Can
Discography
Albums
I Want More  2007
Radio Waves  1997
Rite Time  1989
Can  1979
Out of Reach  1978
Saw Delight  1977
Flow Motion  1976
Landed  1975

Others
Box  1999
Can Box  1999
Can Box [UK]  1999

Singles

Ege Bamyasi
Released: 1972
Record Label: Mute
Track: Title: Composer: Time:
1 Pinch Can/Schmidt, Irmin/Czukay, Holger/Karoli, Michael/Suzuki, Damo/Liebezeit, Jaki  9:30
 
2 Sing Swan Song Can/Schmidt, Irmin/Czukay, Holger/Karoli, Michael/Suzuki, Damo/Liebezeit, Jaki  4:49
 
3 One More Night Can/Schmidt, Irmin/Czukay, Holger/Karoli, Michael/Suzuki, Damo/Liebezeit, Jaki  5:36
 
4 Vitamin C Can/Schmidt, Irmin/Czukay, Holger/Karoli, Michael/Suzuki, Damo/Liebezeit, Jaki  3:32
 
5 Soup Can/Schmidt, Irmin/Czukay, Holger/Karoli, Michael/Suzuki, Damo/Liebezeit, Jaki  10:32
 
6 I'm So Green Can/Schmidt, Irmin/Czukay, Holger/Karoli, Michael/Suzuki, Damo/Liebezeit, Jaki  3:06
 
7 Spoon Can/Schmidt, Irmin/Czukay, Holger/Karoli, Michael/Suzuki, Damo/Liebezeit, Jaki  3:04
 
Album Review
The follow-up to Tago Mago is only lesser in terms of being shorter; otherwise the Can collective delivers its expected musical recombination act with the usual power and ability. Liebezeit, at once minimalist and utterly funky, provides another base of key beat action for everyone to go off on -- from the buried, lengthy solos by Karoli on "Pinch" to the rhythm box/keyboard action on "Spoon." The latter song, which closes the album, is particularly fine, its sound hinting at an influence on everything from early Ultravox songs like "Hiroshima Mon Amour" to the hollower rhythms on many of Gary Numan's first efforts. Liebezeit and Czukay's groove on "One More Night," calling to mind a particularly cool nightclub at the end of the evening, shows that Stereolab didn't just take the brain-melting crunch side of Can as inspiration. The longest track, "Soup," lets the band take off on another one of its trademark lengthy rhythm explorations, though not without some tweaks to the expected sound. About four minutes in, nearly everything drops away, with Schmidt and Liebezeit doing the most prominent work; after that, it shifts into some wonderfully grating and crumbling keyboards combined with Suzuki's strange pronouncements, before ending with a series of random interjections from all the members. Playfulness abounds as much as skill: Slide whistles trade off with Suzuki on "Pinch"; squiggly keyboards end "Vitamin C"; and rollicking guitar highlights "I'm So Green." The underrated and equally intriguing sense of drift that the band brings to its recordings continues as always. "Sing Swan Song" is particularly fine, a gentle float with Schmidt's keyboards and Czukay's bass taking the fore to support Suzuki's sing-song vocal. ~ Ned Raggett, All Music Guide
Releases
Year Type Label Catalog #:
1972 LP United Artists 063
 
1972 Mute 87008
 
1993 CD Mute 8
 
1995 CD Mute 87008
 
1998 CD Mute 69056
 
2002 LP Mute 9056
 
2004 CD Spoon 8
 
2004 CD Mute 9274
 
2005 CD Pony Canyon 22204
 
2007 CD Mute 8
 
2008 CD Mute 693782
 
CS Spoon 71445-4
 
CD Restless 71444
 
United Artists A 063-F
 
© 2007 All Media Guide, LLC
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