***************************************************************** W R I T I N G W O R L D A World of Writing Information - For Writers Around the World http://www.writing-world.com Issue 3:08 12,500 subscribers April 17, 2003 ***************************************************************** SUBSCRIBE/UNSUBSCRIBE INSTRUCTIONS AT END OF NEWSLETTER ***************************************************************** SPECIAL NOTICE: Please DO NOT REPLY to this e-mail; any messages sent to the listbox address are deleted. If you wish to contact the editor, please e-mail Moira Allen. ***************************************************************** CONTENTS ================================================================= From the Editor's Desk News from the World of Writing FEATURE: Speed Writing: How to Master the Blank Page by David Taylor The Write Sites -- Online Resources for Writers WRITING DESK: What's the difference between speculative and fan fiction? by Moira Allen From the Managing Editor's Mind WHAT'S NEW at Writing World/Prize Drawings MARKET ROUNDUP/Writing Contests ***************************************************************** Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Visit http://www.1stbooks.com/getpublished/no_rejection.html ***************************************************************** EARN AN MFA IN WRITING through the brief-residency program at Spalding University in Louisville, KY. Call (800) 896-8941x2105 or e-mail gradadmissions[at]spalding.edu and request brochure FA90. For more info: http://www.spalding.edu/graduate/MFAinWriting ***************************************************************** WRITERSCOLLEGE.COM has 57 online courses. Prices are low. If you can reach our web site, you can take our courses. http://www.WritersCollege.com ***************************************************************** DISCOUNTED WRITERS' SOFTWARE -- PowerStructure, DramaticaPro, StoryView, WritePro, MovieMagic, InkLink, plus many more. HUGE SAVINGS! GREAT SELECTION! Visit us online: http://www.MasterFreelancer.com/ww ***************************************************************** THE WRITER'S HANDBOOK 2003. This definitive career resource for writers provides essential information, how-to advice, and paying markets you won't want to miss! Featuring 3,000+ markets that buy articles & book manuscripts. To order: 800-533-6644 or 1-262-796-8776 http://store.yahoo.net/kalmbachcatalog/61966.html **************************************************************** SPECIAL OFFER TO WRITING-WORLD SUPPORTERS: Contribute $5 or more to Writing-World.com and receive a copy of "1500 Online Resources for Writers!" Contributions accepted by PayPal and Amazon.com (http://www.amazon.com/paypage/P2UTPRKYGU4AA1); for book details visit http://www.writing-world.com/moira/1500.shtml ***************************************************************** FROM THE EDITOR'S DESK ================================================================= Improvements and Renovations ---------------------------- Peggy is in the midst of various home renovations, which, she says, are driving her family (and her dog) slowly nuts. Every task seems to take twice as long as planned, and involve twice as many complications. She lives, she says, on "contractor time" -- which apparently depends greatly on phases of the moon and other mysterious forces beyond our normal ken. The mantra that keeps her sane: "It will be so nice when it's done." I feel much the same way about the ongoing renovations to the Writing-World.com site. Every task seems to take twice as long as I expect, and many involve unforeseen complications. But it will be so nice when it's done! This week, I'm happy to report that the links sections have been cleaned and updated. In addition to the usual tasks of taking out dead links and changing URLs to sites that have moved, I've added loads of new links, and four new sections: Historical fiction (added to the "romance" links) http://www.writing-world.com/links/romance.shtml Viruses & hoaxes (added to the "warnings and scams" links) http://www.writing-world.com/links/warnings.shtml Conferences & colonies (added to the "classes" links) http://www.writing-world.com/links/classes.shtml Photography (new section) http://www.writing-world.com/links/photography.shtml Expanded Edition of 1500 Online Resources! ------------------------------------------ The link-page update is an offshoot of a considerably larger project: The updating of 1500 ONLINE RESOURCES FOR WRITERS. Yes, folks, "1500" is now completely updated and revised. The existing links have been "cleaned" and updated, thanks to the tireless efforts of our researcher, Judy Griggs. Plus, I've added LOTS of new links (and I do mean LOTS). In fact, the book contains nearly 1800 resources -- but it seemed simpler to keep the original title and cover! If that news wasn't good enough, it gets better! The response to my "donate $5 to Writing-World.com and get a free copy of 1500 Online Resources for Writers" offer has been so enthusiastic that I've decided to keep it running. So now you can get not just 1500 resources, but close to 1800 resources, newly updated and checked, for just $5! (But hurry, this offer may not last, as they say on TV.) Donations are accepted via: * PayPal (http://www.paypal.com) - send to Moira Allen * Amazon.com - http://www.amazon.com/paypage/P2UTPRKYGU4AA1 * Check (e-mail Moira Allen for details) We're "Counting" on You! ------------------------ If you've scrolled down to the bottom of any Writing-World.com page in the last few days, you may have noticed a new feature: Our new visitor-tracking system. This nifty new tracking program lets me know how many distinct visitors I receive each day, and how many hits each page receives. My hope is that it will give me a better sense of "distinct visitors" (as opposed to "visits" in general) -- as well as to let me know which parts of the site are popular and which are not. (I've already learned that visitors LOVE the contest section!) The program is a cgi script available from UsersOnline, which offers a free version and a more detailed paid version. Unlike most tracking services, it's a one-time cost; one doesn't have to pay a monthly or annual fee. However, the installation instructions are far from clear; even my techie web guy had trouble understanding them. In a couple of months, I hope to be able to publish revised stats; in the meantime, you can click on the link at the bottom of any page at any time to see how many people are on the site and what pages they're visiting! Enough web renovation. I just bought a flat of ranunculus and another of dahlias, and am off to "renovate" my garden! -- Moira Allen (Moira Allen) **************************************************************** Creative Journeys Writing Workshops bring women together to honor their creativity and spiritual nature through writing. Workshops in Arizona, Michigan, Oregon Coast, Mexico. For details, visit http://www.creativejourneys.net - gail[at]creativejourneys.net ***************************************************************** WRITING BY THE SEASIDE in Venice Beach! Author Linda Oatman High presents sessions on adult and children's fiction, poetry, essays. June 8-13, Best Western Marina; call 800-786-7789 by May 8 to reserve. 200 feet from beach! http://www.lindaoatmanhigh.com ***************************************************************** NEWS FROM THE WORLD OF WRITING ================================================================= AAP sales figures show steady growth for ebooks ----------------------------------------------- Recent sales figures compiled by the Association of American Publishers (AAP) suggest that 2003 could be a strong year for electronic publishing. In January and February of this year, net sales from 60 publishers showed a 41% increase in ebook sales compared to the combined sales figures for January and February 2002. "Among those reporting, there was obviously significant growth," said Ed McCoyd, Director of Digital Policy for the AAP. "It's just one more indicator that the industry is growing." He pointed to science fiction, romance, and horror buyers as being more apt to buy ebooks: "One apparent reason is that they tend to be avid readers. They will be more apt to purchase electronic versions of books and have fewer books on their shelves." The real test of whether this is the start of a trend or just an anomaly will be when sales figures for other months are reported. "That's what we're really curious about," McCoyd said. "We want to see how this plays out over a period of several months." Ebook Prospects study finds few people read ebooks -------------------------------------------------- Recent research conducted by BookBrowse.com, a book excerpt web site, found that 23% of their adult visitors say they are likely to read an ebook in the next year; 16% had read an ebook. The majority read on their computer (not on a handheld device). This is not good news. Most of the readers surveyed claim to read one or more books in the past month. Book lovers clearly prefer paper to electronic books, unless the price is right. More than 45% said they would only buy the ebook if it was half price or less. Almost one third said they would buy the paper edition even if the ebook was free. When readers were asked how much they would pay for a handheld reading device, 44% answered, "only if it was free," with only 14% prepared to pay over $100. Tax bill needs author action ---------------------------- On April 9, the US Senate passed a bill which includes the Artist-Museum Partnership Act. Under current law authors can only deduct the cost of the materials used to create their manuscripts, but the new act would allow them to deduct the fair market value of the works when donating them to non-profit entities. The bill now goes to the House of Representatives for a vote. According to the Authors Guild, the donated manuscript deduction bill has the best chance of being enacted in the House of Representatives. The key legislative move is to attach HR 806, the "Artists' Contribution to American Heritage Act" (identical to the Senate's Artist-Museum Partnership Act), to the Charitable Giving Act of 2003 (similar to the Senate's CARE Act). For more information on how you can help go to: http://www.authorsguild.org/news/tax_position_april.htm Borders goes wireless --------------------- Borders is offering wireless Internet access in their stores in partnership with T-Mobile. The service is now live in over 145 stores in California, Florida, Georgia, Michigan, New Jersey, Texas, and Washington. By mid-June, it will be available in "a majority" of their locations nationwide. In a separate press release, Borders announced they'll open their fourth Manhattan store in the AOL Time Warner headquarters building under construction at Columbus Circle. Their cafe will be operated by Dean & Deluca. Rosetta announces Random licenses --------------------------------- When Random House and Rosetta Books settled their litigation last December, the agreement included a provision under which Rosetta would obtain three-year electronic licenses to selected works from the Random backlist. This month, Rosetta has announced the first 51 titles that they will license from Random "with the support of agents and/or authors," and promised "Additional titles licensed from Random House and other major publishers will be announced in the near future." The list includes selected works by Douglas Adams, Margaret Atwood, John Cheever, Ian McEwan, Rohinton Mistry, Toni Morrison, John Updike, and Gore Vidal among others. Microsoft brings DRM to the masses ---------------------------------- From Word documents to email messages and even spreadsheets, Microsoft has added add new Digital Rights Management (DRM) controls, making it easier than ever for companies to restrict how data is accessed. New Office 2003 programs and Windows Rights Management Services for Windows Server 2003 have been designed to work together to enable the creators of documents, spreadsheets, and email messages to dictate who can access their files and how those files can be used. With the new DRM features, the author of a document can specify who is permitted to actually access and read the document, and the exact time period in which the document can be viewed. Authors can also dictate whether the document can be forwarded, copied, printed, burnt to a CD, or otherwise passed along to others. The idea is to provide organizations with more control over their intellectual property. Amazon Advantage reduces fee ---------------------------- Beginning in May, small presses and self-publishers who use the Amazon.com Advantage program to sell their books will be charged an annual fee of $29.95, which represents a significant reduction from the earlier announced $49.95 fee. **************************************************************** Our team of professional editors -- including a Pulitzer Prize nominee and an author published by Dell, Warner, Fawcett, etc. -- specializes in novels written by first-time, novice writers. See us at http://www.a1editing.com for prices, references, etc. ***************************************************************** Tech Writers, Copywriters, Freelancers: Improve your writing and your business. Subscribe to WriteThinking, the weekly newsletter for professional communicators featuring articles, tips and an an extensive jobs list. Send e-mail to subscribe[at]writethinking.net or visit http://www.writethinking.net/ to subscribe. ***************************************************************** SPEED WRITING: HOW TO MASTER THE BLANK PAGE ================================================================= by David Taylor (info[at]peakwriting.com) [Ed.'s Note: This the final installment of a four-part series that examines the creative act of writing and offers valuable techniques for increasing our productivity as writers.] Speed writing is a way of thinking as well as a way of composing. Most of all, it's a state of being when you sit in front of the computer. When sitting down to write, I am convinced the very worst thing we can do is to let our hands be idle. In other words, to headwrite: when fingers sit upon the keyboard awaiting the thoughts to form themselves into acceptable sentences in our head, then transcribing them onto the screen. Ding dong, that's wrong. At least for me. During the process of creation, our mind and fingers should work as one to produce the rough shape of the artistic vision. Our goal should be to initiate a flowing stream of thought and expression, to connect word and thought in a simultaneous oneness. Om. But this isn't New Agey at all. Like a painter's brush, a keyboard is a tool for creating. Like a painter, we need a process that helps us immerse our deepest selves into that passionate moment of creation. Later, we can change colors (revise). Later, we can get out the smallest brush and, like a painter, work up close until the details are in sharp relief (edit/proof). But first comes creation. Speed writing is a way of inserting into your writing process a time when passionate creation can take place. How Speed Writing Works ----------------------- Speed writing works very much like freewriting, but you focus on getting from the beginning to the end of something: a paragraph, a section, an article, a chapter, perhaps an entire book. You set a time frame, you begin writing, then you do not stop until you come to the end of the entire thing you want to write: whether a sentence, or a novel. Yes, your novel will be reduced to six pages, your feature article will be nasty lump of clay, your screenplay absent most of its dialogue. But its flaws aren't the point. After a speed draft is done, you've got something you can either work with or throw away -- a choice you didn't have before. Other rules include: * You must not interrupt the flow of words upon the screen, even if it means making up quotes and facts, or taking up space with things like "OK, I've run out of something to say, I really don't know where to go next, let me think, what if I tried ..." * You must not stop to reread or edit what you've written until the speed session is over. Some writers, including Stephen King, like to listen to loud rock music when speed writing. Some do it standing up. Some like the feel of a number two pencil, some love the sight of a yellow legal pad. Some drink coffee, some drink that miracle of modern marketing: bottled water. Whatever. Suck on a pacifier, if you wish. Just start writing and don't stop. Don't edit. Don't second guess. Don't evaluate. Don't do anything but listen to that little voice inside your head and write down everything it says. Beyond Zero Draft ----------------- Speed writing can be useful in just about every stage of the writing process: planning, drafting, revising -- any time you need to figure something out, whether it's a sentence or a book plan. But between the end of the material gathering stage and before the completion of the first draft, writers dwell in a place I call the "zero draft." That's when this technique can be important. The fear of beginning a first draft is legitimate. Until it is complete, we have no way of knowing for sure that the right connections will be made and salient points brought out, or how many dead ends we'll hit and "do overs" we'll have to perform. The traditional answer to this dilemma is the outline, which can be helpful, especially in highly formatted articles. But outlines have the tendency to dissolve like toilet tissue in the rain once the real writing begins and each sentence must build on the one before it. Another solution: the speed draft. During a speed-draft session, your goal is to get from the beginning of the entire piece to its end in a single block of timed writing. No matter what short cuts you must take -- summarize entire sections in a sentence, put in XXX's to substitute for blocks of narration or main points -- your goal is to get from beginning to end in some form without stopping. Do this for an entire screenplay, and you've got your first stab at a treatment. Do it for an entire novel and you got your first stab at chapter summaries. Do it for an article, short story, scene or a book chapter, and you've got a first draft. Very rough, but very important. This speed draft serves three distinct purposes: 1. It lets ideas connect to each other where it counts -- on the page in actual sentences and paragraphs. 2. Because several speed drafts can be done in one morning, you can play around with different organizational structures without committing serious composing time to any one. 3. With the work's overall structure in front of you, albeit in rough form, you have slain the monster of the blank page and the work now exists at least in some form. All you have to do now is to refine it and have fun playing with it. Speed Writing's Other Uses -------------------------- When I compose, my computer's screen has two windows open. In one large window is the actual piece in whatever form it happens to be at the time. The other window contains a "Speed Pad," which provides me a place to speed write. Any time I need to think about how to do something, instead of pausing to stare at the computer screen, I put the cursor on the Speed Pad and think by typing, whether to: * flesh out an idea * plan a dramatic scene * find out what should come next * talk through what bothers me about what I've written * write different versions of a sentence to see which works better * anything else that would make me stare at the screen instead of write Once the speed writing is done, there are two choices: (1) cut and paste if it's good enough -- and sometimes it is; or (2) print it out, set the hard copy by the computer and refer to it. Regardless, the goal has been achieved. Think with writing; let writing become your way of thinking on the page or screen. Let it become your way of relating to the world. Your way of being. Don't let anything get between you and the words and the world you are exploring with them. Excerpted from "The Freelance Success Book" (2003). >>-----------------------------------------------------<< David Taylor served as an executive editor for nine years at Rodale Press, where he worked on magazines such as Prevention, Men's Health, Runner's World and Scuba Diving. Prior to Rodale he was a professor of English and journalism. Find out more about his new book, "The Freelance Success Book," at http://www.freelancesuccessbook.com Copyright (c) 2003 by David Taylor **************************************************************** Are you a Freelance Writer? FreelanceWriters.com is the only global online directory of freelance writers. Your writing skills, experience and contact information can be listed in the database so that clients and editors will have your information at the touch of a button. Go to: http://www.freelancewriters.com/writers_faqs.cfm ***************************************************************** THE WRITE SITES ================================================================= PublicityInsider.com -------------------- This site has a lot of useful information on PR, press releases, "how to write a great pitch letter," and more. http://www.PublicityInsider.com Burning Void Writer's Resources ------------------------------- An interesting selection of "writing warm-ups and exercises." http://www.burningvoid.com/users/heather/writing/resources.html Word Guild ---------- A Canadian organization of Christian authors. http://www.thewordguild.com/home.html Journalism Resources -------------------- A list of professional organizations and other resources for journalists. http://d206329.u27.infinology.com/Html/resources.htm Formsite.com ------------ If you want to add cgi forms to your web site, look here for a variety of free tools. http://www.formsite.com Art and Graphic Design Resources -------------------------------- Articles and resources for artists and designers. http://www.deezin.com/indexx.html ***************************************************************** "The Easy Way to Write a Novel". This popular writer's resource shows you, step by step, how to achieve your dream of writing a great novel in the shortest possible time. Suitable for any level of expertise. Free writing courses. http://www.easywaytowrite.com ***************************************************************** DON'T KNOW WHERE TO SEND YOUR WORK? We'll research & target markets, prepare cover letters, track submissions. Reasonable Rates, References. WRITER'S RELIEF, Inc., 245 Teaneck Rd. #10C, Ridgefield Park, NJ 07660 (201)641-3003, http://www.wrelief.com ***************************************************************** THE WRITING DESK ================================================================= by Moira Allen (Moira Allen) What's The Difference Between Speculative and Fan Fiction? ---------------------------------------------------------- Q: I've always wondered about speculative fiction -- what exactly is it? Does it belong the fantasy genre? And what's "fan-fic"? A: Speculative fiction is a more "all-inclusive" term that includes science fiction, fantasy fiction, and generally horror fiction. Fan-fic, or fan fiction, is fiction written by fans of a particular fictional series or universe, or, often, of a TV show. For example, "fan fiction" relating to a television series like Xena would be stories written about the characters of the show, and usually shared through a fan-fic webzine or print publication. A lot of fan clubs put out their own newsletters in which they print fan fiction. Similarly, fans of a particular book series often write stories set within the world of that book. Mercedes Lackey fans, for example, often write stories set within her particular world, and again, contribute them to fan web sites or fan newsletters. Most authors (and television shows) don't really mind fan fiction. However, it cannot be published in any commercial venue, because it infringes upon the author's or TV show's copyright. That's why you won't see a "Xena" story in a commercial SF or fantasy publication (print or electronic). Occasionally a TV show will get nasty about fan fiction being published at all, even in fan webzines, and try to crack down on it, but that doesn't happen too often or do much good. >>-----------------------------------------------------<< Moira Allen is the author of "The Writer's Guide to Queries, Pitches and Proposals," "Writing.com: Creative Internet Strategies to Advance Your Writing Career" (second edition forthcoming in May 2003), and "1500 Online Resources for Writers." For details, visit: http://www.writing-world.com/moira/index.shtml Copyright (c) 2003 by Moira Allen ***************************************************************** FREE INITIAL EVALUATION! AWARD-WINNING AUTHOR will help improve your MS. Critiquing, Line Editing, Submission Assistance. info[at]writersconsultant.com, http://www.writersconsultant.com ***************************************************************** FROM THE MANAGING EDITOR'S MIND ================================================================= As the Freedom to Read Protection Act of 2003 makes its way through Congress, another front is heating up in the battle. The American Civil Liberties Union (ACLU), American Booksellers Foundation for Free Expression (ABFFE), Electronic Privacy Information Center (EPIC), and Freedom to Read Foundation (FTRF) have filed a Freedom of Information Act (FOIA) lawsuit against the government over how it is using the widespread surveillance powers that were granted under the USA Patriot Act. The groups kicked off their lawsuit last August with an FOIA Request to the Dept. of Justice (DOJ). They wanted to know how many subpoenas have been issued to bookstores, libraries, and newspapers under Section 215 of the USA Patriot Act. After months of stalling, the DOJ finally responded on March 3. To make matters worse, the groups were not amused by the documents they received. In a brief filed on April 4, they noted the FBI documents that were disclosed through FOIA were, for the most part, blacked out, and documents pertaining to Section 215 were "relatively short." They further contend that the sheer length of the documents reveal that the Bureau is "aggressively wielding a disturbing power" provided by the Patriot Act. Their brief challenges the government's secret classification of those documents. For more information: http://www.aclu.org/patriot_foia/index.html ACLU Action -- Stop the Patriot Act http://www.aclu.org/SafeandFree/SafeandFree.cfm?ID=11904&c;=206 To date, the Freedom to Read Protection Act has more than 65 co-sponsors. Chris Finan, president of the ABFFE, said, "The rapid increase in the number of co-sponsors is very encouraging. In addition, we are seeing a spike in the amount of press coverage that the issue is getting. Hopefully, this will enable us to maintain our momentum." It is crucial that you contact your representative in the House and urge him/her to support HR 1157. Send a message to your Representative: http://www.house.gov/writerep/ Freedom to Read Protection Act of 2003 (HR 1157) http://www.fas.org/irp/congress/2003_cr/hr1157.html -- Peggy Tibbetts (peggyt[at]siltnet.net) ***************************************************************** Be more prolific! Increase your income! Write your book faster than you ever thought possible. Learn to create your book's blueprint in 2 hours, buy a best-selling plot and more. http://www.writeabooknow.com/welcome/write1512now ***************************************************************** WHAT'S NEW AT WRITING-WORLD.COM ================================================================= NEW ARTICLES: ------------- 13 Tips on How to Tech-talk to Non-techies, by Hasmita Chander http://www.writing-world.com/tech/techtalk.shtml Fighting Writer's Block, Part III: Get It Done -- Now! Your No-Fret, No-Sweat Plan, by David Taylor http://www.writing-world.com/basics/block3.shtml Finding Your Characters, by Mary Cook http://www.writing-world.com/fiction/cook.shtml More of What Agents Really Want, by Natalie Collins http://www.writing-world.com/publish/agent/collins2.shtml Writing a Synopsis from the Ground Up, by Dee-Ann Latona LeBlanc http://www.writing-world.com/publish/leblanc.shtml ***************************************************************** MARKET ROUNDUP ================================================================= CHICKEN SOUP'S RECIPES FOR CREATING THE LIFE YOU WANT Jack Canfield, Stephanie Marston, MA, MFT, Co-authors Chicken Soup's Life Lessons, Box 31453, Santa Fe, NM 87594-1453 EMAIL: samarston[at]earthlink.net Since the largest market for Chicken Soup books is primarily women, we feel the need to create a book specifically for this audience. We are working on a book that will not only motivate and inspire our readers, but that will also give the reader valuable tools, techniques, insights and exercises for creating a high quality, fulfilling life. We're looking for "teaching tales" that inspire the reader to draw their own conclusions and insights from the story itself. We are looking for real-life anecdotes that are instructive -- a personal wake-up call that is enlightening. No preaching or philosophizing, no fables, just good old fashion storytelling that is based on true experiences. Because this book is for the general public we ask that you not send stories that are religious in nature. DEADLINE: June 15, 2003 LENGTH: 1,200 words or less PAYMENT: $300 RIGHTS: One time rights REPRINTS: Yes SUBMISSIONS: Submit by mail or email. GUIDELINES: For a complete list of topics, a sample story, and guidelines, send email to: samarston[at]earthlink.net >>-----------------------------------------------------<< LEVIATHAN 4 Forrest Aguirre, Managing Editor Ministry of Whimsy Press, 1718 Weber Drive, Madison, WI 53713 EMAIL: ministryofwhimsy[at]yahoo.com URL: http://www.ministryofwhimsy.com The theme is "Cities." We are looking for previously unpublished stories where a city or cities is (are) so critical to the success of the story that the tale utterly fails if moved to another location, real or imagined. The works we publish might be described as surreal, decadent, experimental, slipstream or magically real, but with a strong literary sensibility. Tales for Leviathan should contain some fantastical element, however slight, with a strong sense of atmosphere and word-crafting throughout. We are not afraid of experimentalism, but do note that our readers appreciate some sense of linearity, though this sense might be minimal. Remember, a city must, in essence, be a character, be the plot of the work. Please do not send stories that feature such traditional tropes as vampires, werewolves, zombies, or fairies. Traditional science fiction, hard core horror, sword and sorcery, and stories in which humor is the primary element stand little chance of acceptance. Monkeys, small children, and anthropomorphic cleaning products are also not welcome. No multiple submissions, please. DEADLINE: June 30, 2003 LENGTH: 5,000 to 20,000 words PAYMENT: $250 RIGHTS: First English language rights REPRINTS: No SUBMISSIONS: Submit via e-mail (in RTF or WORD format) or by snail-mail. Stories submitted without adequate SASE will be disposed of unread. GUIDELINES: http://www.ministryofwhimsy.com/lev4guidelines.html >>-----------------------------------------------------<< SONG OF THE SIREN PO Box 172, Lebanon, NH 03766 EMAIL: Visual-Art[at]Song-of-the-Siren.net Poetry[at]Song-of-the-Siren.net Fiction[at]Song-of-the-Siren.net Non-Fiction[at]Song-of-the-Siren.net URL: http://www.song-of-the-siren.com Send work inspired by mythology, folklore, or dream; present a new way of looking at something. Included for consideration: Digital images of drawings, paintings, photography, digital art; Short fiction, flash fiction, poetry; nonfiction, book reviews. LENGTH: No word limit PAYMENT: Prose: $1 per 100 words ($50 max); Poetry $1 per 50 words ($2 min); Stand-alone images: $20/image; Sidebar images: $10/image RIGHTS: Non-exclusive electronic rights REPRINTS: Yes SUBMISSIONS: By e-mail (no attachments); send images as GIF or JPEG attachments; or submit by mail with SASE or IRCs, Attn: (Fiction, Poetry, Nonfiction, Visual Art), with SASE. GUIDELINES: http://www.song-of-the-siren.com/info/artists_writers_guidelines.html >>-----------------------------------------------------<< "FNASR": First North American Serial Rights, "SASE": self-addressed, stamped envelope, "GL": guidelines. If you have questions about rights, please see "Rights: What They Mean and Why They're Important" http://www.writing-world.com/rights/rights.shtml Please send Market News to peggyt[at]siltnet.net ***************************************************************** WRITING CONTESTS ================================================================= This section lists contests that charge no entry fees. Send new contest information to Jose Aniceto (jeb_aniceto[at]mail2me.com.au). For more contests, check our online contests section (150 new contests added this month!) http://www.writing-world.com/contests/index.shtml >>-----------------------------------------------------<< Slope National American Sign Language Poetry Prize DEADLINE: April 30, 2003 GENRE: Poetry OPEN TO: Age 18 and older LENGTH: Approx. 2 minutes or shorter THEME: Slope is an online literary journal dedicated to publishing poetry from cultures around the world. Poems must be in American Sign Language. The subject and form are open and unrestricted, allowing for a range of originality and poetic diversity. Feel free to bend or break linguistic rules. Poems must be submitted in one of the following formats: videotape (VHS or VHS adaptable), or digital formats on disc, CD-R, or CD-RW (.mpg or .mov - suggested max resolution is 320x240). Submission of more than one poem is acceptable and encouraged, and all may be included on the same videotape or disc. Submissions must be accompanied by a brief biography of the poet, including name, mailing address, and email address. PRIZES: $200 and publication in Slope ELECTRONIC ENTRY: No ADDRESS: National ASL Poetry Prize, c/o Slope, 74 High Street #6, Greenfield, MA 01301 EMAIL: info[at]slope.org URL: http://www.slope.org/asl_page.html >>-----------------------------------------------------<< Armed Forces Joint Warfighting Essay Contest DEADLINE: May 1, 2003 GENRE: Essay OPEN TO: All LENGTH: 3,000 words THEME: Any subject relating to combat issues in a joint context. Essays may be heavy in uni-service detail but must have joint application. Essays may not have been published elsewhere. You are encouraged to submit photographic and/or graphic elements to support your essay. See contest guidelines for complete format and submission details. PRIZE: 1st Prize: $2,500; 2nd Prize: $2,000; 3rd Prize: $1,000; and publication of all winners in Proceedings. ELECTRONIC ENTRY: Yes, include the contest name in subject line and your essay as an attachment. Because essays are judged without knowing the author's identity, your attached essay's cover page must consist of a motto instead of your name, the essay's title, and the word count (excluding text within graphic elements or footnotes). ADDRESS: Armed Forces Joint Warfighting Essay Contest, US Naval Institute, 291 Wood Road, Annapolis, MD 21402-5034 EMAIL: essays[at]navalinstitute.org URL: http://www.usni.org/membership/contests.htm#armed >>-----------------------------------------------------<< The Writing Parent Flash Fiction Contest DEADLINE: May 1, 2003 GENRE: Flash fiction OPEN TO: All LENGTH: 400 words or less THEME: "Around the Coffeepot" -- Your story can be humorous, romantic, scary or downright silly. We will not consider erotic, pornographic or foul language entries. Entries should be previously unpublished. Only one entry per person. PRIZES: First Place: $50; Second Place: $20 Amazon.com gift certificate; Third Place: Writing-related book ELECTRONIC ENTRY: Yes, subject line: Flash Us! Contest Entry, absolutely no attachments, plain text only. EMAIL: flashus[at]thewritingparent.com URL: http://www.thewritingparent.com/contests/flashus.shtml >>-----------------------------------------------------<< The Vegetarian Resource Group's Annual Essay Contest DEADLINE: May 1, 2003 GENRE: Essay OPEN TO: Age 18 and under LENGTH: 2-3 pages THEME: Vegetarianism is not eating meat, fish, and birds (for example, chicken or duck). Among the many reasons for being a vegetarian are beliefs about ethics, culture, health, aesthetics, religion, world peace, economics, world hunger, and the environment. Entrants should base their paper on interviewing, research, and/or personal opinion. You need not be a vegetarian to enter. Include your name, address, telephone number, age, grade, school, and teacher's name. Entry categories: A. Age 14-18 B. Age 9-13 C. Age 8 and under PRIZES: A $50 savings bond will be awarded in each category. ELECTRONIC ENTRY: No ADDRESS: The Vegetarian Resource Group, PO Box 1463, Baltimore, MD 21203 EMAIL: vrg[at]vrg.org URL: http://www.vrg.org/essay/ >>-----------------------------------------------------<< Sexiest Love Scene Writing Contest DEADLINE: May 1, 2003 GENRE: Romance fiction OPEN TO: Age 18 and older LENGTH: 1,500 words or less THEME: Sponsored by Every Writer. Grab your significant other and get ready to take notes! Heat up your keyboard by writing the sexiest love scene you can muster. Every Writer is holding its first contest ever, and we want your entries! We've got a panel of romance authors who know plenty about how to heat up the pages of a book, so this isn't going to be an easy win. No pornography, please. Think romance and love. Yes, it can be a love scene from a novel you've already written or are in the process of writing. PRIZES: 1st Place: $30; 2nd Place: $10 Amazon Gift Certificate; 3rd Place: One Book From Our Author's Spot Books ELECTRONIC ENTRY: Yes, please copy and paste your entry into an email. Subject line: Contest Entry. Any attached documents will be deleted. EMAIL: emily[at]everywriter.com URL: http://www.everywriter.com/announcements.htm ***************************************************************** New Listings on THE AUTHOR'S BOOKSHELF: --------------------------------------- Creeton, by Boyd London Crossing Kansas, by Diane Leatherman The Freelance Success Book, by David Taylor Learn the Elements of Fiction and Write Your Novel, by Sue Carol Nussbaum Life as a POW, by Diana Saenger Make Money Writing for Medical Trade and Health Publications, by Laura Gater Rate Your Mate, by Donna Kordela and Anne M. 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