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"Brief Interviews with Hideous Men" is one hell of a date movie. A surgical examination of the male psyche based on David Foster Wallace's book and written and directed by John Krasinski, there is plenty of food for thought and argument.
Director John Woo's level-headed ordering of narrative sequence, his skill in devising kinetic live-action to off-set technical ostentation and his vision of how to turn epic into entertainment propels "Red Cliff II" to a thundering climax.
In the ongoing tradition of "American Graffiti" and "Fast Times as Ridgemont High," "Adventureland" will be a high grader at the boxoffice and in rental.
"Five Minutes of Heaven" is based on a true story -- that never happened. That might explain why the film circles and circles its subject but never strikes dramatic pay dirt.
A dark comedy with a piquant metaphysical bite, this assured feature from writer-director Sophie Barthes imaginatively joins a high-concept script with a distinctive visual style.
In attempting to create a romantic film around a character with Asperger's syndrome, writer-director Max Mayer tempts the cinema gods. The result could easily have been pure treacle or just very tacky. "Adam," fortunately, is neither.
Add to the growing list of movies attempting to explain the vile apartheid governing system in South Africa and its eventual demise this striking new movie, "Endgame."
Robin Williams leaps off a high dive in the nude at the end of "World's Greatest Dad." Not an inspiring sight. That's an apt metaphor for what he has done professionally in this dunderheaded delirium from writer-director Bobcat Goldthwait.
"500 Days of Summer" is a lighthearted autopsy of a love gone sour from a strictly male point of view. You're not going to understand the girl very well, and you may learn more about the boy than you really want to.
It's understandable that Sundance has to include a few star-driven items on its schedule to fill the big theaters and help pay the bills, usually in the premiere section, but "Spread" with Ashton Kutcher marks one of the low points of the festival.
"Don't Let Me Drown" is one of the best film portraits yet of New York City in the aftermath of 9/11, where a city and its people cope with collective post-traumatic stress while military jets boom overhead and smoke from the Twin Towers hangs in the air.
A strong contender for awards in the Dramatic Competition section, this hard-forged film is a winning debut for filmmaker Emily Abt.
"The Lodger" is the third film to be based, at least loosely, on Marie Belloc Lowndes' 1913 novel -- which itself was based loosely on the unsolved Jack the Ripper murders of Victorian London -- and the umpteenth film to deal with that infamous killing spree. Only in this film, writer-director David Ondaatje moves the story to contemporary West Hollywood and deconstructs the narrative into alternating levels of reality and illusion.
"The Greatest" pulls off a stunning fete, drawing an audience into a comprehensive film about grief.
Cherien Dabis, a Palestinian-American, has thoroughly re-energized the genre with refreshing wit, honest emotions, incisive observations and a perfect cast she literally flew around the world to find.
Stew's semi-autobiographical narrative skirts the pitfalls of conventional coming-of-age material by harnessing the boisterous energy of the endlessly inventive musical numbers
The film makes no pretense of objectivity -- it's clearly in Frazier's corner -- but at times it seems to inflate its case for dramatic effect.
More atmospheric than compelling, "Unmade Beds" could attract a young audience that relates to the characters and appreciates the terrific soundtrack.
Backdropped by a football (soccer) setting, "Rudo y Cursi" scores from every angle -- comic, personal and cross-cultural.
Filmmaker Kevin Willmott, a Kansas film professor, gives us a history lesson in this fictional distillation of the U.S. government's attempt to assimilate American Indians into white culture.
Honored and later despised for the cases he took on, attorney William Kunstler became a misunderstood and controversial figure. Now his daughters try to sort out his legacy in this documentary.
When your characters get a bad idea in the first act, the challenge for a filmmaker is how to get as much mileage -- in this case, comic mileage -- out of that bad idea without the bad idea taking over.
The opening-night selection for the 2009 Sundance Film Festival is defiantly independent and rigorously avoids even the slightest condescension to commercial considerations.
Sidhu, a down-on-his-luck New Delhi cook, finds himself in contemporary China in what is billed by Warner Bros. as the first Bollywood kung fu action comedy. But "Chandni Chowk to China's" 2 1/2 hours of shouting, gesticulating, pratfalls and groin kicks will leave viewers with an MSG headache.
Kevin James co-wrote, co-produces and stars in "Paul Blart: Mall Cop." So you wonder why he struggles for so much of the movie to find his comic rhythm.
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