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Yael Naim
Here Is What Is
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A Mad and Faithful Telling
honeydew
Goodbye Blues
Midnight Boom
Light From Above
Umalali: The Garifuna Women's Project
Turning Dragon
Above the Noise
Why We Sing
The Elephant in the Room
Never Going Back to OK
These Are the Good Times, People
Booming Back at You
Get Onboard
Rabo de Nube
For the Love of the Game
Autumn Fallin'
Burn to Shine Seattle, Wa. 01.27.07
Soul Speak
Transnormal Skiperoo
Warpaint
Marcus
Azucar de Amor
Real Emotional Trash
Asking for Flowers
Red Yellow & Blue
Snakeskin Violin
Quaristice
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Every Day
Rock With U
Unfair
Mercy
Given Up
My Heroes
I Dream of Spring
Break the Ice
Braid My Hair
Sometimes a Song
On the Run
In Love With a Girl
Producers: Ivan Barias, Carvin Haggins
You Can't Always Get What You Want (Soulwax Remix)
2 O'Clock
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March 13, 2008
New York (Steiner Studios)
March 11, 2008
New York (Highline Ballroom)
March 06, 2008
New York (Madison Square Garden)
February 15, 2008
New York (Highline Ballroom)
March 04, 2008
New York (Terminal 5)
February 27, 2008
New York (Dizzy's Club Coca-Cola at Jazz at Lincoln Center)
February 21, 2008
New York (Highline Ballroom)
February 27, 2008
New York (The Allen Room at Lincoln Center)
February 19, 2008
New York (Madison Square Garden)
February 06, 2008
SOB's, New York
February 20, 2008
Auburn Hills, Mich. (Palace of Auburn Hills)
February 22, 2008
New York (B.B. King's Blues Club)
February 18, 2008
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February 16, 2008
Pretoria, South Africa (Loftus Versfeld Stadium)
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honeydew
SHAWN MULLINS
Producer(s): Shawn Mullins
Genre: ROCK
Label: Vanguard
The careworn ambience of Shawn Mullins' 11th studio album comes honestly. Since 2006's "9th Ward Pickin' Parlor," the Georgia-born troubadour lost his mother and had his favorite guitar and songwriting computer stolen in a home burglary. And his dog died. But while "honeydew" has its share of laments, they're not necessarily Mullins'. As on his previous releases the singer/ songwriter creates a series of vividly drawn, three-dimensional characters and puts the weight of the world on them, usually with a Southern accent and a gripping affect that sucks the listener deeply into their stories. There's rustic roots imagery of "See That Train," where the ghosts of Johnny Cash and Elmore James tap their feet in unison, and the rich, swelling sound of the Band on "All in My Head." "Song of the Self (Chapter 2)" is the kind of solo performance that evokes a mid-week sunset.—Gary Graff


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