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Early music magazine, baroque music Early music and baroque music concerts schedule: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music news : United States, United Kingdom, France, Spain, Germany, Italy CDs and discography, early music, baroque music: Bach, Handel, Vivaldi, Scarlatti, Rameau, ... Early music and baroque music month cds: United States, United Kingdom, France, Spain, Germany, Italy
COMPOSERS
Juan del Encina
Ockeghem : A new vision
INTERVIEWS
Andrew Parrott
10 CDs for a desert island: Suzie LeBlanc
ESSAYS
Liturgical drama in Bach's St. Matthew Passion
Music in the New World: from huehuetl to Iberoamerican Baroque
Mozart's Salzbourg
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COMPOSERS
Goldberg Magazine: La revista de la música antigua y la música barroca: Dowland / Vitry / Juan del EncinaGoldberg Magazine: Early music and baroque music magazine: Dowland / Vitry / Juan del EncinaGoldberg Magazine: Le magazine de la musique ancienne et la musique baroque: Dowland / Vitry / Juan del Encina
2006
COMPOSERS

JUAN DEL ENCINA, by JUAN RUÍZ JIMÉNEZ
OCKEGHEM : A NEW VISION, by FABRICE FITCH
INTERVIEWS

ANDREW PARROTT, by BRIAN ROBINS
10 CDS FOR A DESERT ISLAND: SUZIE LEBLANC
ESSAYS

LITURGICAL DRAMA IN BACH'S ST. MATTHEW PASSION, by URI GOLOMB
MUSIC IN THE NEW WORLD: FROM HUEHUETL TO IBEROAMERICAN BAROQUE, by JORGE LUIS ROZEMBLUM SLOIN
MOZART'S SALZBOURG, by BRIAN ROBINS


The portrait on the cover, exhibited at the marvellous Thyssen-Bornemisza Museum in Madrid and entitled Portrait of an Infanta, is by the Flemish artist Juan de Flandes (ca. 1465? - 1519) and dates from around 1500. Queen Isabella the Catholic began to assemble an important art collection and Juan de Flandes was one of the artists who moved to the Castilian court to complete numerous commissions from the sovereign prior to his death in 1504, after also having worked at the Salamanca and Palencia cathedrals.

His style, which remained constant throughout his output, confirms his, connexion to the school of Bruges. Until recently, this portrait had been identified as Catherine of Aragon, Queen Isabella’s youngest daughter, who would become Queen of England and whom Shakespeare described as the “queen of earthly queens and model of feminine majesty”.

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