***************************************************************** W R I T I N G W O R L D A World of Writing Information - For Writers Around the World http://www.writing-world.com Issue 3:07 12,500 subscribers April 3, 2003 ***************************************************************** SUBSCRIBE/UNSUBSCRIBE INSTRUCTIONS AT END OF NEWSLETTER ***************************************************************** SPECIAL NOTICE: Please DO NOT REPLY to this e-mail; any messages sent to the listbox address are deleted. If you wish to contact the editor, please e-mail Moira Allen. ***************************************************************** CONTENTS ================================================================= From the Editor's Desk News from the World of Writing FEATURE: Get It Done -- Now! Your No-Fret, No-Sweat Plan by David Taylor The Write Sites -- Online Resources for Writers WRITING DESK: Defining Worldwide Electronic Rights by Moira Allen From the Managing Editor's Mind WHAT'S NEW at Writing World/Prize Drawings MARKET ROUNDUP/Writing Contests ***************************************************************** Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Visit http://www.1stbooks.com/getpublished/no_rejection.html ***************************************************************** EARN AN MFA IN WRITING through the brief-residency program at Spalding University in Louisville, KY. Call (800) 896-8941x2105 or e-mail gradadmissions[at]spalding.edu and request brochure FA90. For more info: http://www.spalding.edu/graduate/MFAinWriting ***************************************************************** WRITERSCOLLEGE.COM has 57 online courses. Prices are low. If you can reach our web site, you can take our courses. http://www.WritersCollege.com ***************************************************************** DISCOUNTED WRITERS' SOFTWARE -- PowerStructure, DramaticaPro, StoryView, WritePro, MovieMagic, InkLink, plus many more. HUGE SAVINGS! GREAT SELECTION! Visit us online: http://www.MasterFreelancer.com/ww ***************************************************************** THE WRITER'S HANDBOOK 2003. This definitive career resource for writers provides essential information, how-to advice, and paying markets you won't want to miss! Featuring 3,000+ markets that buy articles & book manuscripts. To order: 800-533-6644 or 1-262-796-8776 http://store.yahoo.net/kalmbachcatalog/61966.html **************************************************************** SPECIAL OFFER TO WRITING-WORLD SUPPORTERS: Contribute $5 or more to Writing-World.com and receive a copy of "1500 Online Resources for Writers!" Contributions accepted by PayPal and Amazon.com (http://www.amazon.com/paypage/P2UTPRKYGU4AA1); for book details visit http://www.writing-world.com/moira/1500.shtml ***************************************************************** FROM THE EDITOR'S DESK ================================================================= The Sun's Out! -------------- I'm going to keep this editorial mercifully short, partly in view of the fact that last issue's column was extremely LONG -- and partly because the sun is shining and I'm getting a long-awaited chance to enjoy my deck again. Who knows how long this bliss will last? March came in with balmy days, and dumped at least an inch and a half of snow on us last Sunday; on Monday, we went from sunshine to a genuine "blizzard" (snow was flying horizontally) back to sunshine in the space of half an hour. So I'm not taking the current sunny temperatures for granted! Time for some cocoa and a novel. Speaking of novels, I want to share Peggy Tibbetts' good news! Our beloved Managing Editor has gotten a book contract! She writes, "I'm delighted to announce that I recently signed a contract with Zumaya Publications for a 2-book anthology titled, 'The Road to Weird,' which will include a re-release of 'Carly's Ghost' and feature my new YA title, 'Harpo Marx is Seeing Things.' As soon as I have a publication date, I'll let you all know." Congratulations, Peggy! May it be the first of many! Now get out there, all of you, and enjoy the springtime! In another month or two, we'll all be complaining about the summer heat, and remembering with fondness those days of shoveling snow. -- Moira Allen (Moira Allen) **************************************************************** Creative Journeys Writing Workshops bring women together to honor their creativity and spiritual nature through writing. Workshops in Arizona, Michigan, Oregon Coast, Mexico. For details, visit http://www.creativejourneys.net - gail[at]creativejourneys.net ***************************************************************** WRITING BY THE SEASIDE in Venice Beach! Author Linda Oatman High presents sessions on adult and children's fiction, poetry, essays. June 8-13, Best Western Marina; call 800-786-7789 by May 8 to reserve. 200 feet from beach! http://www.lindaoatmanhigh.com ***************************************************************** NEWS FROM THE WORLD OF WRITING ================================================================= Random House Receives Anthrax Threat ------------------------------------ On Tuesday, April 1, Random House officials received an anthrax threat, which led to the evacuation of their new office building. New York City police and fire departments responded, shutting down the heating and ventilation system to the 24th floor, which had been specifically targeted by the threat. According to Stuart Applebaum, a spokesman for Random House, a "substance" was tested and the results were negative; additional results are expected today. Employees who worked on the 24th flor (the offices of Bantam Dell) were told to stay home; other Random House employees were given the option of staying home or returning to work. Applebaum notes that the threat "struck us as kind of a pernicious April Fool's Day prank" (the company's older building received a prank bomb threat after 9/11), but says that the company is proceeding with "all caution." Amazon Adds Check Fees, Charges Advantage Vendors ------------------------------------------------- Beginning in May, small presses and self-publishers who use the Amazon.com "Advantage" program to sell their books will be charged an annual fee. According to Dan Poynter's "Publishing Poynters" newsletter (http://ParaPub.com), that fee is expected to be around $49.95. In addition, Amazon will charge $8 for check payments to Advantage vendors AND AFFILIATES. If you're an Amazon.com affiliate, you probably already received notice that you would be charged $8 for check payments; there is no charge for payments by direct electronic transfer. The fee does not apply to international affiliates, since such affiliates do not have the option of electronic transfers. For Advantage vendors, Amazon.com will not send a check until one's balance totals more than $100. April is National Poetry Month ------------------------------ This year, National Poetry Month will focus on "poetry in your community." In conjunction with the Academy of American Poets' (AAP) launch of the National Poetry Map of America on its web site, a new collection, "Across State Lines: America's 50 States as Represented in Poetry" (Dover), is being promoted and distributed free through a partnership with the American Poetry & Literacy Project. The National Poetry Map includes state-by-state listings of poetry resources, including journals, publishers, bookstores with strong poetry sections, festivals, writing conferences, and programs, in addition to the state's poets and poems. AAP hosted an April 1 kick off event, "Poetry & the Creative Mind -- a celebration and exploration of the ways in which poetry helps shape America's culture by inspiring and instructing the great individuals to which that culture gives rise," held at the Julliard Theater at Lincoln Center, New York. For more information on activities: http://www.poets.org E-book sales lead off 2003 -------------------------- Electronic books, a new addition to the Association of American Publishers (AAP) monthly sales report, began 2003 with impressive numbers, up 1,447.4 percent, according to figures just released by the AAP. The electronic book segment grew from $211,000 in net sales in January 2002 to slightly more than $3.3 million in January 2003, a sign that consumer interest in electronic books is growing. Hit movie increases book sales ------------------------------ According to Canada.com, sales are up for books mentioned in popular movies and television programs. Of particular interest was Virginia Wolfe's "Mrs. Dalloway," which was prominently mentioned in the current Academy Award winning movie "The Hours." In fact, many booksellers are having difficulty keeping the title in stock. Book publishers have long known that Hollywood mention of books is a strong bet for increased sales. Barnes & Noble launches online Book Clubs center ------------------------------------------------ Barnes & Noble.com has launched its Book Clubs center as a way to offer the book club community new ideas for what to read next. Each week B&N; editors recommend titles for reading groups. The center includes suggestions from authors, and free printable reading group discussion guides. It also provides advice on how to organize, run and maintain a book club, and information about how to join a group or hold a group meeting at a B&N; store. CEO Marie Toulantis said the center helps readers "navigate through thousands of great fiction and nonfiction titles to find a book and print out companion reading guides that are sure to inspire interesting debate and enhance the book club experience." **************************************************************** Our team of professional editors -- including a Pulitzer Prize nominee and an author published by Dell, Warner, Fawcett, etc. -- specializes in novels written by first-time, novice writers. See us at http://www.a1editing.com for prices, references, etc. ***************************************************************** Tech Writers, Copywriters, Freelancers: Improve your writing and your business. Subscribe to WriteThinking, the weekly newsletter for professional communicators featuring articles, tips and an an extensive jobs list. Send e-mail to subscribe[at]writethinking.net or visit http://www.writethinking.net/ to subscribe. ***************************************************************** GET IT DONE -- NOW! YOUR NO-FRET, NO-SWEAT PLAN ================================================================= by David Taylor (info[at]peakwriting.com) [Ed.'s Note: This is Part 3 of a four-part series that examines the creative act of writing and offers valuable techniques for increasing our productivity as writers. The series, excerpted from David Taylor's new "The Freelance Success Book," also encourages every writer to take a close look at the details of their writing process and their motives for writing. Part 3 teaches you a technique called "block writing" to develop discipline.] Here's a technique that can help you develop the discipline to stay in the harness and get the job done. I call it "block writing," and it can save you time and help you overcome self-doubt and procrastination. If you're like me, chances are you'll need tricks like this one at some point. Here's why. Other than an empty mailbox, perhaps the most frightening sight for a freelance writer is the blank page. Its terrors have driven many of our brethren to strong drink, greatness, or both. Sometimes I even hate finishing a page because I know another is waiting, its vastness daring me to fill it with my puny thoughts, meager vocabulary and -- by the way -- how could I produce anything worthy of the writers who have gone before me? I used to make "C's" in high school English! And so goes the constant babble of recrimination spewed by the monster of self-doubt lurking behind every blank page, which often becomes a mirror for our deepest insecurities. The Monster's Source -------------------- The source of the monster's power is not merely the risk of humiliation we take every time we write, when we reveal parts of ourselves as personal as our underwear. There's also the mystery of the creative act. Although humans have explored deep space and the mysteries of DNA, we still know frighteningly little about creativity except that some of us have more of it than others, and that if we study our craft and work real hard, maybe, just maybe, the magic will happen -- but maybe not. It's that possibility of not measuring up, of Monster Doubt's voice drowning out our own, that makes some of us write not at all, others of us write less than we would like, and many of us write at a lower level than we could if sitting down and doing it were not so anxiety-ridden, so unpleasant, so frightening. When I left my job as a teacher of writing in order to freelance full time, I was forced to deal seriously and quickly with these issues of self-doubt, procrastination and their effect on my daily output. I developed a technique I call "block writing" that helped me overcome three common mistakes that self-doubting writers make, especially when the writing clock strikes high noon and it's time to create that crucial first draft. Mistake 1: Writing too slowly. Ever watch a painter or sculptor work? They rarely pause after each brushstroke or chisel strike. But I know writers who cannot pen more than a sentence without stopping to reread and revise it, as if perfect prose should flow from them like birdsong and the final product should take shape sentence by perfect sentence. Au contraire. On a first draft, the writer must probe the amorphous cosmos of thought where words and vision, form and intuition come together. Taking that inward journey means a commitment to writing in an uncensored way, and that usually means writing quickly and without stopping to second guess. By writing quickly, we can finally silence the critical monitor, the little devil who sits on our shoulder interrupting the creative process: "Is that the best word?" "This is probably a dead end." "Will the reviewer think that's stupid?" The devil gets his turn in the revision and polishing stages, not now. Writing quickly also gets us in sync with our internal voice, which gives writing its authenticity and resonance. The bottom line is that there is a time to create and a time to evaluate. Although both are legitimate parts of writing, they are best done at separate times. Mistake 2: Not distinguishing between fear of failure and possibility of failure. It amazes me that every time I sit down to write, I still get that panicky fear in my gut that makes me want to wash dishes, sharpen pencils and walk the cat -- anything to procrastinate. I still have to remind myself of the important difference between the fear of failure and the likelihood of failure. Rooted in our insecurities, fear of failure usually has little connection to its actual possibility. The reality is that if I've done good research, know the format and market I'm writing in, and I'm willing to put in the time, then failure is unlikely. Although I've learned to accept my irrational fear of failure as a part of my writing personality, even to welcome it because it makes me try harder and keeps me humble, I've also learned to trust reality: I recall all the other times I've sat down to perform this same act and been successful. Why should it be any different this time? The strong likelihood is, I tell myself, it won't be. Mistake 3: Focusing on the final product. While fox hunting and occasionally teaching writing at the University of Virginia, William Faulkner talked of the difference between "those who want to write and those who want only to have written." I think he meant that we are better off focusing on the challenges of writing, the potential it offers us for personal artistic growth, the satisfaction of creating something -- rather than the by-products of our work, whether ego or money. Books and articles are mere things. Their completion offers only momentary fulfillment. In the end they will be read by few, remembered by fewer. What's left to sustain us? The doing. Over the years, block writing has taught me the following four simple but important lessons, without which I don't think I could make a living doing this: 1. To write, no matter my mood or level of fear. 2. To focus on discrete steps and problems as they arrive in predictable sequence, not the final outcome. 3. To keep my head down and butt in chair, ignoring the long, arduous road I must travel to produce final copy. 4. To derive primary satisfaction from the actual process of creating, not its outcome. While I always hope that the final product will be one of my best, I know that there will always be successes and failures and things in between, but the satisfaction and joy of my craft will never abandon me. How To Block Write ------------------ To begin block writing you need a timer, preferably with an alarm, to divide your writing day into 45-minute or one-hour blocks, each followed by a short break. The goal is simple: to sit derriere in chair and not get up during that time period. Eventually, doing this will become automatic. You'll give it no more thought than you do to brushing your teeth. You just do it -- without the complaining, the hesitation, the extra push of will. And when things aren't going well, when the demons of doubt snarl their loudest, when the writing chair seems a green mile away -- you'll have a simple ploy: "Well, I guess I could sit down for at least one block." * The law of regularity Tell yourself: "If I sit down for enough writing blocks, eventually the work WILL get done. All I have to do is show up." Avoid commitments like, "During each block I will produce two pages of copy." It doesn't work that way. You never know what's going to happen once you sit down. You could produce 20 pages or 2 or none at all. Each outcome will have occurred for a legitimate reason. All you know is this: Spend enough time in the chair and, eventually, it will get done. * The need for commitment Like any regimen, whether a weight-loss diet, exercise program or good dental hygiene, block writing will work only if you give yourself to it and play by the rules. That means that no matter how much you dread writing that day, no matter how unprepared you feel, no matter how frightened of failure you may be, no matter how sleepy you are, the simple act of putting your tush in a chair and starting the timer becomes the most important thing you can do to ensure your eventual success. It means you are acquiring a writer's discipline. * The need for trust You must know and believe that during each block something will get done. Even an hour of false starts is important. Sometimes you have to write stuff you won't use in order to clear the way for stuff you will, or say things the wrong way in order to find the right way. But, most of all, you must trust that if you simply sit down for your time in the harness, block after block, eventually the work will get done. At the end of each writing period, you are always one block closer to success. The Five Benefits of Block Writing ---------------------------------- To understand the benefits of block writing, it's important to understand why it works. Although imposing artificial structure on the creative act of writing may seem counterproductive, I remind you of the formula for classical Greek tragedies, from Sophocles to Euripides: the fall of a flawed protagonist in a high position and use of dramatic irony to evoke pity and fear. Structure and pattern, it seems, have the power to free our creativity, whether it's the perfection of Oedipus Rex, the symmetry of a sonnet, or the timed bursts of block writing. With the structure of block writing come important benefits: * Benefit 1: Defined limits For writers plagued by doubt, simply sitting down isn't enough. Without a tight seat belt, it's too easy to spring back up at the first itch of doubt, the first wretched paragraph or unyielding problem. By allowing yourself to arise in frustration, you reinforce failure -- not success. On the other hand, successful writers learn to stay in the chair and write through the problems, to get the work done one way or another. Learning to do that on a daily basis is, I believe, the defining characteristic of a professional writer. * Benefit 2: Artificial pressure Freelancing on a part-time basis is psychologically more difficult than full-time. For a full-time writer, the sheer fact of having to sit down and write every day makes doing it as normal as going to the loo. Motivation is also important. Full-time writers have no problem being motivated. No write, no eat. Simple enough. But as a part-time freelancer with a full-time paycheck, you have little to lose besides pride (doesn't that goeth before the fall?). Sometimes we need the motivation that real-world pressure provides -- whether a mortgage payment or an editor's deadline. Writing blocks apply a helpful jolt of pressure that feels familiar, especially to the procrastinator in us who often depends on outside pressure to finally get things done. * Benefit 3: Sharper focus I used to watch college students make this mistake every day: "I'm going to the library to study for three hours!" Well intended, but few students knew how to break long study periods into effective blocks with specific, achievable goals for each block. The result was usually sadly predictable -- wasted time despite honest effort, ending in frustration and disappointment. But writing is like a construction project, and from foundation to rooftop we must constantly ask, "What comes next?" Writing blocks encourage focus on one thing at a time: an effective lead; a main character's back story; a bridge section between main points. If the specific goal is achieved in one block, great! If not, what the heck -- have another block on me. * Benefit 4: Required rest How long you can sustain concentration and remain efficient is an individual call. But one truth applies: going beyond your productive limit eventually leads to frustration, which can become its own problem. I have found 45-minute to one-hour blocks to be the most comfortable work period for me. For you it could be more, could be less. The key is to be disciplined and to give up romantic notions of working furiously while in the breathless grip of inspiration, losing all sense of self and time, emerging with masterpiece in hand. On some days that may happen; when it does, feel blessed and know it was possible because you treated the other 364 days like a job, complete with coffee and chit-chat (why do you think God gave us email?) during breaks. * Benefit 5: Concrete goals Vague dreams lack the juice to sustain us through the tough work that a writing project requires. "I want to be published!" Fine, but as a binding contract with yourself that's a little soft around the edges, exclamation point notwithstanding. Writing blocks are a series of concrete obligations reinforced by timers, beeps, up and down movements, specific goals for each block. All of these things help bind us to the ultimate writing contract: To write our best, to grow from the challenges we've set for ourselves, and to be proud that we're doing it -- not merely dreaming it. Excerpted from "The Freelance Success Book" (2003). >>-----------------------------------------------------<< David Taylor served as an executive editor for nine years at Rodale Press, where he worked on magazines such as Prevention, Men's Health, Runner's World and Scuba Diving. Prior to Rodale he was a professor of English and journalism. Find out more about his new book, "The Freelance Success Book," at http://www.freelancesuccessbook.com Copyright (c) 2003 by David Taylor **************************************************************** Where do great writers get those super ideas for their stories - those wonderful stories we never forget? Same place YOU can get great ideas for YOUR unforgettable stories. For details, see OUT OF YOUR MIND AND INTO PRINT, http://whortleberrypress.com **************************************************************** Are you a Freelance Writer? FreelanceWriters.com is the only global online directory of freelance writers. Your writing skills, experience and contact information can be listed in the database so that clients and editors will have your information at the touch of a button. Go to: http://www.freelancewriters.com/writers_faqs.cfm ***************************************************************** THE WRITE SITES ================================================================= WriteGirl ------------- Pairs young girls in grades 9-12 with practicing writers through monthly interactive writing workshops. http://www.writegirl.org Freshwriting.com ---------------- Quality new writing on the web from haiku to daring do. http://www.freshwriting.com Chilling Effects Clearinghouse ------------------------------ Do you know your online rights? Have you received a letter asking you to remove information from a web site or to stop engaging in an activity? Are you concerned about liability for information that someone else posted to your online forum? If so, this site is for you. http://www.chillingeffects.org Job Sources on the Net ---------------------- A lengthy list of job sites (writing and general), from Writer Online. http://www.writeronline.us/guest/aflalo-12-16-02.htm WritersWeekly Warnings Reports ------------------------------ We've listed it before, but it's worth listing again; if you have concerns about a market, check here before proceeding! Lots of new market listings and warnings. http://www.writersweekly.com/warnings/warnings.html Names ----- Find yourself or lose yourself in names, presented by Jerry Hill. http://anzwers.org/free/jhpn/ ***************************************************************** "The Easy Way to Write a Novel". This popular writer's resource shows you, step by step, how to achieve your dream of writing a great novel in the shortest possible time. Suitable for any level of expertise. Free writing courses. http://www.easywaytowrite.com ***************************************************************** DON'T KNOW WHERE TO SEND YOUR WORK? We'll research & target markets, prepare cover letters, track submissions. Reasonable Rates, References. WRITER'S RELIEF, Inc., 245 Teaneck Rd. #10C, Ridgefield Park, NJ 07660 (201)641-3003, http://www.wrelief.com ***************************************************************** THE WRITING DESK ================================================================= by Moira Allen (Moira Allen) Defining Worldwide Electronic Rights ------------------------------------ Q: I've noticed that in your guidelines you mention that you buy first "worldwide" electronic rights. Are there any other first electronic rights possible? I just read an article in a newsletter in which the writer says that each country has its own electronic rights. I think this is illogical and incorrect -- since the Internet is common worldwide, can there be editors who buy such rights? A: I say "worldwide" just to avoid any sort of confusion. However, you're right; I can't imagine how you could have any other kind. Perhaps you could subdivide electronic rights by LANGUAGE -- for example, there are lots of web sites in other languages that would only be read by people who speak that language. So I could say, for example, "first ENGLISH-LANGUAGE electronic rights," and leave a writer free to sell the same article to a Japanese site. But language is the only way I could imagine making a site limited to a particular demographic group or locality. I have never heard of anyone actually attempting to buy, or designate, a geographical set of electronic rights (e.g., "first British electronic rights" or "first French electronic rights"). As you say, it just wouldn't be feasible. This is why publications finally began to realize that it made no sense to apply the term, "First North American Serial Rights" to electronic publications, as they could not be limited to North America. (I think, however, you will occasionally find a publisher who DOES list FNASR in an electronic contract; usually, that's a person who just hasn't caught on yet.) Each country may have its own electronic LEGISLATION, or may attempt to. For example, some European countries, I believe, are trying to impose VAT tax on Internet transactions (wherever they originate), while the US still has a moratorium on sales tax on Internet transactions (although this is applied rather sporadically). But that's not the same thing as "rights" in the sense of intellectual property rights. It could be that the person has seen some sort of contract from a publication outside the US. I haven't done much business with non-US electronic publications, so it may be that someone else is trying to claim that there are "country-specific" e-rights. I haven't heard anything about it myself, though! >>-----------------------------------------------------<< Moira Allen is the author of "The Writer's Guide to Queries, Pitches and Proposals," "Writing.com: Creative Internet Strategies to Advance Your Writing Career" (second edition forthcoming in May 2003), and "1500 Online Resources for Writers." For details, visit: http://www.writing-world.com/moira/index.shtml Copyright (c) 2003 by Moira Allen ***************************************************************** FREE INITIAL EVALUATION! AWARD-WINNING AUTHOR will help improve your MS. Critiquing, Line Editing, Submission Assistance. info[at]writersconsultant.com, http://www.writersconsultant.com ***************************************************************** FROM THE MANAGING EDITOR'S MIND ================================================================= As promised, I have more new developments to report on the Freedom to Read Protection Act, federal legislation that would remove a threat to the privacy of bookstore and library records posed by Section 215 of the USA Patriot Act. The bill now has 58 co-sponsors. According to Congressman Ron Paul (R-TX), "It's going to be difficult to pass [H.R. 1157] because of the atmosphere and the fact that we're at war. If you get enough people, say if you got a thousand people per district -- your congressman will listen." An urgent, bi-partison effort from the public is the best way to assure passage of the legislation. Citizens opposed to the Patriot Act, such as booksellers and librarians, need to inform their customers and urge them to contact their congresspersons. Paul said that it's crucial that people do not "fluff off [the USA Patriot Act] believing it necessary. I think we live in very dangerous times." In response to the Patriot Act, some booksellers have chosen to purge their customer databases, so if law enforcement comes looking there's nothing to find. However Chuck Robinson, co-owner of Village Books in Bellingham, Washington, feels the focus on library and bookstore record keeping is wrong-headed. After all, compiling customer/patron records is a normal procedure for any business or institution. Village Books offers a frequent buyer program that includes a rebate coupon after 15 purchases. The program is voluntary, and when customers sign up, they are advised that their purchases will be tracked. Robinson strongly suggests a better way to respond: "The proper place to address this issue is in Congress. All booksellers should contact their representatives in Congress and urge them to support FRPA, and they should encourage their customers to do the same." Well there you have it, two good reasons to call or write your congressperson today. For a complete list of sponsors: Freedom to Read Protection Act Now Has 58 Co-Sponsors http://news.bookweb.org/1280.html For more information: Freedom to Read Protection Act of 2003 (HR 1157) http://www.fas.org/irp/congress/2003_cr/hr1157.html -- Peggy Tibbetts (peggyt[at]siltnet.net) ***************************************************************** Be more prolific! Increase your income! Write your book faster than you ever thought possible. Learn to create your book's blueprint in 2 hours, buy a best-selling plot and more. http://www.writeabooknow.com/welcome/write1512now ***************************************************************** WHAT'S NEW AT WRITING-WORLD.COM ================================================================= APRIL COLUMNS ------------- Advice from a Caterpillar, by Peggy Tibbetts When to send a requested manuscript; whether to use real place names; finding Christian publishers. http://www.writing-world.com/caterpillar/cat27.shtml Imagination's Edge: Writing SF and Fantasy, by Paula Fleming Dialog: When Space Bugz Speakie Funnie and Other Problems http://www.writing-world.com/sf/edge/edge09.shtml The Screening Room, by Laura Brennan Turning a Novel into a Screenplay http://www.writing-world.com/screen/screen06.shtml Self-Publishing Success, by Brian Jud Forecasting: Minding Your Own Business http://www.writing-world.com/jud/jud17.shtml NEW ARTICLES: ------------- Fighting Writer's Block, Part II: Seven "Blockbusters", by David Taylor http://www.writing-world.com/basics/block2.shtml The Nuts and Bolts of an Author Website, by Chris Gavaler http://www.writing-world.com/promotion/gavaler.shtml Why Libraries Still Matter, by Ellen Metter http://www.writing-world.com/basics/libraries.shtml ***************************************************************** MARKET ROUNDUP ================================================================= CHICKEN SOUP FOR THE MUSIC LOVERS SOUL Gail Swanson, Eve Hogan, Cris Sommers-Simmons, Co-authors PO Box 613, Puunene, HI 96784 EMAIL: MusicLoversSoul[at]aol.com URL: http://www.musicloverssoul.com Go to the bookstore or library and read Chicken Soup stories before you begin! Remember, you are submitting material to an international best-seller book series so please take time to do a little research before you write your story. We want your story to be accepted into the book. We can't stress this enough as we are getting a lot of submissions that just are not appropriate for this book series. Reading a chicken soup book will give you the feel of what we are looking for. There are example stories from each current book on the web site. Also, study the "Ten ingredients to help you write a great story." LENGTH: 300-1,200 words PAYMENT: $300 RIGHTS: Author retains rights REPRINTS: Yes SUBMISSIONS: Submit via email. Attach as a Word document, include all contact information at the bottom of your story (name, address, phone, email). Title your story. GUIDELINES: http://www.musicloverssoul.com >>-----------------------------------------------------<< DAIKAIJU ANTHOLOGY Robert Hood and Robin Pen, Editors Agog! Press, Daikaiju Anthology, PO Box U302, University of Wollongong, NSW 2522, Australia EMAIL: daikaiju[at]roberthood.net URL: http://www.roberthood.net/daikaiju-antho/ This anthology will be a collection of original "daikaiju" stories -- tales of giant monsters and vastly oversized creatures whose form, function and meaning are limited only by the author's imagination (and certain copyright considerations). Note: Under no circumstances can we include stories which feature Godzilla, Gamera, Mothra, Anguilas, King Ghidorah, Gorgo, King Kong or any other copyrighted character. Your characters, whether monstrous, human or alien, must be original, though allusive reference to famous daikaiju may be acceptable depending upon the context. Please see our web site for more extensive guidelines. DEADLINE: November 30, 2004 LENGTH: 12,000 words or less PAYMENT: $30 RIGHTS: First publication rights REPRINTS: No SUBMISSIONS: Standard manuscript format; e-mail for electronic submission guidelines. GUIDELINES: http://www.roberthood.net/daikaiju-antho/ >>-----------------------------------------------------<< CALL FOR SUBMISSIONS: RUNES MAGAZINE Teron Publishing, 311 Broadway, Bangor, ME 04401 EMAIL: Submit[at]Runesmagazine.com URL: http://www.runesmagazine.com Runes Magazine is a new print publication scheduled to launch in June. "The magazine will feature short stories, Illustrations, game, book, and movie reviews, pen and paper adventures, cartoons, and more. Eventually when subscriptions reach our projected levels we would like to take on some full and part time talent." Rune is looking for the following materials: Short stories (3000-10,000 words) - $100 Game, book, movie reviews (1000 words) - $30 Pen and Paper Adventures - $40 Articles (on fantasy subjects, e.g., online gaming) - $100 Cartoons (1-12 frames) - $40 Illustrations - $200 cover, $100 inside, $50 half-page or less LENGTH: See above PAYMENT: See above RIGHTS: Not specified REPRINTS: Not specified SUBMISSIONS: By e-mail or surface mail GUIDELINES: http://www.runesmagazine.com/Our_Service.html >>-----------------------------------------------------<< "FNASR": First North American Serial Rights, "SASE": self-addressed, stamped envelope, "GL": guidelines. If you have questions about rights, please see "Rights: What They Mean and Why They're Important" http://www.writing-world.com/rights/rights.shtml Please send Market News to peggyt[at]siltnet.net ***************************************************************** WRITING CONTESTS ================================================================= This section lists contests that charge no entry fees. Send new contest information to Jose Aniceto (jeb_aniceto[at]mail2me.com.au). For more contests, check our online contests section. http://www.writing-world.com/contests/index.shtml >>-----------------------------------------------------<< Trail Days Writing Contest DEADLINE: Email entries: April 24, 2003 Mail entries: April 17, 2003 GENRE: Essay & Poetry OPEN TO: 18 and older LENGTH: Essay: 10 pages or less; Poetry: 20 lines or less THEME: Do you like to hike? Do you like to write? Trail Days (May 10-18, 2003) is an annual festival in Damascus, Virginia, that draws thousands of hikers and bikers from across the country and around the world. The Washington County Public Library, in collaboration with its Damascus Branch, is proud to sponsor a writing contest that celebrates our natural and literary heritage. This year's contest has expanded to include two categories: poetry and essay. Entries must relate to hiking on the Appalachian Trail or in the Appalachian region. Winning entries will be read publicly during Trail Days and will be posted on the Washington County Public Library webpage. Serious trekkers or casual traipsers, if you write essays or poetry, send us your best! PRIZES: In each category: 1st Prize: $150; 2nd Prize: $100; 3rd Prize: $50 ELECTRONIC ENTRY: Yes, by email text or attachment. The first information in the submission should be your name, address, phone number, email address, and fax number. Submit in Microsoft Word or text format. ADDRESS: Trail Days Writing Contest, Washington County Public Library, 205 Oak Hill Street, Abingdon, VA 24210 EMAIL: jcromer[at]wcpl.net URL: http://www.wcpl.net/trail/default.htm >>-----------------------------------------------------<< CBA Short Story Competition DEADLINE: May 1, 2003 GENRE: Short story OPEN TO: Commonwealth citizens LENGTH: 600 words THEME: The aim is to promote the Commonwealth through broadcasting high quality short stories submitted by Commonwealth writers. The competition is administered by the Commonwealth Broadcasting Association with funding from the Commonwealth Foundation. The stories may have any theme or subject, and shall be original and should not have been previously published anywhere. All entries must be in English. PRIZE: 1st Prize: £2,000 ELECTRONIC ENTRY: Yes, include the words "Short Story" in the subject line. Please send your story as email text, no attachments. ADDRESS: The CBA, 17 Fleet Street, London EC4Y 1AA EMAIL: story[at]cba.org.uk URL: http://www.cba.org.uk/shortstory2003.htm ***************************************************************** New Listings on THE AUTHOR'S BOOKSHELF: --------------------------------------- Creeton, by Boyd London Crossing Kansas, by Diane Leatherman The Freelance Success Book, by David Taylor Learn the Elements of Fiction and Write Your Novel, by Sue Carol Nussbaum Life as a POW, by Diana Saenger Make Money Writing for Medical Trade and Health Publications, by Laura Gater Rate Your Mate, by Donna Kordela and Anne M. 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Send blank e-mail to: naww[at]onebox.com or visit http://www.naww.org ***************************************************************** BE PUBLISHED IN Australia, Canada, New Zealand, UK, USA. From the world's favorite Writing Market Directory. Free access. Worldwide Freelance Writer - http://www.worldwidefreelance.com/A2.htm ***************************************************************** WRITING FOR DOLLARS! - the FREE ezine for writers featuring tips, tricks and ideas for selling what you write. FREE ebook, 83 WAYS TO MAKE MONEY WRITING when you subscribe. Email to subscribe[at]writingfordollars.com http://www.WritingForDollars.com ***************************************************************** Writing World is a publication of Writing-World.com http://www.writing-world.com Editor/Publisher: MOIRA ALLEN (Moira Allen) Managing Editor: PEGGY TIBBETTS (peggyt[at]siltnet.net) Web Associate/Contests Manager: JOSE ANICETO (jeb_aniceto[at]mail2me.com.au) Researcher: JUDY GRIGGS Copyright 2003 Moira Allen Individual articles copyrighted by their authors. Back issues archived at http://www.writing-world.com/newsletter/index.shtml Writing World is hosted by Listbox.com - http://v2.listbox.com ***************************************************************** Subscribers are welcome to recirculate Writing World to friends, discussion lists, etc., as long as the ENTIRE text of the newsletter is included and appropriate credit is given. 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