Fifty years after Buddy Holly, Ritchie Valens and the Big Bopper
played their final gig at the Surf Ballroom in Clear Lake, Iowa,
the Day the Music Died became the Day the Music Went On and
On.
Last night's tribute concert at the original Surf raved on for six
hours with a contingent of rock vets that seemed as criss-crossed
as the original Winter Dance Party tour itinerary, including Graham
Nash, Los Lobos, Los Lonely Boys, Wanda Jackson, Delbert McClinton,
Joe Ely, Peter & Gordon, Dave Mason, Bobby Vee and Holly's
original bandmates, the Crickets.
If nothing else, the 50th anniversary bash -- produced by the Rock
and Roll Hall of Fame and filmed for a possible upcoming TV special
-- reiterated to Holly's Texans and Valens' Mexican-Americans why
the fallen rock icons even got on the plane that crashed that night
in 1959. The temperature outside hovered around zero with a
wind-chill that would have sliced through their unheated school
bus.
"It's so damn cold out there," Los Lonely Boys bassist Jojo Garza
marveled before his band took the stage. "It kind of puts you in
their shoes a little bit more."
The Lonely Boys teamed with Los Lobos for a rousing run of Valens'
standards, including "Framed," "Come On, Let's Go" and a finale of
"La Bamba" with Valens' family onstage to sing along. Holly's
widow, Maria Elena, was also on hand, as was the Big Bopper's son,
J.P. Richardson Jr., who offered a full-on imitation of his father,
although McClinton's steamy take on "Chantilly Lace" was the better
tribute.
Most of the show predictably centered around Holly, starting with
rowdy renditions of "Oh Boy!" and "Well... All Right" by his fellow
Lubbock native Ely. Fueled by an MVP house band that included
auxiliary Stones players Bobby Keys and Chuck Leavell, bassist
Hutch Hutchinson (Bonnie Raitt) and drummer Kenny Aronoff (John
Mellencamp), the Holly hits kept coming, with Peter & Gordon's
"True Love Ways," Mason's "Crying, Waiting, Hoping," Smithereens
singer Pat DiNizio's "It Doesn't Matter Anymore" (included on his
new Holly tribute CD) and Nash's "Everyday" and "Think It
Over."
"Buddy's music was so simple, it really struck at the core of your
heart," said Nash. "When you hear a Buddy Holly song, you remember
it for the rest of your life."
For the finale, the Crickets -- Sonny Curtis, Joe B. Maudlin and
Jerry Allison -- came out and played a medley of songs they
co-wrote, and not just with Holly (also included: "I Fought the
Law," "Real Wild Child" and the "Mary Tyler Moore Show" theme "Love
Is All Around"). The Crickets have been regulars at the Surf on
Feb. 2 over the years, even though Holly was on tour with a
different band at the time, one that famously included Waylon
Jennings.
"The levee ain't dry and the music didn't die," Curtis sang, in
reference to Don McLean's ode to the plane crash, "American
Pie."
The Surf Ballroom itself, newly designated a landmark site by the
Hall of Fame, was also one of the stars of the night. Mary Gerber,
who lives in nearby Walters, Minn., took some of the only photos
that exist from the original show and remembers the ballroom being
mostly the same as back then.
"But there are about 10 times more people here tonight than there
was that night," Gerber said, pointing out that the weather was
treacherous for attendees, too.
Los Lobos singer/guitarist David Hidalgo said it was fitting that
the tribute was held at the 1,800-capacity Surf and not somewhere
in New York or Los Angeles. His band happened to be driving through
Clear Lake on a recent tour and got off the highway for an
impromptu tour of the ballroom, which also houses a museum.
"We wound up spending a couple hours here," he recalled. "It's an
amazing place. Hopefully, there can be a lot more of these kinds of
events here for years to come."