Early music and baroque music festivals: United States, United Kingdom, France, Spain, Germany, Italy Labels de la musique ancienne et la musique baroque : France, Etats Unis, Royaume Uni, Espagne, Allemagne, Italie Early music and baroque music courses: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music competitions: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music luthiers: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music books and sheet music: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music associations: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music newsletters: United States, United Kingdom, France, Spain, Germany, Italy
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Early music magazine, baroque music Early music and baroque music concerts schedule: United States, United Kingdom, France, Spain, Germany, Italy Early music and baroque music news : United States, United Kingdom, France, Spain, Germany, Italy CDs and discography, early music, baroque music: Bach, Handel, Vivaldi, Scarlatti, Rameau, ... Early music and baroque music month cds: United States, United Kingdom, France, Spain, Germany, Italy
COMPOSERS
Tomaso Albinoni: the forgotten venetian
Alexander Agricola
INTERVIEWS
10 CDs for a desert island: Bob van Asperen
Trevor Pinnock
ESSAYS
Handel's Athalia
Opera and Zarzuela in 18th-Century Spain
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COMPOSERS
Goldberg Magazine: La revista de la música antigua y la música barroca: William Boyce / Jean-Féry Rebel / Tomaso AlbinoniGoldberg Magazine: Early music and baroque music magazine: William Boyce / Jean-Féry Rebel / Tomaso AlbinoniGoldberg Magazine: Le magazine de la musique ancienne et la musique baroque: William Boyce / Jean-Féry Rebel / Tomaso Albinoni
DICEMBER-JANUARY 2006
COMPOSERS

TOMASO ALBINONI: THE FORGOTTEN VENETIAN, by FRÉDÉRIC DELAMÉA
ALEXANDER AGRICOLA, by FABRICE FITCH
INTERVIEWS

10 CDS FOR A DESERT ISLAND: BOB VAN ASPEREN
TREVOR PINNOCK, by GRAHAM LOCK
ESSAYS

HANDEL'S ATHALIA, by PIERRE DEGOTT
OPERA AND ZARZUELA IN 18TH-CENTURY SPAIN, by JOSÉ MÁXIMO LEZA


Martin van Meytens (Stockholm, 1695 - Vienna, 1770) came from a family of Flemish artists. He began studying art with his father, the painter Martin van Meytens (the Elder), who had moved to Sweden from The Hague, and soon embarked on a cosmopolitan career travelling all over Europe to complete his education. The first cities he visited were London, Paris and Vienna, prior to moving to Italy, where he resided for some considerable time. He finally settled in Vienna, where he also took out Austrian citizenship.

His early miniatures and enamelwork gave way to oils from 1730 onwards, when he became famous at the Austrian court as a portrait painter. In 1732 he became the court painter and in 1759, Director of the Fine Arts Academy of Vienna. The portrait of the Archduchess Maria Amalia Habsburg-Lothringen is one of the most beautiful examples of his work. Full of life and colour, the painting created a following and his refined and elegant style spread throughout the whole Empire.

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