español | français Pier Francesco Cavalli: The great enterprise of XVIIth century opera Eduardo López Banzo Gérard Lesne 10 CDs for a desert island: Enrico Gatti The Codex Calixtinus: The music on the Pilgrims’ Road to Santiago Musical Still Life in Eighteenth-Century France   51 - 50 - 49 - 48 - 47 - 46 - 45 - 44 - 43 - 42 - 41 - 40 - 39 - 38 - 37 - 36 - 35 - 34 - 33 - 32 - 31 - 30 - 29 - 28 - 27 - 26 - 25 - 24 - 23 - 22 - 21 - 20 - 19 - 18 - 17 - 16 - 15 - 14 - 13 - 12 - 11 - 10 - 09 - 08 - 07 - 06 - 05 - 04 - 03 - 02 - 01 - 2004 COMPOSERS PIER FRANCESCO CAVALLI: THE GREAT ENTERPRISE OF XVIITH CENTURY OPERA, by DINKO FABRIS INTERVIEWS EDUARDO LÓPEZ BANZO, by EDUARDO NOTRICA GÉRARD LESNE, by YUTHA TEP 10 CDS FOR A DESERT ISLAND: ENRICO GATTI ESSAYS THE CODEX CALIXTINUS: THE MUSIC ON THE PILGRIMS’ ROAD TO SANTIAGO, by JUAN CARLOS ASENSIO MUSICAL STILL LIFE IN EIGHTEENTH-CENTURY FRANCE, by VICTORIA LLORT "By far the most lavishly produced magazine in the booming early music field is Goldberg" The Washington Post The cover of this issue is a detail from “The Calling of St. Matthew” by Michelangelo Merisi (or Amerighi) (1571-1610), otherwise known as Caravaggio. The French merchant Mateo Contarelli bought one of the private chapels of the Church of San Luigi dei Francesi, Rome, for his burial place and commissioned various paintings and sculptures devoted to St. Matthew, the saint whose name it bore. This was the first time he had been commissioned to paint a church, giving all its visitors the opportunity to admire his work. Light pierces the scene and illuminates the face of the youth accompanying Matthew, who is surprised by Christ’s appearance in the room. The painting dates from around 1600. ABOUT US | CONTRIBUTE   web map - home page - cover Legal warning Copyright 2003, Goldberg. info@goldberg-magazine.com