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Sunday's epic moment during the second night of KROQ's Almost Acoustic Christmas belonged to the second-billed Killers.
Fans of Southern Cal modern-rock giant KROQ received two early holiday presents during Saturday's first night of the station's annual two-day Almost Acoustic Christmas musical smorgasbord, as a reunited Stone Temple Pilots and headlining punk veterans the Offspring delivered crowd-pleasing, chock-full-o'favorites sets.
The late James "Jay Dee/ J. Dilla" Yancey was a master of hip-hop production, a man whose influence will be forever etched into the fabric of the rap game's future endeavors.
Unfortunately for Justice, the act's "live" CD/ DVD sees release a few weeks after the blogosphere had a field day with a photo that showed it playing ferociously on MIDI equipment—which was visibly unplugged. No matter, though.
Amid daily news of tragedy and economic collapse, now is either the worst or best time to release a collection of songs about death and mayhem.
With a Christmas single on the AC singles chart for the second year in a row and a fifth sold-out year of live shows beginning in Las Vegas, Barry Manilow's millennial presence continues to dazzle.
Matador's reissue campaign for the Pavement catalog continues with "Brighten the Corners," arguably the most overlooked of the band's five studio albums. It's still a bit tough to figure out why.
This Washington, D.C., crew, assembled by bassist Robert Fox and guitarist Michael Shereikis, was initially inspired by the musical legacy of Nigerian icon Fela Kuti.
Three years after his surprise hit "Unpredictable," Jamie Foxx returns to the microphone for his third studio album "Intuition," due out before year's end. For the first single "Just Like Me," he enlists help from T.I.
Boulder, Colo.-based duo 3OH!3 ("three-oh-three," as in the Denver area code) put its name on the map with viral hit "Don't Trust Me" from its debut album "Want." The hip-hop/ electronica mash-up band recently broke the Billboard Hot 100 at No.
And the hits just keep coming, as Rihanna mines her now greatest-hits opus "Good Girl Gone Bad" for an amazing eighth hit single.
Teslim's Kaila Flexer and Gari Hegedus are, respectively, a violinist and an instrumentalist of bewildering proficiency, including the oud, lauoto (an eight-stringed Greek lute), frame drums and viola.
The All-American Rejects' 2005 effort "Move Along" spawned a number of radio-friendly hits that appealed to the Vans Warped tour crowd and mainstream listeners alike.
An old radio wives' tale says that a good ballad will carry an artist through the winter months—and up the charts.
On the heels of his recent No. 1 "You Look Good in My Shirt," Keith Urban unleashes the first single from his currently untitled new studio album.
Neil Young's "Archives" project is poised to become the new "Chinese Democracy," but the wait helps get gems like this out of his vault.
After three years and three top 10 R&B hits as the lead vocalist for Pretty Ricky, Pleasure P is ready to fly solo.
The soundtrack to the film history of Chess Records falls somewhere between a dawn-of-rock'n'roll tribute album and a new BeyoncÉ album...
In 2006 the Japanese fivesome Dir en grey made a run at the United States that caused a minor sensation in clubs, selling out Los Angeles' Wiltern Theatre and New York's Avalon within hours.
In six short years, Camp has earned three gold albums and five Dove Awards, becoming one of the industry's most respected talents. He once again proves why on this latest disc.
The Canadian R&B chanteuse Kreesha Turner's first single, "Bounce With Me," blanketed such hit TV shows as "Entourage," "Gossip Girl," "Ugly Betty" and "Desperate Housewives."
Seven albums on, this Japanese alternative metal quintet keeps pitting the psyche's primordial ooze against alluring melodies, demonstrating man's internal conflict between dark and light.
For a band whose breakout record, 2005's "Nice and Nicely Done," was so ambitious and deliciously snarky that it included three guitarists and a choir of kazoos, the bar is set higher than usual for a follow-up.
Man does not live by polyrhythms alone—although Femi Kuti and his 17-piece Positive Force sure make it sound like a pleasing proposition.
This quintet, based in Asheville, N.C., has essentially created the intersection of West African traditional music and American rock.
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