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Noel Coward's brittle and pathetic self-portrait of the matinee idol as the center of the universe is preserved more or less under glass in the National Theatre's glossy new production. More
This smart, funny tale of a young girl's interactions with three disreputable philatelists plays like a modern-day cross between "The Maltese Falcon" and "American Buffalo" and features smashing performances by its leads. More
While the less than imaginatively titled adaptation of the '70s sitcom doesn't exactly overwhelm with its creative elements, it is a real crowd-pleaser. More
This is that most difficult of achievements, an authentic and joyful recapturing of totally incredible exploits that adults can enjoy unreservedly, and without guilt. More
LONDON -- Tony-winning choreographer Rob Ashford's Donmar Warehouse revival of the 1998 American musical "Parade," which is based on the notorious 1913 murder trial of Leo Frank, is an enthralling testament to the wisdom of revisiting strong material with a fresh vision. More
Contrary to the hype about its being a controversial anti-war spectacle, and despite the assaulting physical context in which it takes place, it turns out to be at its core a gently lyrical and intimate drama. More
Hershey Felder's talent and presence are such that he can present an audience with the essential artistry of his subject rather than merely imitating personal tics or regaling us with anecdotes and one-liners that offer little more than a fan's inflated perspective. More
LONDON -- Seldom can Shakespeare's murky Scottish tragedy been have staged with so much clarity and emotional punch as in Rupert Goold's exhilarating production at London's Gielgud Theatre starring Patrick Stewart in probably the finest performance of his career in the title role. More
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