isn't a fat gray iguana! Ongoing - begun 5/17/02. Updated 8/20/02. Silmarillion story: the Fall of Gondolin from an unusual viewpoint. The Timelost I. A Rede II. Ringa – The Coldness III. Únyárima – A Tale Beyond Telling IV. Rúkin – 'I fear it' V. The Sky is Like the Sea VI. Hecilë – She Who is Lost and Forsaken VII. Úquétima – What Cannot Be Spoken Timelost Glossary |
|
Without
Hope: Eight Days at Gondor Medical
Criticism (as an art or science, that is) |
To
the Halls of Mandos With Them!
The essay that
got evicted from ffnet.
Sturgeon's
Law in Action, Parts I & II
What would
have been the next part of the essay.
A structured interactive project, Arvernien.
Very Short Rants
(because I'm too busy/lazy to do longer ones) |
Of
Farmers and God-Kings, or, Elven Princesses Don't Shop at The Gap
(slightly-edited version of a Henneth-Annun post)
"Keep
these X" -- Mandatum for Writing Arda Immortals
How not to write Ally McBeal of Imladris
or
Friends
of Middle-earth or Ages of Our Lives . . .
Feminine
Naming Conventions in Middle-earth, or, why you will never meet Serella,
Elanna, Callysta, Savina, Vedilia, Carelia, Analae, Telperion, Sydney,
Hoshi, Zoe, Faith and Friselle anywhere north-west of Mordor...
(Summary & title all in one)
Ack! It
Ate My Post!
A brief address to the problem of software-eaten e-mails
and online review forms, with helpful tips for averting the same.
"The
Case of the Robotic Reviewer,"
or why a few words is not always enough, and sometimes
just four more are necessary.
Just
Give Me the Facts,
A combined report/rant explaining the rationale for hitcounters.
White
Elephant in the Agora
A related examination of "free" services.
The
Real Idiot's Guide To The Silmarillion
Severe vitriol alert: those offended by caustic and merciless sarcasm
should probably steer far clear.
How
NOT to Write Ardaverse Romance
Sarcasm alerts, naturally.
Medieval and Renaissance Music Files |
Early
Music - midi files, nicely arranged, hosted w/permission of the
arranger.
Original Poetry |
(Sonnet sequences, so far) written a while back:
Silliness |
Cartoons, for the moment.
Lull
in the Battle — adapted from an illumination in the St. Mary's
Psalter. (100k)
Silliness,
Silmarillion-style
— a cartoon in GIF format (115k).
Calligraphy Commonplace Book |
An experiment: playing around with typefaces to make graphically-exciting versions of selected texts. Feedback welcomed.
(A Commonplace Book was the old name for a blank book filled with hand-copied versions of your favorite poetry and prose selections. I have such an anthology accrued over the years, and there is something both comforting and particularly memorable about writing out a text in india ink with a crow-quill pen.)
The
Fall of Kings
Excerpt: Canto XII of The Lay of Leithian, PDF
format. Font is Insula. 158 K.
Earth
has not anything to show so fair
I was a bit surprised to find this, myself, so you might
not know either that William Wordsworth, the "poet of nature," wrote one
of the most spectacular lyric praises of the City in English literature.
PDF format. Font is Calli. 77K.
The
Valley of the Black Pig
A wonderful Yeats poem, inspired by one of the Celtic
names for Armageddon, short and memorable, written in 1896. PDF format.
Fonts are Ravenna, Visigoth, Celtic Patterns. 32K.
He
Hears the Cry of the Sedge
Another short early Yeats poem, combining Apocalypse
with lost love in its theme. PDF format. Fonts are Ravenna, Visigoth, Celtic
Patterns. 31K.
Cat
What our little domestic predators are really thinking,
by JRR Tolkien. Font is Marigold. Illustration was done in ball-point pen
and Pentel Presto Jumbo Correction Pen. Grayscale GIF format, 70K screen
version; 500K
printable version here.
Ataremma
Aia
Maria
The existence of these two texts, the Elvish language
versions of the Our Father and Hail Mary, shouldn't come as a surprise
to those who are aware that Tolkien was as serious about his religion as
he was about his writing. In the essay "On Fairy-stories," in fact, he
not only defends fantasy as a permissible thing, but as a fundamental "human
right," and even perhaps a Christian duty. I've arranged the texts in two
different ways, both combining the transliterated Quenya text, the tengwar
script originals, and the English versions; the Ataremma is supposed to
look rather like a very early manuscript, while the Aia Maria resembles
more the engraved inscriptions on medieval bells. NOTE: this was created
from Ardalambion's version of the texts using TengwarScribe,
and may well contain transcription errors of which I am unaware. As with
Project Gutenberg's editions, any further revisions (if errors are found)
will be so marked. Grayscale GIF format; high-resolution versions of the
Ataremma
( 216K) and Aia
Maria (180K) also may be downloaded. Fonts are Dan
Smith's Tengwar Sindarin and Omnia.
Willie & Joe - Fugitives from the Law of Averages |
"Soldiers at
the front read K-ration labels when the contents are listed
on the package, just to be reading something."
--Bill Mauldin, Up Front, 1944
A different view of 'The Good War', by someone
who lived it as well as drew it, created at the age of 23.
*** |
01/24/03
It is with great regret that I must inform readers that cartoonist
Bill Mauldin has died at the age of 81. The New
York Times dedicated a long tribute to the legendary WWII artist
and satirist, which may be accessed through their website, under Obituaries.
(Registration
required, no fees or obligations, and an alias may be used.)
*** |
Fugitives
from the Law of Averages - fairly large graphics
"Perhaps he will change back again when he returns, but never completely.
If he is lucky, his memory of those sharp, bitter days will fade over the
years
into a hazy recollection of a period which was filled with homesickness
and horror
and dread and monotony, occasionally lifted and lighted by the gentle,
humorous,
and sometimes downright funny things that always go along with misery.
I'd like to talk about some of the things he will remember, and then I'd
like to
forget them myself..."
-- Bill Mauldin, Up Front, 1944
LINKS |
I generally disapprove of collections of links, simply because one has
no control over what happens on the other end, and pages just of links,
mostly terminating in 404s, can be so extremely frustrating. But these
seem stable. More will come eventually.
In addition to the tours offered, there is a great deal of personal,
human information here about the men that will help convey what it was
like for J.R.R.Tolkien and his comrades at 'the Bloody Somme.'
*** |
"Fantasy is made out of the Primary World,
but a good craftsman loves his material, and has a knowledge and feeling for clay, stone and wood which only the art of making can give. By the forging of Gram cold iron was revealed; by the making of Pegasus horses were ennobled; in the Trees of the Sun and Moon root and stock, flower and fruit are manifested in glory." — from "On Fairy-stories," by J.R.R. Tolkien |