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Erich Korngold Austrian pioneer who turned films into ‘operas without singing', Korngold was declared a genius at ten by Mahler. He moved to Vienna to study with Zemlinsky. His kitschy, Romantic style was hailed by the conductors of the time, before he went onto commercial success in Hollywood's Golden Age.
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March of the Merry Men from 'The Adventures of Robin Hood'
Molto Allegro from Baby Serenade, Op. 24
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Born: 1897 Died: 1957
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Music is music whether it is for the stage, rostrum or cinema. Form may change, the manner of writing may vary, but the composer needs to make no concessions whatever to what he conceives to be his own musical ideology.
Korngold interviewed in 1946
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ERICH KORNGOLD IN ONE MINUTE |
- The 1910 performance of his ballet, Der Schneemann, made him a celebrity, at 13.
- Korngold's father was an influential and reactionary critic, who hated the modernistic music of the time.
- Korngold’s new arrangements of operettas by Johann Strauss and Offenbach revived the composers' popularity.
- In 1938, Korngold's music was banned by the Nazis for being degenerate.
- After the outbreak of World War II he vowed to compose no more absolute music until "the fiend in Germany is defeated".
- Warner Brothers gave Korngold a free hand and maximum input on the films he scored. He even wrote some of the dialogue in Deception.
- Post-war, he found that his musical style was out of step, and died at 60 forgotten, until a gradual reinterest in his work emerged.
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