Early music and baroque music festivals: United States, United Kingdom, France, Spain, Germany, Italy Labels de la musique ancienne et la musique baroque : France, Etats Unis, Royaume Uni, Espagne, Allemagne, Italie Early music and baroque music courses: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music competitions: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music luthiers: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music books and sheet music: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music associations: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music newsletters: United States, United Kingdom, France, Spain, Germany, Italy
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Early music magazine, baroque music Early music and baroque music concerts schedule: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music news : United States, United Kingdom, France, Spain, Germany, Italy CDs and discography, early music, baroque music: Bach, Handel, Vivaldi, Scarlatti, Rameau, ... Early music and baroque music month cds: United States, United Kingdom, France, Spain, Germany, Italy
COMPOSERS
Christoph Willibald Gluck: From the composer's early years to Orfeo ed Euridice
INTERVIEWS
Christina Pluhar
Andrea Marcon: The Andromeda Controversy
10 CDs for a desert island : Carole Cerasi
ESSAYS
Monteverdi's il Vespro della Beata Vergine
The French classical Organ
Leonardo Da Vinci and music
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COMPOSERS
Goldberg Magazine: La revista de la música antigua y la música barroca: Cavalli / Buxtehude / GluckGoldberg Magazine: Early music and baroque music magazine: Cavalli / Buxtehude / GluckGoldberg Magazine: Le magazine de la musique ancienne et la musique baroque: Cavalli / Buxtehude / Gluck
2005
COMPOSERS

CHRISTOPH WILLIBALD GLUCK: FROM THE COMPOSER'S EARLY YEARS TO ORFEO ED EURIDICE, by OLIVIER ROUVIÈRE
INTERVIEWS

CHRISTINA PLUHAR, by CORALIE WELCOMME
ANDREA MARCON: THE ANDROMEDA CONTROVERSY, by FRÉDÉRIC DELAMÉA
10 CDS FOR A DESERT ISLAND: CAROLE CERASI
ESSAYS

MONTEVERDI'S IL VESPRO DELLA BEATA VERGINE, by ROGER TELLART
THE FRENCH CLASSICAL ORGAN, by PIERRE DUBOIS
LEONARDO DA VINCI AND MUSIC, by CARLOS VELILLA


The first known portrait of the celebrated singer Sophie Arnould (1740-1802), one of the most captivating and influential women of her times, was painted by Jean-Baptiste Greuze (1725-1805) with the title Portrait of a Lady, called Sophie Arnould.

The singers and actresses of the eighteenth century played a significant role in society, and Sophie was well able to use her intelligence to consolidate her fame and amass considerable wealth.

Sophie Arnould had the good fortune and privilege to create roles in some of Gluck’s most important operas, such as Iphigénie en Aulide, as a result of which her name is associated with the idea of new and fresh directions in opera.

This portrait, painted in 1773, is to be found in the Wallace Collection in London.
Early music and baroque music notice board: United States, United Kingdom, France, Spain, Germany, Italy Ensembles, soloists, conductors, early music, baroque music:  United States, United Kingdom, France, Spain, Germany, Italy Early-Music Composers
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