**************************************************************** W R I T I N G W O R L D A World of Writing Information - For Writers Around the World http://www.writing-world.com Issue 3:01 12,000 subscribers January 9, 2003 ***************************************************************** SUBSCRIBE/UNSUBSCRIBE INSTRUCTIONS AT END OF NEWSLETTER ***************************************************************** SPECIAL NOTICE: Please do not "reply" to this e-mail. Due to changes in the listbox mailing program, messages that are sent in response to this newsletter may be deleted automatically. If you wish to contact the editor e-mail: Moira Allen ***************************************************************** CONTENTS ================================================================= From the Editor's Desk CLASSES! CLASSES! CLASSES! FEATURE: All Essays are Not Equal, by Isabel Viana News from the World of Writing FEATURE: Get Your Ebook Noticed! by Michael Knowles The Write Sites - Online Resources for Writers FEATURE: What Does it Take to Write for Children? by Linda Phillips From the Managing Editor's Mind WHAT'S NEW at Writing World/Prize Drawings MARKET ROUNDUP/Writing Contests ***************************************************************** Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Visit http://www.1stbooks.com/getpublished/no_rejection.html ***************************************************************** EARN AN MFA IN WRITING through the brief-residency program at Spalding University in Louisville, KY. Call (800) 896-8941x2105 or e-mail gradadmissions[at]spalding.edu and request brochure FA90. Mail: Graduate Admissions-MFA, Spalding University, 851 S. Fourth St., Louisville, KY 40203. For more info: http://www.spalding.edu/graduate/MFAinWriting SPECIAL NOTICE: Spalding University's brief-residency MFA in Writing program now offers a concentration in SCREENWRITING. Deadline for application for May 2003 semester is 2/15/03. ***************************************************************** WRITERSCOLLEGE.COM has 57 online courses. Prices are low. If you can reach our web site, you can take our courses. http://www.WritersCollege.com ***************************************************************** DISCOUNTED WRITERS' SOFTWARE -- PowerStructure, DramaticaPro, StoryView, WritePro, MovieMagic, InkLink, plus many more. HUGE SAVINGS! GREAT SELECTION! Visit us online: http://www.MasterFreelancer.com/ww ***************************************************************** FREE EZINE FOR BUSINESS AND TECHNICAL WRITERS -- WriteThinking is a weekly ezine for business and technical writers featuring career tips, how-to articles, software and book reviews, an extensive North American jobs list, and Guerilla WriteFare! Subscribe at http://www.writethinking.net/ ***************************************************************** SPECIAL LIMITED OFFER TO WRITING-WORLD SUPPORTERS: From now until February 28, contribute $5 or more to Writing-World.com and receive a copy of "1500 Online Resources for Writers!" See http://www.writing-world.com/books/1500.html for details, or go to http://www.amazon.com/paypage/P2UTPRKYGU4AA1 to contribute. ***************************************************************** FROM THE EDITOR'S DESK ================================================================= Happy New Year! --------------- Happy New Year, and welcome back! Your editors have enjoyed their Christmas break; we've both been moaning about how difficult it is to get the brain back into "work" mode after the holidays. Oh, yeah, e-mail... I remember that... Christmas was great, and as a special treat, WHITE. Big, fat flakes started falling on Christmas Eve and continued well into the morning; then the sun came out and everything started to melt. We took a quick walk through the "drip drip trickle trickle" of the woods; it felt a bit like walking through Narnia during the big thaw. It's hard to believe that we're launching "Volume 3" of the newsletter. Writing-World.com will celebrate its second anniversary in February, and the newsletter will officially be two years old in March. This year, I've resolved NOT to redesign my website every three months (ha!) -- and to focus on more important things, like finishing the first draft of my novel! If YOUR New Year's resolution was to get your writing career launched, or break into a new market area, or explore a new type of writing you've always dreamed about, take a look at Writing-World.com's spring class lineup! (How's that for a promo segue?) This year, we're offering classes in two distinct "semesters" (rather than "all the time"): Spring and Summer. Each will have a completely different line-up, which means that each course will be offered only once per year. For the next four issues, we'll be offering lecture excerpts and articles from our various instructors, to give you an idea of the quality of teaching you'll be able to expect. That's why this newsletter is a little longer than usual (as will all the newsletters in January and February). This year, we're also trying to make it easier to pay for a class by check or money order. If you don't want to sign up online, just download our "check payment" form (PDF format) at http://www.writing-world.com/classes/check.pdf And if you have any questions, contact me! Help Support Starving Editors... -------------------------------- Well, I don't think either of us are actually starving (Peggy, feel free to jump in here any time!), but I HAVE decided to give my managing editor a much deserved (and overdue) raise. Your contributions have been VERY helpful in enabling Writing-World.com to pay for Peggy's fine editing work, plus our columnists. So here I am again, asking for more! As a thank-you gift, for a limited time, I'm offering a copy of "1500 Online Resources for Writers" to anyone who contributes $5 or more to Writing-World.com. Contributions can be made via PayPal (my preference!), Amazon.com (http://www.amazon.com/paypage/P2UTPRKYGU4AA1), or check/money order (e-mail me for info). This e-book normally retails for $6.95; the $5 offer expires on 2/28. Have a great 2003! -- Moira Allen (Moira Allen) ***************************************************************** Our team of professional editors -- including a Pulitzer Prize nominee and an author published by Dell, Warner, Fawcett, etc. -- specializes in novels written by first-time, novice writers. See us at http://www.a1editing.com for prices, references, etc. ***************************************************************** CLASSES! CLASSES! CLASSES! ================================================================= Announcing our spring course line-up! All classes begin March 3. (To enroll via PayPal, please click the link after each class. To enroll with a check or money order, please download our "check payment" form at http://www.writing-world.com/classes/check.pdf). HOW TO WRITE A NONFICTION BOOK PROPOSAL Moira Allen - 4 weeks - $60 http://www.writing-world.com/classes/nonfiction.html Get paid for your book BEFORE you write it! Find out what publishers look for in a book proposal, the homework you need to do before you start to write, and how to prove you're the right author for the job. Recommended for writers who have a nonfiction book planned or in progress. >>-----------------------------------------------------<< WRITING AND SELLING PERSONAL ESSAYS Isabel Viana - 4 weeks - $60 http://www.writing-world.com/classes/essays.html To write a personal essay is to embark on a journey towards deeper self-knowledge. To sell a personal essay requires the writer's ability to express that new knowledge about herself with broad strokes so that readers can relate to the writer's experience. Includes business and marketing tips. >>-----------------------------------------------------<< TRAVEL WRITING FOR FUN AND PROFIT Kathleen Walls - 4 weeks - $60 http://www.writing-world.com/classes/travel.html If you enjoy seeing new places and writing home about them, you could be a travel writer. Find out how to appear "professional" from your first submission, find markets, learn what editors want, take advantage of "comps," and maximize your income. >>-----------------------------------------------------<< WRITING CHRISTIAN NONFICTION Lisa Beamer - 6 weeks - $90 http://www.writing-world.com/classes/christian.html Merge your writing with your faith, and find out how to market your work not only to "Christian" markets but also to secular publications. For writers with a basic knowledge of the freelancing process. >>-----------------------------------------------------<< WRITING AND SELLING EROTIC FICTION Catherine Lundoff - 6 weeks - $90 (max. 10) http://www.writing-world.com/classes/erotica.html For centuries, writers have portrayed sensuality and sexuality in words to captivate, titillate and amuse their readers. Find out how to capture what is perhaps the greatest intimacy your characters will experience. For new and experienced writers. >>-----------------------------------------------------<< GETTING THE MOST FROM PRINT-ON-DEMAND PUBLISHING Sue Lick - 6 weeks - $90 (max. 12) http://www.writing-world.com/classes/POD.html What is POD? Is it right for you? Find out how to choose a publisher, format your manuscript, design your cover, write PR material and develop a marketing plan. If you have a book ready to go, get personalized assistance in each lecture -- with a published book as a result! >>-----------------------------------------------------<< SELLING YOUR EBOOK ONLINE Michael Knowles - 6 weeks - $90 http://www.writing-world.com/classes/knowles.html Learn the practical aspects of marketing and selling your ebook online: how to build a powerful web site, identify target markets, build a marketing plan, select the right payment processing tools, and deliver your book to your customers. Includes free copy of instructor's ebook, "You CAN Take Credit Cards Online." >>-----------------------------------------------------<< HOW TO FIND AN AGENT Natalie Collins - 6 weeks - $100 http://www.writing-world.com/classes/agent.html While there's no sure-fire formula for impressing an agent, you CAN stack the deck in your favor. Find out how to write a killer query, superb synopsis, and meticulous manuscript. Receive a critique of your query and synopsis, and a list of legitimate literary agents with track records of sales. >>-----------------------------------------------------<< MARKETING YOUR BOOK ON THE AIR Brian Jud - 6 weeks - $100 (max. 10) http://www.writing-world.com/classes/jud.html Media appearances provide a free way to gain national exposure quickly and sell many books in the process. Find out how to plan your media campaign, contact media decision makers, and perform "on the air" -- as well as how to pitch your books once you're there. >>-----------------------------------------------------<< WRITING FOR CHILDREN Linda Phillips - 7 weeks - $105 (max. 12) http://www.writing-world.com/classes/phillips.html Do you have what it takes to be a children's writer? Find out what "category" of children's writing fits "best;" explore the tools for writing fiction, nonfiction and poetry; discover new markets; and learn the business side of writing for children. >>-----------------------------------------------------<< INTRODUCTION TO SPECULATIVE FICTION Bruce Boston - 8 weeks - $100 (max. 12) http://www.writing-world.com/classes/boston.html A workshop emphasizing the special concerns and aspects of the craft of writing speculative fiction. Students can offer work for critique, and will receive individual market guidance. >>-----------------------------------------------------<< THE EXPATRIATE WRITER: SELLING YOUR WRITING FROM AROUND THE WORLD Jo Parfitt - 8 weeks - $100 http://www.writing-world.com/classes/expat.html Writing is the perfect portable career. Whether you travel around the country or around the world, find out how to turn your journeys into inspiration -- and how to turn that inspiration into articles that sell. Instructor has kept her writing career alive while spending more than 10 years in four countries. >>-----------------------------------------------------<< WRITING FOR TELEVISION: THE SPEC SCRIPT Laura Brennan - 8 weeks - $120 http://www.writing-world.com/classes/script.html The "spec script" is the TV industry's calling card. A great one can help you break through to agents, win competitions, and impress show runners. Find out how to choose a show to spec, develop ideas, "break" the story, and write a killer opening. Class includes critique of your pitches, outlines and scenes. >>-----------------------------------------------------<< FUNDAMENTALS OF FICTION Marg Gilks - 8 weeks - $125 (max. 20) http://www.writing-world.com/classes/fiction.html Each lesson covers a fundamental element of fiction writing: showing instead of telling, characterization, point of view, all the way through to putting the final polish on your manuscript. By the time you've finished, you'll have a manuscript ready for submission -- or you'll know how to create one. Ideal for those who have a novel or short story in progress. >>-----------------------------------------------------<< *NOTE* These courses will only be offered once in 2003; our summer semester will have a completely different course selection. ***************************************************************** STORIES.COM: The premiere online writing community with innovative portfolios, email, rating & reviewing system, creative environment, friendly members and much more! Visit us today at http://ad2.Stories.Com/ ***************************************************************** PROFESSIONAL COPY EDITING FOR ONLY $1 PER PAGE! I know how hard you've worked on your manuscript, screenplay or thesis, and now I'll help you make it better! Let me get rid of those typos and errors that editors and agents won't stand for! The EditBoss - editboss[at]yahoo.com, http://www.geocities.com/editboss ***************************************************************** ALL ESSAYS ARE NOT EQUAL ================================================================= by Isabel Viana (iviana[at]sisna.com) Writers use personal essays to define, describe, explain, and narrate life-changing experiences. Each essay style -- definition, description, explanation, and narration -- conveys a different emotion and slants to a different direction. The most successful essay writer is the one who knows, or discovers in the process of creation, why she's writing her piece and chooses a style that will best carry her message. If you look in your thesaurus, you'll notice those four words can stand for one another. However, I think that they also hold their own distinct meaning, something I found out when I started weaving segments of my life into personal essays. I can look back at my wedding day, for example, and write about it in four different ways. Here's how: Definition ---------- To define is to present the details of something or someone so your readers can understand the pieces that make the whole. About my wedding day, I can detail the steps of the brief courthouse ceremony, the green stem and red petals of the corsage my husband bought for me on our way to the courthouse and the perfume of the dozen red roses my in-laws sent to our hotel room afterwards. Description ----------- To describe is to portray your view of a thing or person. I can describe the February sky that threatened to open up and drop chunky snowflakes on us or the cityscape from a hotel's top-floor revolving restaurant where my in-laws, husband and I ate following the ceremony. Explanation ----------- To explain is to clarify an action or a thought. I can elucidate to my readers why we chose a brief courthouse ceremony with only my in-laws in attendance, why we didn't exchange wedding rings and why we decided to marry each other. Narration --------- To narrate is to recount a happening. A narrative is the trip that sometimes one makes into his memory to discover the reason for something that's happened. I can take my readers on a tour of the year that led to my wedding, of the few hours preceding the early afternoon ceremony or of just the wedding event. Let's try it. I'll pick one of the examples for each of the instances I describe above and write a paragraph. Defining my wedding ceremony ---------------------------- We entered the courthouse and waited in the hallway for our turn to be married. Without appointments, all couples were on a first come-first served basis. The wait was longer -- but not too long -- than the minute-and-a-half ceremony. "Without wedding rings," the judge said, "there isn't much I can do to stretch this out." Only seconds gone by and it was already my turn to speak. I said yes in a loud whisper, constricting my voice. Why was I trying to conceal my excitement? Describing the view from the restaurant --------------------------------------- The domed restaurant in downtown Atlanta revolved around itself at an astonishing fast pace considering that meals were being served and eaten there. Nothing is beautiful in Atlanta and so the view wasn't worth my husband's becoming queasy from the fast revolutions. Tall building after tall building. Too far for us to peek in the windows to get a glimpse of somebody else's evening. Had the restaurant been the result of sloppy architecture that designed it too short to look above the other buildings, I wondered, or built in a time when no one imagined taller structures to be ever possible? The restaurant's pretentious sophistication left me eager to reenter the depth of a simpler life. Explaining why we didn't exchange rings --------------------------------------- Money. That's the answer that floats on the surface, the one we offer nosy strangers who believe there's only one way of being married -- and it involves two rings. The truth is that my husband and I held months of discussions around the issue. We're people who like to exchange ideas and put a meaning in everything we do. We looked at the historical and economic origins of the wedding band. We decided the rings would make us feel typical, not closer to one another. So, no rings for us, though for a few days we each wore one earring of a pair, till hubby got an earlobe infection... Narrating the hours preceding my wedding ---------------------------------------- On a morning of heavy clouds and uncertainty in the air, news of possible snow threatened to close our county courthouse where we planned to be married that afternoon. My husband left for a half day of work and I stayed home waiting for my in-laws to arrive. I don't remember what I did, probably nothing that I'd label "significant." We kept our morning as familiar as possible. I think we focused on the ordinary steps of our daily lives to better manage our anxiety about the turn we were about to make. You may notice that the distinction from one essay style to another is subtle until you start drafting your own personal stories. I often don't know which style I'm writing in until I've drafted two or three times, at which point I have a clear idea of what it is I am wanting to share with my readers and what the best way to do so may be. While I encourage you to let your mind flow freely when you write instead of obsessing about essay styles, I also think it's good practice to dissect yours and others' essays to understand how images and feelings were structured to make their message apparent. With time, you'll notice this simple exercise will pay off by making the whole writing process smoother from beginning to end, as though it happened merely by instinct with no careful thought behind it. >>-----------------------------------------------------<< Sign up now for Isabel Viana's class, Writing and Selling Personal Essays, beginning March 3 at Writing-World.com! http://www.writing-world.com/classes/essays.html >>-----------------------------------------------------<< The recipient of a Writer's Digest essay award, Isabel Viana has written articles and essays for Writer's Digest, Writing from the Heart: a Writer's Digest Guide, Writers' Journal, The Writer, the anthology Gifts from Our Grandmothers and several other on-line and print publications. Copyright (c) 2003 by Isabel Viana ***************************************************************** DO YOU WRITE FICTION? Are you having problems with your prose? Grappling with grammar? Not sure if it's ready? Get personalized, specialized help -- pro editing, critiques, tutoring -- from Marg Gilks. I'm author-friendly & affordable. editor[at]scriptawords.com ***************************************************************** DON'T KNOW WHERE TO SEND YOUR WORK? We'll research & target markets, prepare cover letters, track submissions. Reasonable Rates, References. WRITER'S RELIEF, Inc., 245 Teaneck Rd. #10C, Ridgefield Park, NJ 07660 (201)641-3003, http://www.wrelief.com ***************************************************************** NEWS FROM THE WORLD OF WRITING ================================================================= Digital rights activists sound off on copyright act --------------------------------------------------- A request by the US Copyright Office for commentary on the controversial 1998 Digital Millennium Copyright Act drew criticism from respondents who asked for new limitations on the far-reaching statute. As part of a mandate to review sections of the statute every three years, the agency is looking into provisions that prohibit the use of tools that undo encryption protections on digital materials. Many argued that buyers of copyrighted works should have the right to make content accessible on more than one device. Robin Gross, executive director of IP Justice, argued that it's unfair that many ebook publishers only allow works to be read on a single device or platform, and buyers who want to move a file to a laptop or PDA are often unable to do so. Others based their arguments on the legal principle of fair use, which allows copying of snippets of copyrighted works for research, teaching, or other purposes. For more information: http://www.copyright.gov/1201/2003/comments/index.html You can dunk these books in the bathtub --------------------------------------- Waterproof books, used mainly by skin divers and foul-weather hikers, are finding a new audience. New dunkable books aren't made from trees, but from plastic resins and inorganic fibers. Melcher Media, a New York-based publisher, is promoting books that are manufactured using a technology called "Durabooks." The books' pages don't absorb water or tear, but stretch instead. (Other companies make waterproof books with standard wood-based paper that is heavily laminated.) Melcher is planning to publish waterproof versions of classic children's books. Parents who want to encourage toddlers to read should check out children's bath books already available. Publishers and booksellers reach out for readers ------------------------------------------------ Recent studies show that on average, Americans are reading less and buying fewer books. Not all publishers are taking this news lying down. In children's, Simon & Schuster has worked with General Mills to distribute mini-editions of books via several million boxes of Cheerios, and HarperCollins has created a cross-promotion with Nestle Toll House Cookies to extend the readership for its Mouse to School books in a consumer writing contest. Booksellers are joining in the activism by working with community organizations, schools, and libraries; encouraging groups and individuals to meet at the store. They offer events, including foreign-language and cooking classes, that draw people not just interested in books. They also co-sponsor fund raisers and sell books at their events. Booksellers run programs that bring in children from poor and disadvantaged families and help them to become comfortable with books and bookstores. They involve seniors by visiting them and encouraging them to come to the store. For more information: http://www.publishersweekly.com 2002 Inscriptions Engraver Awards --------------------------------- Inscriptions sponsors the Engraver Awards to honor the achievements of writers, editors and publishers working online and in print. Nominations will be accepted from everyone in the writing community until February 1, 2003. The nominations will then be organized into one convenient ballot and the winners will be selected by Inscriptions readers. Winners will be announced February 21, 2003. Winners receive a year's subscription to Inscriptions, credit on the Supportive Scribes page, a 2002 Inscriptions Engraver Award graphic for web sites and four weeks of free advertising in the Inscriptions e-zine or on the web site. For a nomination ballot send a blank e-mail to: Engravers[at]sendfree.com For more information: http://www.inscriptionsmagazine.com/Engravers.html ***************************************************************** You CAN Take Credit Cards Online! What's the right solution for YOUR product or service? Get the ebook Tom Mahoney of merchant911.org calls "a must-read for anyone thinking about establishing an e-commerce Web presence." http://www.youcantakecreditcardsonline.com/ ***************************************************************** GET YOUR EBOOK NOTICED! ================================================================= by Michael Knowles (mwknowles[at]mwknowles.com) You thought it took stamina just to write the book. Now you have to promote it. I know many writers who loathe the promotion part of the business. But if you love what you do and have devoted your life to it, then you must put devotion into practice. That's called self-promotion. Without that, you might as well have no book at all. And it doesn't matter whether you are self-published or published by someone else. The fact is, you are responsible for 90% of the work required to get your book noticed and into the hands of readers. Big publishers have limited promotional budgets. Unless you have a track record or just happen to have written The Next Big Thang, you'll get precious little help from them. You will also find that a promotional plan is a requirement in any book proposal. Here are the basic steps for getting your book noticed: Set up a web site for the book ------------------------------ The site need not be complex -- a home page, an excerpts page, a testimonials page, and an order page are all you need. Shameless self-promotion: try mwkhosting.com for your web hosting needs! Write your web copy carefully ----------------------------- Research the keywords that will be the most appropriate for your copy, then use those keywords in your site copy. One of the services I offer is keywords research. You cannot skimp on this one; the appropriate use of targeted keywords is what's going to help you get listed at the top of the search engines. The home page must be written as a sales letter ----------------------------------------------- Learn to write a great sales letter and you'll be ten steps ahead of anyone else. Once you have a targeted, proven set of keywords, use Overture or Google AdWords to ensure top-level positioning in the search engines. This is an affordable short-term tactic that will get you listed at the top of the search engines. There is, however, no substitute for careful crafting of your site to ensure that it gets listed appropriately over the long haul. At the same time, you'll want to list the site at dmoz.org, which as you probably know is the mother of all directory sites. All of the top search engines use The Open Directory Project as a foundation for their services. You must be listed there. Once you have your web site set up and optimized for search engines, you'll want to do a press release and distribute it through PRweb and a couple of other PR sites that I can point you to. Remember, though, that press releases must be news or no one will pick them up! You'll also want to distribute releases to your local and regional newspapers. Get a few reviewers to read your book. This is a must-have. The more reviews you can get, the greater the pull your book will have for potential readers. Again, take advantage of local and regional resources, as well as historical and sociological associations (more on that below). Now the real marketing begins. This is where you do extensive research, starting with historical and sociological organizations and associations. You may find several with whom you'll want to advertise. Here is a case in which you must spend a little money to make money. Unless you are relentless about self-promotion, you will never get your book the attention it deserves. Well, that's the nickel tour of self-promotion. I use all these techniques in promoting my consulting service, my ebooks. Bear in mind that it takes between 45 and 90 days before you start getting a lot of attention and sales start coming in. But if you work hard and persist, your efforts will pay off. More information on setting up a book website: ---------------------------------------------- Do You Need an Author Website? by Moira Allen http://www.writing-world.com/promotion/website.html The Nuts and Bolts of an Author Website, by Chris Gavaler http://www.writing-world.com/promotion/gavaler.html >>-----------------------------------------------------<< Sign up now for Michael Knowles' class, Selling Your Ebook Online, beginning March 3 at Writing-World.com! http://www.writing-world.com/classes/knowles.html >>-----------------------------------------------------<< Michael Knowles is a technical marketing specialist, eBook author, and business communications coach. He has two eBooks available on the Internet today: "The Four-Point Writing Project Success Guide" and "You CAN Take Credit Cards Online: How to Save Thousand in Online Payment Processing Costs." His next eBook, "101 Ideas for Generating Ideas," will be available in February 2003. Michael has been a professional writer for over 20 years, and runs a successful business and technical marketing communications company in Rio Del Mar, California. Visit his web site: http://www.writethinking.net/ Copyright (c) 2003 by Michael Knowles **************************************************************** "The Easy Way to Write a Novel". This popular writer's resource shows you, step by step, how to achieve your dream of writing a great novel in the shortest possible time. Suitable for any level of expertise. Free writing courses. http://www.easywaytowrite.com ***************************************************************** THE WRITE SITES ================================================================= The Rejection Slip ------------------ Resources for the hopeful writer. http://www.hopefulwriter.co.uk All Freelance.com ----------------- Freelance jobs and resources for freelance writers, with detailed resources available. http://allfreelance.com Reading Writers --------------- The ultimate reading service for writers, by writers. http://www.readingwriters.com Diary Door: The Diary Writing Workshop for Parents -------------------------------------------------- Designed to assist parents in keeping diaries for their children. http://www.diarydoor.com/index2.html WordThunder ----------- A web site designed to help fulfill the needs of the online, self-published author. http://wordthunder.com Horror Writers Association New England Chapter ---------------------------------------------- This new site consolidates chapter and member information for readers, booksellers, and the media to one location on the Web. http://www.horror.org/ne/ ***************************************************************** You've got a great story. We can teach you how to write it. Join a craft-oriented, supportive community of writers. Online 10-week workshop begins 9/23. Tutorials also available. NYTimes: "The most personal of the programs." http://www.writerstudio.com ***************************************************************** WHAT DOES IT TAKE TO WRITE FOR CHILDREN? ================================================================= by Linda Phillips (wlphil[at]bellsouth.net) What does it take to be a children's writer? -------------------------------------------- "It can't be that difficult," you say. "Piece of cake compared to writing novels for adults. How hard can it be to fill 32 pages with a few hundred words or less? Besides, it's just kid stuff. No one will know if I make a few mistakes. I'll bet I can whip 'em out really fast and make a bundle of money selling children's books." If your thoughts run along these lines, you've come to the right place to get educated. Writing for children takes every bit as much expertise as writing for adults. Writing a 32-page picture book can take just as long as it does to write a 300 page adult novel, and it requires just as much careful attention to detail. Weak plots, shallow characters, uneven rhythm, and awkward dialogue are easy to spot when the word count is reduced. Editors of children's literature have specially equipped radar that tracks these bloopers and others that you and I thought we could get away with. Who are you? ------------ Before you can target an audience (kids) for your writing, you need to know yourself in relation to that audience. There must be a "kid" connection somewhere. It can come in several forms. You may be in a kid environment as a parent, grandparent, aunt, librarian, teacher, etc., and have observable subjects readily available. Or you may be so in touch with your "inner kid" that believable dialogue, realistic characters, and/or fantastic story lines spill out of your brain like an open floodgate. You may be the rare adult who has maintained a child-like sense of wonderment that translates effortlessly to print. Whatever your perspective, you must love kids, and you must love writing about, to, and for them. If you don't fit one of the above categories, you can still make it happen. You can visit schools, immerse yourself in children's literature, talk to children's librarians, and attend workshops on children's literature. Make a point of talking to your friends' children, or join a children's writing group (SCBWI). You can become an observer of all things kid-related, from what they wear to what they snack on to what they say when they think adults aren't listening. Once you've made the "kid-connection" you must make the "writer-connection." If you have established that you are going to write for children, then take yourself seriously. Call yourself a children's writer, and make a business card that says so. Open a bank account specifically for the "income" from your writing career, even if it is just an avocation at this point. It may sit empty for years but it gives your ego credibility. Seek every opportunity to hear or meet established writers at conferences, workshops, or literary gatherings. Keep a record (journal) of your progress. Make note of the children's literature you read, the authors with whom you agree or disagree, the characters with whom you most identify, the writing styles that spark your own imagination. How will you begin? ------------------- Do something new and different. If you have never read much children's literature, begin there. Read children's books that win awards such as The Kite or Newberry Award. Read genres that don't necessarily appeal to your interests. Take notes on every book you read. Set up files with topics such as character, setting, plot, ideas, observations, exercises, workshops, interviews, authors, web sites, resources, etc. Join a book club or watch for opportunities to begin acquiring reference material, such as "The Children's Writer's and Illustrator's Market." Begin collecting paperback copies of your favorite children's books, and read them several times. Use markers to highlight passages and sections that particularly speak to you. Jot down your thoughts or comments in the margins, or in a journal. Begin to write daily in any direction even if you feel totally unqualified. Call these attempts "Exercises" and date them. After a period of a week, review your "portfolio" and try to determine any patterns, emerging strengths and weaknesses, or areas of interest. Critique your own work, and pick out the best exercise(s) of the week. Set them aside in a folder called "Possibilities." What will you write? -------------------- You may have a crystal clear idea already burning a hole in your brain, ready to roll out in print like a ticker-tape machine. Lucky you, and get right to it without passing "Go" if that is the case. If you are still floundering over which path to pursue, try the magazine market. Magazines tend to provide the best opportunity for publication for beginning writers, particularly non-fiction articles. If this is news to you, you may need to back up and spend time reading children's magazines. Try dipping into Highlights, Cricket, Cobblestone, Boy's Life, and Muse to start with. Some typical categories of non-fiction articles include how-to, personal experience, personality pieces, advice/self-help, and fact or informational pieces in the areas of science, geography, history, or biography. Because they have a subscribed readership, magazines must please a broader audience than books. Most magazines have a web site where writers' guidelines are posted, and many magazines will send a free back copy or two if you send the envelope and postage. Some are formulaic, and some have themes that change from year to year. Ready to turn around and go home? --------------------------------- Not so fast. Obviously you have some potential or you wouldn't be courting the idea of writing for children. Just make sure your motives are in touch with reality. Do NOT plan to write for children because you think it is easy, or the standards for excellence are lower than they are for adult books. Requirements for good juvenile writing are far more strict than they are for adult fiction, and dedicated people, including editors, make sure they are observed. Secondly, do NOT plan on getting rich quickly. Yes, it is possible to make money as a children's writer. But you won't be a happy children's writer if that is your main motive. Writing for children is first and foremost a labor of love -- and can be one of the most rewarding choices you make in your writing career. >>-----------------------------------------------------<< Sign up now for Linda Phillips' class, Writing for Children, beginning March 3 at Writing-World.com! http://www.writing-world.com/classes/phillips.html >>-----------------------------------------------------<< Linda Phillips is a former elementary teacher who has happily advanced even deeper into poverty as a freelance writer. Her work has appeared in literary magazines such as The Texas Review, California Quarterly, and Windhover, and newspapers such as The Charlotte Observer. In the past year she has written elementary and middle school curriculum for the Audubon Society and the traveling exhibit on the Human Genome. As a member of the Society of Children's Book Writers and Illustrators, she co-facilitates the Charlotte critique group. In addition to writing, she enjoys conducting workshops on children's writing at literary festivals and in schools and public libraries. Copyright (c) 2003 by Linda Phillips ***************************************************************** Are you a Freelance Writer? FreelanceWriters.com is the only global online directory of freelance writers. Your writing skills, experience and contact information can be listed in the database so that clients and editors will have your information at the touch of a button. Go to: http://www.freelancewriters.com/writers_faqs.cfm ***************************************************************** BREAK WRITER'S BLOCK FOREVER! Jerry Mundis, author of 40+ books, Book-of-the-Month Club, Literary Guild, One Spirit Book Club selections, will show you how. End paralysis, avoidance behavior, last-minute crisis writing, and inability to finish. Endorsed by bestselling authors Lawrence Block, Judith McNaught, Suzannah Lessard, and others. **GUARANTEED** http://www.unblock.org ***************************************************************** FROM THE MANAGING EDITOR'S MIND ================================================================= From digital rights activists to activism on the part of publishers and booksellers that encourages people to read and buy books, this year promises to be the year of activism in the book world. With the opening of the 108th Congress, Vermont Congressman Bernard Sanders will introduce legislation to eliminate provisions of the USA Patriot Act that threaten library and bookstore patrons' constitutionally guaranteed right to read and access information without government intrusion or monitoring. He is joined by other Vermont "activists": Linda Ramsdell, owner of the Galaxy Bookshop and president of the New England Booksellers Association; Karen Lane, president of the Vermont Library Association (VLA); and Trina Magi, Library Assistant Professor at the University of Vermont's Bailey/Howe Library. Sanders and the VLA don't believe that ordering libraries or booksellers turn over books, records, papers, and documents offers any protection against terrorism. Librarians and booksellers are concerned they could be punished for protecting readers' privacy rights. They worry that if readers are concerned about the FBI snooping into their reading habits, they might censor their reading choices. Faced with subpoenas and search warrants last year, librarians and booksellers are more determined than ever to protect your right to read any book. Through the coming months, I'll keep you posted on the progress of this movement, and any pending legislation. For more information: http://www.abffe.com/vermont_letter.html -- Peggy Tibbetts (peggyt[at]siltnet.net) ***************************************************************** NEW WORKBOOK FOR WRITERS! "Discovering the Writer Within" provides a creative jolt to both the novice writer and the seasoned professional! Get yours today! http://www.writersguide.writergazette.com ***************************************************************** WHAT'S NEW AT WRITING-WORLD.COM ================================================================= JANUARY COLUMNS: ---------------- Advice from a Caterpillar, by Peggy Tibbetts "Charging for Author Visits; Writing Rebuses; Finding an Agent" http://www.writing-world.com/caterpillar/cat24.html Press Kit, by Debbie Ridpath Ohi "Promotion Through E-mail Newsletters, Part I" http://www.writing-world.com/press/press09.html Self-Publishing Success, by Brian Jud "Brainstorming Creative Solutions" http://www.writing-world.com/jud/jud14.html Murder Ink, by Stephen Rogers "The Scene of the Crime" http://www.writing-world.com/mystery/murder07.html Romancing the Keyboard, by Anne Marble "Author Web Sites -- The Good, the Bad, and the Ugly" http://www.writing-world.com/marble/marble07.html NEW ARTICLES: ------------- Fundamentals of Fiction Series, by Marg Gilks Part VII: Being Realistic http://www.writing-world.com/fiction/fiction07.html Part VIII: Finding Markets for Your Fiction http://www.writing-world.com/fiction/fiction08.html Work Smarter, Not Harder, by Shelley Divnich Haggert http://www.writing-world.com/freelance/smarter.html **************************************************************** HELP TO YOU, THE SCREENWRITER...from an Industry professional with vast experience in script analysis, charging reasonable rates. Increase your chances for success! See my website for details before submitting your script to an agent/producer/studio or contest. http://www.coverscript.com ***************************************************************** Be more prolific! Increase your income! Write your book faster than you ever thought possible. Learn to create your book's blueprint in 2 hours, buy a best-selling plot and more. http://www.writeabooknow.com/welcome/write1512now ***************************************************************** MARKET ROUNDUP ================================================================= ANALOG SCIENCE FICTION AND FACT Stanley Schmidt, Editor 475 Park Ave. South, 11th Floor, New York, NY 10016 EMAIL: analog[at]dellmagazines.com URL: http://analogsf.com/0301/issue_01.html Analog is now available in electronic formats at Fictionwise.com. We consider material submitted by any writer, and solely on the basis of merit. We are definitely eager to find and develop new, capable writers. We have no hard-and-fast editorial guidelines, because science fiction is such a broad field that we don't want to inhibit a new writer's thinking by imposing Thou Shalt Nots. Besides, a really good story can make an editor swallow his preconceived taboos. Basically, we publish science fiction stories, in which some aspect of future science or technology is so integral to the plot that, if that aspect were removed, the story would collapse. Fact articles should deal with subjects of not only current but future interest, i.e., with topics at the present frontiers of research whose likely future developments have implications of wide interest. It is essential to keep in mind that our readers are, in general, very intelligent and technically knowledgeable, but represent a very wide diversity of backgrounds. Specialized jargon and mathematical detail should be kept to a necessary minimum. LENGTH: Fiction: up to 80K words for serials, prefers 2K-7K words; Fact: 4,000 words or less PAYMENT: Fiction: 6-8 cents/word up to 7.5K, $450-$600 for 7.5K-10K, 5-6 cents/word over 10K; Fact: 6 cents/word REPRINTS: No RIGHTS: FNASR SUBMISSIONS: No email subs. By mail with SASE. Please query first on serials only. A complete manuscript is strongly preferred for shorter lengths. GUIDELINES: http://analogsf.com/information/submissions.html >>-----------------------------------------------------<< THE WRITER'S MIND Radika MeganathanDouglas, Editor EMAIL: writers_united_2k2[at]yahoo.com URL: http://pages.ivillage.com/jwaala/welcome/index.html "The Writer's Mind: Thoughts and Feelings of the Beginning Writer," an anthology that will be published as an ebook in 2004, seeks your contributions on the following questions: 1. When you are in the process of writing (right in the middle of it), what are your feelings? Frustration? Impatience? Jubilance? How does the flow of ideas/thoughts get related in a coherent, organized manner to what you are writing, or is it just haphazard thinking? 2. After finishing writing something (be it a story or a poem or an article) how do you feel about it? 3. What do you think writing is all about? Does all the writing aimed at something or other in your view? Why do YOU write? When did you feel that you could write too? Describe your feelings as lucidly as you can. You can send in a story, personal memoir, essay, poem, critical analysis, anything that answers the questions above. This is not and editorial assignment. You can be as casual or emotional as you want. Reference to anecdotes or to other writers or acquaintances welcomed. LENGTH: 2,000 words PAYMENT: $25 and Indian artifact RIGHTS: One time electronic rights REPRINTS: Yes SUBMISSIONS: Please include a short bio of yourself and indicate whether you are a beginner or experienced writer, your mother tongue, and whether you are in a non-writing field. Don't forget to mention your previous works, achievements and links. Include your contact address and email id under your signature. GUIDELINES: http://pages.ivillage.com/jwaala/welcome/id9.html >>-----------------------------------------------------<< ROMANCEEVERAFTER.COM Melissa Hamilton, Managing Editor Montgomery Creek Publishing, Inc., PO Box 528, Naperville, IL 60566-0528 EMAIL: mhamilton[at]romanceeverafter.com URL: http://www.romanceeverafter.com/ We are eager to share your knowledge, expertise and ideas with RomanceEverAfter.com readers! There is a column of interest for everyone: REA Magazine, Romantic Memoirs, History & Cultures, The Arts, Quotes & Poetry, and Travel. We encourage you to submit a query for any of our columns. The purpose of our site is to provide a wide range of information, resources, and experiences for our readers. LENGTH: No word limit PAYMENT: $15-$25 RIGHTS: One time electronic rights, author retains copyright REPRINTS: Yes SUBMISSIONS: Send your column query to the Managing Editor. Indicate type of submission in "subject" line of cover letter or e-mail. (Example: "History & Cultures") Include your name, address, phone, e-mail, and web site link. Provide a brief biography to be included at the end of your article. GUIDELINES: http://www.romanceeverafter.com/Authors.htm >>-----------------------------------------------------<< "FNASR": First North American Serial Rights, "SASE": self-addressed, stamped envelope, "GL": guidelines. If you have questions about rights, please see "Rights: What They Mean and Why They're Important" http://www.writing-world.com/rights/rights.html Please send Market News to Moira Allen ***************************************************************** Publishing for writers by writers. Fast turnaround, great service, affordable prices. Payment plan available. Publish your book now! http://www.WideThinkerBooks.com/publishing.html ***************************************************************** FREE INITIAL EVALUATION! AWARD-WINNING AUTHOR will help improve your MS. Critiquing, Line Editing, Submission Assistance. info[at]writersconsultant.com, http://www.writersconsultant.com ***************************************************************** WRITING CONTESTS ================================================================= This section lists contests that charge no entry fees. For more contests (116 new contests added January 5), visit: http://www.writing-world.com/contests/index.html >>-----------------------------------------------------<< Summerfield G. Roberts Award DEADLINE: January 15, 2003 GENRE: All OPEN TO: Creative writing written or published in 2002 LENGTH: No word limit THEME: The purpose of this award is to encourage literary effort and research about historical events and personalities during the days of the Republic of Texas,1836-1846, and to stimulate interest in this period. The judges determine which entry best portrays the spirit, character, strength, and deeds of those who lived in the Republic of Texas. PRIZE: Grand prize: $2500 ELECTRONIC ENTRY: No ADDRESS: SRT Headquarters, 1717 Eighth Street, Bay City, Texas 77414 EMAIL: srttexas[at]srttexas.org URL: http://www.srttexas.org/sumfield.html >>-----------------------------------------------------<< 6th Annual Levis Reading Prize DEADLINE: January 15, 2003 GENRE: Poetry OPEN TO: Book of poetry published in 2002 LENGTH: 48 pages or more THEME: In memory of distinguished poet Larry Levis, the English Department at Virginia Commonwealth University aims to encourage poets early in their careers by sponsoring an award for the best first or second book of poetry. Entries may be submitted by either author or publisher, and must include a copy of the book, a cover letter, and a brief biography of the author including previous publications. Entries from vanity presses are not eligible. PRIZE: $1000 and expenses paid to Richmond, VA to present a public reading in September 2003. ELECTRONIC ENTRY: No ADDRESS: Levis Reading Prize, VCU Department of English, PO Box 842005, Richmond, VA 23284-2005 EMAIL: eng_grad[at]vcu.edu URL: http://www.has.vcu.edu/eng/grad/Levis_Prize.htm >>-----------------------------------------------------<< Achieve the Dream Children's Story Writing Contest DEADLINE: January 31, 2003 GENRE: Children's fiction OPEN TO: All LENGTH: 1,000 words or less THEME: The American Dream Group would like you to submit original and unpublished children's stories (ages 0-12). We enjoy stories that inspire, are filled with magic, wonder and playfulness, encourage independence of spirit and promote understanding and acceptance of differences. We also love fun and just plain silly stories. Story lines concerning animals, concepts, fantasy, folktales, nature/environment, multicultural, poetry, spirituality, timeless stories and surprise endings will work. Submissions will be judged on creativity, simplicity, and originality. PRIZES: Grand Prize: $250 and publication ELECTRONIC ENTRY: Print out online application form and submit by mail with 2 copies of manuscript. ADDRESS: The American Dream Group, Inc., Achieve the Dream Writing Contest, 505 32nd Street #107-108, Bellingham, WA 98225 E-MAIL: Achievethedream[at]attbi.com URL: http://achievethedream.home.attbi.com ***************************************************************** Buy This Book and I'll Wash Your Car: How to--and not to--Get a Literary Agent. The ultimate guide to non-fee charging agents looking for new literary talent. Features email addresses, Web sites, agent interviews and surveys, and more! Read a free excerpt at: http://www.nataliercollins.com/agentbook.html ***************************************************************** New Listings on THE AUTHOR'S BOOKSHELF: --------------------------------------- Everyone Wants My Job: The ABCs of Entertainment Writing, by Diana Saenger Survivors of an Open Marriage, by Jennifer Gates The Writer's Guide to Photography, by Ronald Kness Find these and more great books at http://www.writing-world.com/books/index.html Advertise your own book on Writing-World.com: http://www.writing-world.com/books/listyours.html ***************************************************************** ADVERTISE in WRITING WORLD or on WRITING-WORLD.COM! For details on how to reach 80,000 writers a month with your product, service or book title, visit http://www.writing-world.com/admin1/adrates.html ***************************************************************** NATIONAL ASSOCIATION OF WOMEN WRITERS (NAWW) Get the new FREE eBooklet, RESOURCES FOR WRITERS by subscribing to NAWW WEEKLY, the FREE inspirational/how-to emagazine for women writers. Send blank e-mail to: naww[at]onebox.com or visit http://www.naww.org ***************************************************************** FREE REPORT OF 22 OUTDOOR WRITING MARKETS - Discover new markets at Worldwide Freelance Writer. Subscribe today and get a FREE list of 22 Outdoor and Recreational Markets. Send e-mail to wwfw-subscribe[at]topica.com - http://www.worldwidefreelance.com ***************************************************************** WRITING FOR DOLLARS! - the FREE ezine for writers featuring tips, tricks and ideas for selling what you write. FREE ebook, 83 WAYS TO MAKE MONEY WRITING when you subscribe. Email to subscribe[at]writingfordollars.com http://www.WritingForDollars.com ***************************************************************** Writing World is a publication of Writing-World.com http://www.writing-world.com Editor/Publisher: MOIRA ALLEN (Moira Allen) Managing Editor: PEGGY TIBBETTS (peggyt[at]siltnet.net) Copyright 2003 Moira Allen Individual articles copyrighted by their authors. Back issues archived at http://www.writing-world.com/newsletter/index.html Writing World is hosted by Listbox.com - http://v2.listbox.com ***************************************************************** Subscribers are welcome to recirculate Writing World to friends, discussion lists, etc., as long as the ENTIRE text of the newsletter is included and appropriate credit is given. 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