Master of Burgo de Osma
( fl first half of the 15th century). Spanish painter. The anonymous painter named after the altarpiece of the Virgin (c. 143040; now dismembered, panels in Burgo de Osma, Mus. Catedralicio, and Paris, Louvre) made for the high altar of the cathedral of El Burgo de Osma, Castile, was a follower of Pere Nicolau and an important representative of Valencian painting of the early 15th century. The Virgin altarpiece in the parish church of Rubielos de Mora (Teruel) of c. 141020 is the painters most characteristic work, in which the elegance of the elongated forms combines with a vigorous expressionism. The Entombment (Seville, Mus. B.A.) and Deposition (Barcelona, Pal. Puig), all panels from a dismembered retable, are in a similar style. The Masters later manner was more subdued, and the late Quo Vadis (c. 144050; Madrid, Mus. Arqueol. N.) shows his interest in naturalistic features.
Part of the Masters, anonymous, and monogrammists family
|
There are more than 45,000 articles in The Grove Dictionary of Art.
To access the rest of this article, including the bibliography, subscribe to
www.groveart.com.
To find out more about this subject, click on a related article below and
subscribe to www.groveart.com
|