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Goldbergweb.com :: Porada Discografia
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MEDIEVAL |
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EXAMINING THE LITURGICAL-MUSICAL CODEX OF SPANISH-VISIGOTH CULTURE, by Susana Zapke
| NUMBER 46 |
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CANTIGAS, by Sophie Roughol
| NUMBER 01 |
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ORTHODOX CHANT, by Ivan Moody
| NUMBER 07 |
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CHAUCER AND MUSIC, by Nigel Wilkins
| NUMBER 22 |
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THE CODEX CALIXTINUS: THE MUSIC ON THE PILGRIMS’ ROAD TO SANTIAGO, by Juan Carlos Asensio
| NUMBER 30 |
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CODEX LAS HUELGAS, by Juan Carlos Asensio
| NUMBER 10 |
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KING DINIS OF PORTUGAL, by Manuel Pedro Ferreira
| NUMBER 40 |
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GREGORIAN CHANT, by Jerome F. Weber
| NUMBER 19 |
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THE MYSTERY PLAY OF ELCHE, by Maricarmen Gomez
| NUMBER 23 |
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JONGLEURS: MUSIC AND A WAY OF LIFE IN THE MIDDLE AGES, by Giampaolo Mele
| NUMBER 29 |
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THE SONG OF SIBYL, by Maricarmen Gomez
| NUMBER 12 |
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THE SADDEST SONG, by Diego Fischerman
| NUMBER 25 |
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THE SCHOOL OF NOTRE-DAME, by Juan Carlos Asensio
| NUMBER 24 |
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THE DEVIL´S MUSIC, by Nigel Wilkins, Maricarmen Gomez
| NUMBER 14 |
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THE SONGS OF THE KING THIBAUT OF NAVARRE, by Maricarmen Gomez
| NUMBER 24 |
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THE MINSTREL SCHOOLS IN THE LATE MIDDLE AGES, by Maricarmen Gómez
| NUMBER 41 |
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HISPANO-JEWISH MUSIC: THE VOICE OF MEDIEVAL SEPHARAD, by Jorge Rozemblum
| NUMBER 38 |
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STABAT MATER, by Jerome F. Weber
| NUMBER 03 |
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RENAISSANCE |
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'VANITAS SONORA'. SOME REFLECTIONS ON THE MUSIC ASSOCIATED WITH DEATH RITUALS IN SPANISH RENAISSANCE SOCIETY, by Juan Ruiz Jiménez
| NUMBER 47 |
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ARS POLEMICA: MONTEVERDI'S ORFEO AS ARTISTIC CREED, by Uri Golomb
| NUMBER 45 |
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DANCE AND THE ELITE IN RENAISSANCE EUROPE, by Jenifer Nevile
| NUMBER 38 |
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THE CANCIONERO DE UPPSALA, by Maricarmen Gómez
| NUMBER 28 |
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FLORENCE: BIRTHPLACE OF OPERA, by Roger Tellart
| NUMBER 28 |
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SPANISH MUSIC IN THE DAYS OF PHILIP II, by Maricarmen Gomez
| NUMBER 05 |
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DOWLAND´S LACHRIMAE, by Peter Holman
| NUMBER 06 |
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MAGICAL TRADITIONS IN THE RENAISSANCE AND BAROQUE, by Zak Ozmo
| NUMBER 45 |
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LEONARDO DA VINCI AND MUSIC, by Carlos Velilla
| NUMBER 32 |
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THE TWO RENAISSANCES OF THE VIHUELA, by John Griffiths
| NUMBER 33 |
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SIXTEENTH-CENTURY BÉARNAISE PROTESTANT PSALMS : THE ESTABLISHMENT OF A RELIGIOUS, LINGUISTIC AND POLITICAL STRATEGY, by Antoni Rossell
| NUMBER 33 |
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LOTTO (I), by Alexandre Pham
| NUMBER 04 |
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LOTTO (II), by Alexandre Pham
| NUMBER 05 |
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CARAVAGGIO'S MUSIC (PART ONE), by Alexandre Pham
| NUMBER 01 |
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CARAVAGGIO´S MUSIC (II), by Alexandre Pham
| NUMBER 02 |
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THE REPERTOIRE OF SIXTEENTH-CENTURY SPANISH MINSTRELS, by Juan Ruiz Jiménez
| NUMBER 53 |
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VAN DYCK, by Alexandre Pham
| NUMBER 06 |
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BAROQUE |
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'MUSIC FOR A WHILE' DRYDEN AND PURCELL, by David Vickers
| NUMBER 44 |
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À LA MODE DE FRANCE?: DANCING IN LONDON AND PARIS C.1680-C.1730, by Jennifer Thorp
| NUMBER 35 |
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APOSTOLO ZENO: A LIBRETTIST CAUGHT BETWEEN HIS STUDY AND THE STAGE, by Bruno Forment
| NUMBER 52 |
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HANDEL'S ATHALIA, by Pierre Degott
| NUMBER 43 |
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ATHANASIUS KIRCHER AND MUSIC IN ROME IN THE XVIII CENTURY, by Gianluca Capuano
| NUMBER 46 |
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BACH AND PERFORMANCE PRACTICE, by Roland Jackson
| NUMBER 34 |
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BEAUMARCHAIS AND THE OPERA, by Olivier Rouvière
| NUMBER 48 |
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BUSENELLO, by Jean-françois Lattarico
| NUMBER 36 |
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SINGING BACH, by Andreas Scholl
| NUMBER 34 |
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CANTATAS, by Ton Koopman
| NUMBER 34 |
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DON GIOVANNI: THE MASKS OF A LEGEND, by José Máximo Leza
| NUMBER 49 |
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JOHANN SEBASTIAN BACH’S THE ART OF FUGUE, by Uri Golomb
| NUMBER 38 |
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MUSICAL BAROQUE AND ABSTRACT ART, by Xavier Blanch
| NUMBER 31 |
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THE CLAVICHORD, by Marcia Hadjimarkos
| NUMBER 27 |
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LITURGICAL DRAMA IN BACH'S ST. MATTHEW PASSION, by Uri Golomb
| NUMBER 39 |
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PURCELL´S LONDON, by Brian Robins
| NUMBER 02 |
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THE TENEBRAE ACCORDING TO CHARPENTIER, by Catherine Cessac
| NUMBER 26 |
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THE ROMAN ORATORIO, by Roger Tellart
| NUMBER 21 |
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THE ENGLISH ‘CLASSICAL’ ORGAN, by Pierre Dubois
| NUMBER 25 |
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THE FRENCH CLASSICAL ORGAN, by Pierre Dubois
| NUMBER 32 |
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THE PRESENCE OF DON QUIXOTE IN MUSIC... BEYOND THE CENTENARY CELEBRATIONS, by Begoña Lolo
| NUMBER 37 |
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MOZART'S SALZBOURG, by Brian Robins
| NUMBER 39 |
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A PLAINE AND EASIE INTRODUCTION TO THE BAROQUE GUITAR, by William Yeoman
| NUMBER 46 |
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GAINSBOROUGH AND MUSIC, by Brian Robins
| NUMBER 36 |
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HANDEL'S GIULIO CESARE, by Brian Robins
| NUMBER 35 |
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MONTEVERDI'S IL VESPRO DELLA BEATA VERGINE, by Roger Tellart
| NUMBER 32 |
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A BACH CANTATA FOR THE FIRST SUNDAY IN ADVENT, by Gianluca Capuano
| NUMBER 49 |
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CLAUDIO MONTEVERDI'S L'INCORONAZIONE DI POPPEA, by Uri Golomb
| NUMBER 42 |
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ARCADIA QUESTIONED: MARTÍN Y SOLER’S DRAMME GIOCOSO AND SCENIC CANTATAS, by Juan Bautista Otero
| NUMBER 29 |
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DRESDEN IN THE TIME OF ZELENKA AND HASSE, by Brian Robins
| NUMBER 40 |
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LA CLEMENZA DI TITO. MOZART'S OPERATIC FAILURE?, by Brian Robins
| NUMBER 52 |
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AN ESSAY ON THE BIRTH OF THE ORCHESTRA : THE LYRE OF ORPHEUS, by John Spitzer & Neal Zaslaw
| NUMBER 37 |
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VERMEER´S MUSIC, by Christopher Nobbs
| NUMBER 17 |
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MUSIC AT COURT OF THE CATHOLIC KINGS, by Michael Noone
| NUMBER 26 |
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MUSIC IN EIGHTEENTH-CENTURY TOLEDO, by Carlos Martínez Gil
| NUMBER 44 |
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BACH'S MUSICAL OFFERING, by Tom Moore
| NUMBER 01 |
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GERMAN BAROQUE OPERA IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES, by Jean-françois Lattarico
| NUMBER 47 |
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FUX´S VIENNA, by Brian Robins
| NUMBER 15 |
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MUSICAL STILL LIFE IN EIGHTEENTH-CENTURY FRANCE, by Victoria Llort
| NUMBER 30 |
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EARLY ITALIAN VIOLS, by George Houle
| NUMBER 36 |
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BACH SACRED CANTATAS, by Brian Robins
| NUMBER 13 |
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BACH'S FOUR MISSAE, by Uri Golomb
| NUMBER 54 |
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THE PASSIONS : VERSIONS AND PROBLEMS, by Daniel R. Melamed
| NUMBER 34 |
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MAGICAL TRADITIONS IN THE RENAISSANCE AND BAROQUE, by Zak Ozmo
| NUMBER 45 |
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BACH'S ORATORIOS, by Uri Golomb
| NUMBER 48 |
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BEYOND BACH'S BIBLE, by Tassilo Erhardt
| NUMBER 54 |
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METASTASIO, by Olivier Rouvière
| NUMBER 37 |
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BACH´S MASS IN B MINOR, by Bernard D. Sherman
| NUMBER 09 |
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MUSIC IN THE NEW WORLD: FROM HUEHUETL TO IBEROAMERICAN BAROQUE, by Jorge Luis Rozemblum Sloin
| NUMBER 39 |
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MUSIC AND DANCE IN THE ROMANESQUE SCULPTURE OF CASTILE-LEON, by Pedro Luis Huerta
| NUMBER 35 |
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OPERA AND ZARZUELA IN 18TH-CENTURY SPAIN, by José Máximo Leza
| NUMBER 43 |
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HAYDN'S LATE ORATORIOS: THE CREATION AND THE SEASONS, by Brian Robins
| NUMBER 44 |
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PAMINA IN THE MAGIC FLUTE, by Uri Golomb
| NUMBER 40 |
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REQUIEM AETERNAM: MOZART'S LAST WORK AND THE CONTROVERSY OF AUTHENTICITY, by Zak Ozmo
| NUMBER 41 |
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TELEMANN´S TAFELMUSIK, by Tom Moore
| NUMBER 08 |
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A SONG OF PEACE AND WAR, by Fernando J. Álvarez Del Castillo
| NUMBER 54 |
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AN ORGAN FOR PERFORMING BACH, by Pierre Dubois
| NUMBER 34 |
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A SERENE DESPAIR: FRANÇOIS COUPERIN, THE REPENTANT MAGDALENE: AND THE LESSONS OF TENEBRAE, by Steven Plank
| NUMBER 52 |
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LIFE AFTER DEATH. THE VIOLA DA GAMBA IN THE EIGHTEENTH CENTURY, by Peter Holman
| NUMBER 42 |
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