Rush
Bottom Line: Another loud, long, fun and funny set from one of rock's greatest live acts.
May 6, 2008
Nokia Theatre, Los Angeles (Tuesday, May 6)
Rush doesn't throw a lot of curveballs live, which made its 2004 tour such a kick -- or a kick in the teeth to grizzled purists. That 30th anniversary jaunt included covers and a sit-down acoustic segment, both firsts for the band.
But at the sold-out Nokia on Tuesday -- Rush's second visit to L.A. in less than 10 months -- it was back to business as usual. And business is good.
The Canadian prog-metal mainstays delivered a long, loud, well-paced show awash in humor, theatrics and typically virtuoso playing. Rarely straying far from recorded versions of its songs, the band kept up its intensity for nearly 3 1⁄2 hours -- and the floor crowd never sat, except during intermission.
Lee's voice broke a couple of times during the opening "Limelight" but held up well for the rest of the show, though it often was muddied amid the din. He played hit-or-miss with the highest notes, drilling them during "Freewill" early on but not even attempting the grimacing screech of "The Temples of Syrinx" three hours later. His bass playing remains impeccable -- as enjoyable to watch as hear.
Wearing his unsmiling game face, Peart drummed on his 360º kit with a perfectionist's calculation. His storied fills mostly followed the albums smack for smack, but he's a little less showy at 57 and made less use of his most exotic percussion instruments. His nine-minute solo during 2008 Grammy-nommed instrumental "Malignant Narcissism" devolved into a tape-accompanied swing thing. And after a late one-two of some "2112" and "Tom Sawyer," many of the air drummers in the mostly male crowd looked spent.
Just another brilliant Rush concert. It's time to lose the snarky excuses and put these guys in the Rock and Roll Hall of Fame.
The band returns to the Nokia Thursday night (May 8).