***************************************************************** W R I T I N G W O R L D A World of Writing Information - For Writers Around the World http://www.writing-world.com Issue 3:12 12,700 subscribers June 12, 2003 ***************************************************************** SUBSCRIBE/UNSUBSCRIBE INSTRUCTIONS AT END OF NEWSLETTER ***************************************************************** SPECIAL NOTICE: Please DO NOT REPLY to this e-mail; any messages sent to the listbox address are deleted. If you wish to contact the editor, please e-mail Moira Allen. ***************************************************************** CONTENTS ================================================================= From the Editor's Desk CLASSES! CLASSES! CLASSES! News from the World of Writing FEATURE: Five Top Tips for Freelancing While on Unemployment Insurance, by Shannon Muir The Write Sites -- Online Resources for Writers WRITING DESK: What kind of writing job should I get? by Moira Allen JUST FOR FUN: Do's and Don'ts for Writing Parents by Janet Thompson WHAT'S NEW at Writing World MARKET ROUNDUP/Writing Contests ***************************************************************** Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Get published! Visit http://www.1stbooks.com/getpublished/no_rejection.html ***************************************************************** EARN AN MFA IN WRITING through the brief-residency program at Spalding University in Louisville, KY. Call (800) 896-8941x2105 or e-mail gradadmissions[at]spalding.edu and request brochure FA90. For more info: http://www.spalding.edu/graduate/MFAinWriting ***************************************************************** WRITERSCOLLEGE.COM has 57 online courses. Prices are low. If you can reach our web site, you can take our courses. http://www.WritersCollege.com ***************************************************************** DISCOUNTED WRITERS' SOFTWARE -- PowerStructure, DramaticaPro, StoryView, WritePro, MovieMagic, InkLink, plus many more. HUGE SAVINGS! GREAT SELECTION! Visit us online: http://www.MasterFreelancer.com/ww ***************************************************************** FreelanceWriters.com is the only global online directory of freelance writers. Your writing skills, experience and contact information can be listed in the database so that clients and editors will have your information at the touch of a button. Go to: http://www.freelancewriters.com/writers_faqs.cfm ***************************************************************** 1500 ONLINE RESOURCES - UPDATED WITH HUNDREDS OF NEW LISTINGS! Get your copy with any contribution of $5 or more to Writing- World.com (normally sells for $6.95). Contributions accepted via Amazon.com (http://www.amazon.com/paypage/P2UTPRKYGU4AA1) and PayPal; for more details about this info-packed e-book, visit http://www.writing-world.com/books/moira.shtml#1500 ***************************************************************** FROM THE EDITOR'S DESK ================================================================= A Bit Late, A Bit Short... -------------------------- Sorry for the lateness of this issue; relatives were visiting, and life was a bit more frantic than I expected. The newsletter fell through the cracks, I'm afraid. I'll keep this short, so as not to delay matters any further! Testing, Testing... ------------------- Over the next week, you may receive one or two "test" messages as I run some tests on the Listbox system. Please ignore them! (And please don't send me angry e-mails demanding to know why you're getting test messages!) New "Writers Wanted" Format --------------------------- We've just switched our "Writers Wanted" section over to a new, automated "classified" format. The section is now divided into two subsections -- a section for paying opportunities, and a section for non-paying opportunities. Ads will automatically be deleted after 12 weeks (or sooner if the advertiser chooses). To view the listings, or to post a call for writers, go to: http://www.writing-world.com/cgi-bin/suite/classifieds/classifieds.cgi -- Moira Allen (Moira Allen) ***************************************************************** LEARN TO MAKE $50,000 A YEAR WRITING NONFICTION!! Not a get-rich -quick scheme, but lots of hard work. If you have the true desire to make it as a full-time, nonfiction writer, consider this online course: http://www.sheldononline.com/50000course.htm ***************************************************************** THE WELL-FED WRITER by Peter Bowerman - Learn how you can make $50-100 an hour as a freelance writer and easily earn $1000 a week or more working 2-3 good days. Details: http://www.writingcareer.com/pb001.shtml ***************************************************************** CLASSES! CLASSES! CLASSES! ================================================================= Announcing our summer course line-up! All classes begin August 4. (To enroll via PayPal, please click the link after each class. To enroll with a check or money order, please download our "check payment" form at http://www.writing-world.com/classes/check.pdf). >>-----------------------------------------------------<< BREAKING INTO THE MAGAZINE AND PERIODICAL MARKET Instructor: Moira Allen Eight Weeks - $100 Have you been trying to market your work to magazines with no success? Are you just getting started, or trying to change your freelance field? Find out how to develop marketable topics and ideas, prepare a query, and outline and develop the article itself. By the end of the class, you'll have an article "ready to go" and a selection of markets to approach. http://www.writing-world.com/classes/magazines.shtml Read a lecture excerpt! http://www.writing-world.com/classes/excerpts/moira.shtml >>-----------------------------------------------------<< COLUMN-WRITING WORKSHOP Instructor: Mary Emma Allen Four Weeks - $75 Want to write a column but don't know where to start? Learn from a writer with more than 30 years' experience. She'll help you query editors and use columns as a springboard for other ventures. http://www.writing-world.com/classes/columns.shtml Read a lecture excerpt! http://www.writing-world.com/classes/excerpts/allen.shtml >>-----------------------------------------------------<< HEROES, HEROINES & VILLAINS: USING ARCHETYPES TO CREATE DYNAMIC CHARACTERS Instructor: Tami Cowden Six Weeks - $80 If you've been struggling to create characters that connect with your readers, this is the class for you. Cowden will explain the 16 heroic and 16 villainous archetypes, guide you in creation of dynamic, well-motivated characters, and show you how to convey their personality to your readers. http://www.writing-world.com/classes/heroes.shtml Read a lecture excerpt! http://www.writing-world.com/classes/excerpts/cowden.shtml >>-----------------------------------------------------<< FLASH FICTION WORKSHOP Instructor: Pamelyn Casto Four Weeks - $80 (textbook required) These powerful and memorable short-shorts look simple to write -- but appearances are deceiving. This course will be a virtual workshop where instructor and students interact and work with each other. After completing this course, you'll be creating "infinite riches in small rooms". http://www.writing-world.com/classes/flash.shtml Read a lecture excerpt! http://www.writing-world.com/fiction/casto.shtml >>-----------------------------------------------------<< FREELANCING FOR NEWSPAPERS Instructor: Sue Fagalde Lick Eight Weeks - $120 Many freelance opportunities exist in the newspaper field. Local papers are a great place for new writers to break in and accumulate clips. Fecause newspapers come out daily or weekly, they need more articles more often, and publish and pay more quickly. Participants will develop a list of freelance opportunities, brainstorm ideas for articles, and pursue an idea from query to completion. http://www.writing-world.com/classes/newspapers.shtml Read a lecture excerpt! http://www.writing-world.com/classes/excerpts/lick.shtml >>-----------------------------------------------------<< HOW TO MAKE YOUR PICTURE BOOK SPARKLE! Instructor: Peggy Tibbetts Eight Weeks - $120 Whether you have a brilliant idea for a children's story or a finished manuscript you want to submit, Tibbetts will help you determine whether your story is strong enough for the picture book market. Learn how to make your story "sparkle" as you write your manuscript. http://www.writing-world.com/classes/children.shtml Read a lecture excerpt! http://www.writing-world.com/children/sparkle.shtml >>-----------------------------------------------------<< PUBLISHING YOUR MEMOIRS Instructor: Kathleen Walls Four Weeks - $100 Whether you just want to share your history with your grandchildren, or whether you feel you have the next "Roots," this class will show you how to turn your memoirs into a book. http://www.writing-world.com/classes/memoirs.shtml Read a lecture excerpt! http://www.writing-world.com/classes/excerpts/walls.shtml >>-----------------------------------------------------<< UNDERSTANDING COPYRIGHT LAW: AN OVERVIEW FOR WRITERS Instructor: Charles E. Petit, Esq. Eight Weeks (seven sessions) - $100 (textbook required) This course covers issues of rights, copyright, fair use, contracts, collaboration and co-authorship, permissions, wills and more. Student responses to problems will be posted for discussion in a protected electronic forum. http://www.writing-world.com/classes/copyright.shtml Read a lecture excerpt! http://www.writing-world.com/rights/pirates.shtml >>-----------------------------------------------------<< WRITING AND SELLING GREETING CARDS Instructor: Karen Moore Six Weeks - $120 (textbook required) Karen has published over 5000 greeting cards and many licensed property lines. Learn the basics that will give you the professional edge in this highly competitive field. Karen will give you insider tips and help you craft your writing style into saleable greeting cards. http://www.writing-world.com/classes/cards.shtml Read a lecture excerpt! http://www.writing-world.com/poetry/moore.shtml >>-----------------------------------------------------<< WRITING AND SELLING MYSTERY SHORT STORIES Instructor: John Floyd Seven Weeks - $100 Wondering whodunnit, or how, or why? Or just "how to do it?" If the art of the mystery story is a mystery to you, don't miss this introductory course, offered by a writer who has sold more than 400 short stories. Perfect for beginners and for established writers who want to hone their skill. http://www.writing-world.com/classes/mystery.shtml Read a lecture excerpt! http://www.writing-world.com/classes/excerpts/floyd.shtml >>-----------------------------------------------------<< WRITING AND SELLING SPECULATIVE FICTION SHORT STORIES Instructor: Paula Fleming Eight Weeks - $120 We'll be focusing on story structure -- on beginnings, middles, and ends and how to pull them all together. We'll work on the challenges of speculative fiction, such as orienting the reader to strange or magical worlds, developing believable alien characters, the role of research, writing from alien points of view, and using fiction to ask questions without clear answers. Each student receives feedback on at least one story. http://www.writing-world.com/classes/specfic.shtml Read Paula Fleming's "Imagination's Edge" column! http://www.writing-world.com/sf/edge/current.shtml >>-----------------------------------------------------<< WRITING FOR TRADE PUBLICATIONS Instructor: Mark Lamendola Eight Weeks - $120 Freelance opportunities in trade magazines have never been better -- for the freelancer who uses the correct approach. But trade magazines are hard to break into! This course shows you how to get those plum assignments. http://www.writing-world.com/classes/trade.shtml Read a lecture excerpt! http://www.writing-world.com/classes/excerpts/lamendola.shtml >>-----------------------------------------------------<< WRITING LOCAL HISTORY Instructor: Patricia Fry Four Weeks - $60 History writing can be a lucrative and enjoyable pastime. Patricia Fry guides writers in locating article and book markets, identifies possible research sources, and teaches techniques of research, interview and fact-checking. Finally, she instructs the writer in creating a query letter and ultimately the article or book. http://www.writing-world.com/classes/history.shtml Read a lecture excerpt! http://www.writing-world.com/freelance/localhistory.shtml >>-----------------------------------------------------<< WRITING SHORT STORIES: A BEGINNER'S GUIDE Instructor: Sally Zigmond Six Weeks - $80 Have you always wanted to try a short story but didn't know how to start? Are you confused by the jargon, such as viewpoint and narrative structure? And what the heck do they mean when they tell you to "show and not tell"? Then sign up for this user-friendly course. Sally will show you how to develop your ideas, create memorable characters, and construct a piece of short fiction. http://www.writing-world.com/classes/shorts.shtml Read a lecture excerpt! http://www.writing-world.com/classes/excerpts/zigmond.shtml >>-----------------------------------------------------<< WRITING THE HISTORICAL ROMANCE Instructor: Linda Shertzer Eight Weeks - $125 There's more to historical romance than heroines in long skirts, heroes on horseback, and fiery embraces. This course will show you how to give your plot, characters, dialogue, and narration the special touches that put the historical romance in its own, significant genre. Each lesson helps you to discover your own writing strengths, and how to improve your manuscript. http://www.writing-world.com/classes/romance.shtml Read a lecture excerpt! http://www.writing-world.com/classes/excerpts/shertzer.shtml >>-----------------------------------------------------<< NOTE: These will the last courses offered in 2003. Courses will resume on Writing-World.com in the spring of 2004. ***************************************************************** Our team of professional editors -- including a Pulitzer Prize nominee and an author published by Dell, Warner, Fawcett, etc. -- specializes in novels written by first-time, novice writers. See us at http://www.a1editing.com for prices, references, etc. ***************************************************************** YOU CAN MARKET YOUR BOOK by Carmen Leal. Endorsed by Dan Poynter. Tips and strategies guaranteed to sell your published book. THE definitive help for marketing your published book. Sign up for FREE marketing tips. http://www.writerspeaker.com//YouCan.html ***************************************************************** NEWS FROM THE WORLD OF WRITING ================================================================= Help needed to establish maritime artists retreat in Seattle ------------------------------------------------------------ What could be more appropriate than a maritime artists retreat at a lighthouse in the middle of Puget Sound at the mouth of a shipping canal in a metropolitan city that calls itself "the Portal to the Pacific"? The US government is surplussing West Point Light Station in Seattle for free. Light Keeper Retreats is a nonprofit organization created to acquire the light station (a lighthouse, two keepers' houses, and a garage on two acres) to turn it into a retreat that offers residencies to writers and artists. Because maritime cultural use is one of the government's requirements, we are specifically proposing a maritime artists retreat. This will be a retreat available to those who are interested in, or willing to work on maritime themes -- including painters and poets, writers, photographers, composers, etc. What we need most: skilled volunteer workers to help with restoration; a local person with significant art event programming experience; letters of support from other art organizations in the region; help with fundraising. It's all available free to any cultural group that can pull together the funding for restoration and for its own programming as well as the team of volunteers needed to carry out the work. We have until July 1 to bring it all together. For more information, email Executive Director David Haggith: haggith[at]earthlink.net Freelance job market shrinking ------------------------------ When Guru.com shuts its virtual doors on June 30, the job market for America's 25 million freelancers will shrink further. Guru.com's competitors, Ants.com and eWanted.com, have already folded for lack of job postings. The number of available jobs continues to decline, pushing freelancers to compete for fewer projects at lower rates. At Emoonlighter.com a reported 316,000 contractors vie for jobs from only 30,000 businesses. "There are definitely more people looking for this type of work than there are jobs available," said Diane Connell, an independent web designer. She added that companies are using this to their advantage to negotiate low fees for high skill sets. "It's becoming more dog-eat-dog." Reading Rainbow fights for survival ----------------------------------- "Reading Rainbow," the seven-time Emmy award-winning show that has introduced kids to books for 20 years, is in danger of disappearing from the PBS-TV lineup. Over the past several years, Executive Producer Levar Burton and his backers have been producing fewer episodes because money was short. Only four new shows were made for the current season. The production company has a $2 million annual budget, and no money to go forward. The Corporation for Public Broadcasting has contributed to the show in the past. But it generally doesn't foot the bill alone, said John Wilson, chief programming executive at PBS. The network wants to keep the show alive, and will have the summer to hunt for more money before a decision must be made. "It is clear we have had an impact," said Burton. "Not a day goes by where someone doesn't come up to me and mention how important the show has been for their children or themselves in terms of encouraging them to read." Gemstar will close ebooks division ---------------------------------- Gemstar-TV Guide International Inc. is expected to shut down its electronic book publishing division to save cash, says Chief Executive Jeff Shell. Closing the division is the "most likely" choice that Gemstar will make after it tries to sell the business or find partners for it, Shell said at an investor conference in New York. Gemstar has hired investment bankers for advice and probably will make a decision shortly. The division, which develops technology to distribute books through electronic devices, is consuming $12 million in cash a year, Shell reported. ***************************************************************** Tech Writers, Copywriters, Freelancers: Improve your writing and your business. Subscribe to WriteThinking, the weekly newsletter for professional communicators featuring articles, tips and an an extensive jobs list. Send e-mail to subscribe[at]writethinking.net or visit http://www.writethinking.net/ to subscribe. ***************************************************************** FIVE TOP TIPS FOR FREELANCING WHILE ON UNEMPLOYMENT INSURANCE ================================================================= by Shannon Muir (shan[at]dm.net) Freelance writers in the United States often start out by getting a few gigs while still attached to a full-time job. But what happens when the wage-based work ends and those "moonlight gigs" are all that remain? Often, people file for unemployment insurance to try and stay on their feet, but they may not be aware how their freelance opportunities impact what they can collect. To maximize your benefits and further your writing career, it is important to be aware of rules and regulations regarding the money you make for your writing in relation to unemployment insurance. What follows are some things to consider if you decide to freelance while on unemployment insurance, whether you got gigs before the pink slip came, or are considering freelance writing as an income alternative while on unemployment. 1) Make sure you know what your maximum weekly allotment is, to help you decide how much effort you want to devote to freelancing. Your freelance income, regardless of amount, likely won't impact your ability to file for benefits, but be sure to inquire when you file your claim to find out what your current state requirements are. Often you are asked about other sources of income, such as money expected from your last employer, including holiday pay, sick pay, or pension payments. If your freelance income is such that you'd make more than your maximum award only one week out of a month, it should not be a concern. If you're freelancing enough to make more than your weekly allotment (based on your past year of earnings), or expect to land more gigs in the future, you may bring in too much income to get anything out of your claim. Don't forget that both freelance income and unemployment insurance are taxable, though you can indicate withholding for unemployment insurance. So plan ahead. 2) Your first goal while on unemployment insurance, by law, is to look for full-time work. Do not let this priority dissuade you from writing, but make sure you are in step with requirements for unemployment insurance. Some states require everyone to prove that he or she has applied at a certain number of places every week, others only in certain circumstances, but you can be asked for proof at any time. If the unemployment insurance department finds out you have mainly been writing articles during normal work hours for your profession, benefits could be denied. While on unemployment insurance, I wrote nights and weekends, but when I did any work in the day I made sure it was material not under tight deadlines and that could easily be put aside so I was still free to take on full-time work. 3) Report the amount of money made from the sale of an article when it is accepted, not when you receive the payment. This definitely is the case in California, where I live. Be sure to know the rules for your individual state. 4) Find out exactly how your state wants the income to be reported on your claim form. The first time I reported income from a freelance article, instead of an unemployment check I received a telephone interview notice to see if I truly was eligible for benefits. I'd filled out the claim form by listing the full name and address of the company that paid me for freelance work, while all the Employment Development Department in California wanted to know was that I had been "self-employed" that week. Be sure to check with the rules for your state for each type of situation. This may require actually calling your unemployment office if you don't inquire during the initial claim process, as the information may not be adequately explained in the benefits handbook. 5) If you earn less than your maximum weekly allotment, be aware of the formulas that can subtract from your benefit check for that filing period. Each state uses varying formulas to determine how much they will deduct from your weekly allotment when you earn a portion of your maximum amount. For example, California's formula (as of 2002) splits based on whether you earn under $100 or over $100. It's best to know this so that you aren't taken by surprise when some checks come in smaller than your maximum allotment. Some states, such as Washington, provide charts that illustrate what will be deducted if you bring in partial earnings. Being between jobs should not stop writers from following their passion while finding their next full-time employment opportunity. Best of luck finding a job and a writing career, and optimally, both rolled into one! (NOTE: This article is not intended as a substitute for advice from qualified professionals at your state unemployment department, but rather a guide to help you open a dialogue with them.) >>-----------------------------------------------------<< Shannon Muir writes monthly columns for Digital Media FX, and previously for Suite 101, geared to non-artists in animation. Her other writing credits include a feature at Netauthor.org's E2K Journal, fiction at Mocha Memoirs, and information articles for The Writers Store, where she formerly worked as an Administrative Assistant. Visit her web site at http://www.dm.net/~shan Copyright (c) 2003 by Shannon Muir **************************************************************** UNDER THE VOLCANO 2003-2004 Join Magda Bogin, Nancy Milford, Jessica Hagedorn, Russell Banks and Abigail Thomas for master classes, nonfiction retreats and beginners fiction intensives in the legendary Mexican village of Tepoztlan. Next workshops: August, 2003; January 2004. http://www.underthevolcano.org **************************************************************** THE WRITE SITES ================================================================ Poetry Planet ------------- A home to all poets and to lovers of poetry. http://www.poetryplanet.net Writerswrite.com Self-publishing ----------------------------------------------- Information about self-publishing, resources for self-publishers, articles, advice and discussion. http://www.writerswrite.com/selfpublishing/ The Deadly Directory Online --------------------------- Search for mystery magazines, bookstores, book reviewers, etc. -- a huge compilation of international mystery resources. http://www.cluelass.com/DDO/ FAST Glossary Center -------------------- List of all kinds of glossaries and dictionaries online. http://www.uta.fi/FAST/GC/ United Kingdom Parliament ------------------------- Find out who's who and what's what with the House of Lords, Parliament, House of Commons, and other British political bodies. http://www.parliament.the-stationery-office.co.uk/ Royalty Calculations in Book Contracts -------------------------------------- Detailed article explaining how royalties are calculated based on a variety of sales. http://www.ivanhoffman.com/royalties.html ***************************************************************** "The Easy Way to Write a Novel". This popular writer's resource shows you, step by step, how to achieve your dream of writing a great novel in the shortest possible time. Suitable for any level of expertise. Free writing courses. http://www.easywaytowrite.com ***************************************************************** THE WRITING DESK ================================================================= by Moira Allen (Moira Allen) What kind of writing job should I get? -------------------------------------- Q: I am unemployed at the moment, and live in Adelaide, Australia. I have written a young adult novel which I have entered into a competition, and I am working on other novels. But I have no idea where to look for writing positions that may be suitable and that I can earn some sort of income from. A: The first question you'll need to answer for yourself is what type of writing position you are looking for. You are currently writing fiction -- but there are no "jobs," really, for fiction writers. That's something you have to do on your own. However, the fact that you enjoy fiction doesn't mean that you'd necessarily enjoy the type of writing for which you CAN find a paid position. For example, do you think you'd enjoy technical writing? There are many job opportunities in this field, but would you really like to write about how a computer is put together, or perhaps how to operate a VCR? Or, do you think that you would enjoy writing nonfiction -- such as articles for a local newspaper? Another thing to consider when seeking WORK as a writer is that when you write for a living, you may find that you have very little time or inclination to pursue the kind of writing you love. When you get home from a job where you've been writing all day, your "writing urge" is pretty much used up, and the last thing you want to do is sit down at your own computer and do still more writing at night. For that reason, I don't always recommend that someone who loves to write actually seek a writing job. Finding such a position in Australia may be a little more complicated than in the US -- you'll probably have to rely more on local, offline resources such as newspaper classifieds, or contacting potential companies directly. However, I do have a listing of online job sites, including several that offer international information, at: http://www.writing-world.com/links/jobs.shtml >>-----------------------------------------------------<< Moira Allen is the author of "The Writer's Guide to Queries, Pitches and Proposals," "Writing.com: Creative Internet Strategies to Advance Your Writing Career" (Second Edition), and "1500 Online Resources for Writers." For details, please visit: http://www.writing-world.com/moira/index.shtml Copyright (c) 2003 by Moira Allen ***************************************************************** FREE INITIAL EVALUATION! AWARD-WINNING AUTHOR will help improve your MS. Critiquing, Line Editing, Submission Assistance. info[at]writersconsultant.com, http://www.writersconsultant.com ***************************************************************** JUST FOR FUN: Do's and Don'ts for Writing Parents ================================================================= by Janet Thompson (jt[at]mochamail.com) Do try to maintain the thought until you finish typing it. Despite the child hanging off your arm, forge ahead and get to that period. Don't try to save your work while your mouse arm is rattled by an impatient gnome. Trust me, I've done it. That delete button is never far enough away from the save. Do turn and face your child once in a while when they speak to you. The keyboard will be there when you get back to it and the child will go away happily under the delusion that his parent really heard him. Don't have your tubes tied because you have a fall deadline. Do take a breather every now and then from writing to enjoy the chaotic atmosphere of your home. Never mind the mess. There are human beings under that laundry that would love some attention from you. Don't forget, until you finish that novel and get it contracted you cannot afford to send the kids to boarding school. A vicious circle, but one you can overcome. Do make out a clear and concise will. When the sum total of your earthly assets sits in a pile on the attorney's desk, your children will gaze on this mound of scrap papers, notebooks, and scribbles, and anxiously wait to see who gets stuck taking it home. Don't let the school list you as "writer." Your teen will never live down society's view of the "linguistically unemployed." Do let your youngest learn how to sign you in. When deadlines loom and you're making pasta, she'll be a big help. Don't let your oldest learn how to sign you in. He'll have more email than you have pasta. Do give your children their own desktops. You'll thank me in the end. Each family member has his own space. You'll feel better about that erotica you've been working on. Don't publish that erotica under your real name. Your kids will hate you until they move out. Do let your children make dinner as often as possible. After all, the sooner they learn to fend for themselves, the sooner they move out on their own. Or would you really know what to do with a free and quiet day? Don't wean a toddler on the computer mike. There are small parts that could be expensive to replace. Do use a mouse pad when you can't find the diaper pad. Don't let your deadlines interfere with your son's hockey games. There is a very reliable "Mock-Mom Stand-in" site online. Contact them for details. Do write out your goals and deadlines and then toss them in the trash. You know as well as I do that they are subject to change without notice anyway. Don't let your littlest see you stick that pencil behind your ear. He'll poke his eye out when he tries it. Do enjoy your writing, your kids, and writing about your kids. Just don't read what your kids write about you. Trust me, you don't want to know. >>-----------------------------------------------------<< Janet Thompson is the author of two New Age nonfiction books and a compilation of women's survival stories, two ebooks, and hundreds of articles. She holds a university degree and is a Master Herbalist. Visit her web site at http://www.satiricquill.net Copyright (c) 2003 by Janet Thompson ***************************************************************** WHAT'S NEW AT WRITING-WORLD.COM ================================================================= NEW ARTICLES: ------------- Flashes of Brilliance: Writing Flash Fiction, by Joan Popek http://www.writing-world.com/fiction/popek.shtml From Bananas to Blintzes: Writing about Diet, Nutrition and Food, by Kelly James-Enger http://www.writing-world.com/freelance/food.shtml Seek and Ye Shall Find - How to Use Google Effectively, by Alfred P M http://www.writing-world.com/basics/google.shtml How to Get Rejected (and Why It's a Good Thing), by Chris Gavaler http://www.writing-world.com/publish/rejection.shtml ***************************************************************** Be more prolific! Increase your income! Write your book faster than you ever thought possible. Learn to create your book's blueprint in 2 hours, buy a best-selling plot and more. http://www.writeabooknow.com/welcome/write1512now ***************************************************************** MARKET ROUNDUP ================================================================= CALL FOR SUBMISSIONS: THIRD STREET PUBLICATIONS Theresa Falzone, Creative Manager 601 W Fort Street, Suite 333, Detroit, MI 48226 EMAIL: submissionsforwomen[at]hotmail.com URL: http://www.thirdstreetpublications.com A new, as yet unnamed, women's monthly in metro Detroit is looking for unique and provocative creative nonfiction to grace its pages. This magazine will be published by Third Street Publications. All nonfiction must capture the variety and diversity of women's lives and interests. Surprise and charm us! Essays, general interest, humor, personal experience, and features on topics relating to women and women's interests. No male bashing, ranting, preaching or tear-stained journal entries, please. Write an intelligent, engaging, and thoughtful piece inspired by your own personal experience. Queries with clips and/or writing samples are accepted, but finished articles are also considered for evaluation. LENGTH: 800 words or less PAYMENT: Essays: $100; Book/arts related reviews: $25 RIGHTS: First North American one-time rights plus all web rights REPRINTS: No SUBMISSIONS: All submissions must be pasted into the email and attached to the email as a Microsoft Word document, .txt or .rtf. Enclose a brief (2-3 sentences) biographical sketch. >>-----------------------------------------------------<< CALL FOR SUBMISSIONS: A CUP OF COMFORT Colleen Sell, Editor 57 Littlefield Street, Avon, Massachusetts 02322 EMAIL: cupofcomfort[at]adamsmedia.com URL: http://www.cupofcomfort.com We are actively seeking submissions for the following anthologies: A CUP OF COMFORT FOR COURAGE Celebrating unsung heroes, of their own lives or in the lives of others. Possible themes include: the extraordinary valor of ordinary people; thriving (not just surviving) in the face of challenge or tragedy; taking chances and taking control of one's own destiny; doing the right and noble thing for others, against the odds or against the grain; reaching the impossible dream. DEADLINE: July 1, 2003 A CUP OF COMFORT FOR TEACHERS Celebrating great educators and mentors; the joys and rewards of teaching; and dedicated teachers who've overcome their own challenges and/or helped difficult or exceptional students. DEADLINE: July 15, 2003 A CUP OF COMFORT FOR SISTERS Celebrating the magical and sometimes maddening bond between sisters. Possible themes include: life-defining or cherished experiences shared by sisters; finding or reconnecting with a lost or estranged sister; amazing examples of kindness, unconditional love, kinship, loyalty, devotion, fun and adventures between sisters. DEADLINE: August 1, 2003 A CUP OF COMFORT FOR SPIRITUALITY Celebrating enlightening or inspiring, miraculous or simply glorious experiences or teachers encountered along one's spiritual journey. Other possible themes include soul-nurturing practices or relationships; discovering a spiritual path, truth, or kindred spirit; receiving and actualizing (putting into positive action) a spiritual lesson or epiphany; divine intervention and direction. DEADLINE: October 2003 A CUP OF COMFORT FOR MOTHERS AND SONS Celebrating the powerful bond between mothers and sons. Possible themes include: positive impact of mother on son or son on mother; cherished or challenging experiences shared; connecting or reconnecting with one another; unique and uplifting aspects of mother-son relationship. DEADLINE: November 2003 LENGTH: 1000-2000 words PAYMENT: $500 Grand Prize will be awarded to one story per volume; $100 will be paid for each story published. Payment on publication. RIGHTS: The publisher (Adams Media Corporation) reserves limited use rights for a specified period of time. Rights retained by the author include serial (periodical) rights, live performance, and film right. Authors also retain the right to publish the story in a book comprised solely of her/his original works. REPRINTS: Yes SUBMISSIONS: Email: In the subject line, cite the volume (for example, Courage). Copy and paste the story, or type the story into the body of the email. No attachments. Mail: Send computer disk or CD and a printed copy Fax: Include a cover sheet addressed to A Cup of Comfort, story title(s), number of pages, and the volume(s) for which the (each) story is being submitted, to: 508-427-6790. GUIDELINES: http://www.cupofcomfort.com/share.htm >>-----------------------------------------------------<< HIPS AND CURVES.COM NEWSLETTER Rebecca Jennings, Editor CMI Enterprises, 171 Pier Avenue, Suite 387, Santa Monica, CA 90405 EMAIL: editor[at]hipsandcurves.com URL: http://www.hipsandcurves.com Hips and Curves.com is a plus size lingerie site publishing a bimonthly email newsletter with stories about plus size women and sexy lingerie. We are looking for steamy, flash fiction stories with "well-rounded" women and sexy lingerie, especially stories about women who have a positive outlook about their bodies and their sexuality. We want smart, sexy stories that grab readers' attention with the first sentence and leave them with something to think about when its over. We want stories with sizzle, romance, scandal, heat, obsession, lust, indulgence and desire. Stories may include themes around body image and sexuality. Curvy Women: Stories must involve "well-rounded" women and may be from the point of view of a full-figured woman or the admirer of a full-figured woman. We prefer writing done in the third person but it's not essential. Lingerie: Since we are a lingerie site, lingerie must be an integral part of the story. At least one item from our product line must appear in the story in a natural and appealing way. Don't say, "He took off her chemise, tossed it on the floor and said he liked her better naked." LENGTH: 300-800 words PAYMENT: $50 RIGHTS: Non-exclusive copyright REPRINTS: Yes SUBMISSIONS: In body of e-mail; no attachments. >>-----------------------------------------------------<< Please send Market News to: peggyt[at]siltnet.net "FNASR": First North American Serial Rights, "SASE": self-addressed, stamped envelope, "GL": guidelines. If you have questions about rights, please see "Rights: What They Mean and Why They're Important" http://www.writing-world.com/rights/rights.shtml ***************************************************************** WRITING CONTESTS ================================================================= This section lists contests that charge no entry fees. Send new contest information to Jose Aniceto (jeb_aniceto[at]mail2me.com.au). For more contests, check our online contests section (112 new contests added this month!) http://www.writing-world.com/contests/index.shtml >>-----------------------------------------------------<< Michigan Literary Fiction Awards DEADLINE: July 1, 2003 GENRE: Literary novels and short story collections OPEN TO: Contestants must have previously published at least one book (novel or story collection) of literary fiction in English. LENGTH: No word limit THEME: As major publishers become more and more driven by the bottom line, they are willing to take fewer and fewer risks. For many writers of literary fiction, this means they get only one chance. When a first book doesn't sell in the tens of thousands of copies, a second book will often get no farther than the bottom desk drawer. We expect and desire to attract the work of writers of literary fiction looking for, and deserving, a second chance. Only literary fiction will be considered. Ultimately, it will be up to the judges to determine what is, and what is not "literary," but it's safe to say that genre fiction, such as mystery, science fiction, romance, children's fiction etc., won't qualify. Along with your manuscript and cover letter, you must submit one copy of a previous book of literary fiction that you have published. Without it, we will not consider your manuscript. The book will not be returned. PRIZES: $1,000 and publication for both categories: unpublished novel and unpublished story collection ELECTRONIC ENTRY: No ADDRESS: Michigan Literary Fiction Awards, University of Michigan Press, 839 Greene Street, PO Box 1104, Ann Arbor, MI 48106-1104 EMAIL: ump.fiction[at]umich.edu URL: http://www.press.umich.edu/fiction/ >>-----------------------------------------------------<< The Phobos Writing Contest DEADLINE: July 31, 2003 GENRE: Short story OPEN TO: US residents, 18 years and older LENGTH: 7,500 words or less THEME: Each entrant may submit up to 3 short stories. All science fiction sub-genres are welcome; however, works of high fantasy or horror that lack a science fiction theme or concept will not be considered. No story may have appeared in a previous for-pay professional online or print publication. The story must be written by a single individual. PRIZES: Twelve $500 prizes will be awarded ELECTRONIC ENTRY: Yes, as an email attachment in Microsoft Word (.doc, .wrd, .rtf, .txt) only. Submissions must include filled out entry form: http://www.phobosweb.com/contest/docs/application_form.doc EMAIL: contest[at]phobosweb.com URL: http://www.phobosweb.com/contest/rules.php >>-----------------------------------------------------<< 4th Annual Distant Worlds Short Story Competition DEADLINE: July 30, 2003 GENRE: Science fiction, horror, or fantasy OPEN TO: All LENGTH: 4,500 words or less THEME: Submissions must be science fiction, horror, or fantasy. They may not include or involve material or characters copyrighted by another entity other than the author. No stories of a "fan fiction" nature will be considered. Submitted works must be original and all of the copyrights (including electronic rights) must belong to the author on the date the submission is mailed to the contest organizers. PRIZE: 1st Prize: $300; 2nd Prize: $200; 3rd Prize: $100 ELECTRONIC ENTRY: Yes, as an attachment to the email, or text in the body of email EMAIL: chrisf[at]distantworlds.net URL: http://www.distantworlds.net/DWSSC4.asp >>-----------------------------------------------------<< EDITOR'S NOTE: An alert reader pointed out that the Iliad Press poetry competition listed in the previous issue is sponsored by a publisher of vanity poetry anthologies. The purpose of such competitions is typically to entice entrants to buy an anthology; for more information, see Writer Beware's "Contests and Vanity Anthologies" page at: http://www.sfwa.org/beware/contests.html ***************************************************************** New Listings on THE AUTHOR'S BOOKSHELF: --------------------------------------- Writing.com: Creative Internet Strategies to Advance Your Writing Career (Second Edition), by Moira Allen Electronic Publishing: The Definitive Guide (2003 Edition), by Karen Wiesner Weave Your Web, by Karen Wiesner A Hard Dry Road, by Karen Brown A Writer's Guide to Canadian Markets and On-line Resources, by Diana Moes VandeHoef You Can Market Your Book! by Carmen Leal Find these and more great books at http://www.writing-world.com/books/index.html Advertise your own book on Writing-World.com: http://www.writing-world.com/books/listyours.html ***************************************************************** ADVERTISE in WRITING WORLD or on WRITING-WORLD.COM! For details on how to reach 80,000 writers a month with your product, service or book title, visit http://www.writing-world.com/admin1/adrates.shtml ***************************************************************** NATIONAL ASSOCIATION OF WOMEN WRITERS (NAWW) Get the new FREE eBooklet, RESOURCES FOR WRITERS by subscribing to NAWW WEEKLY, the FREE inspirational/how-to emagazine for women writers. Send blank e-mail to: naww[at]onebox.com or visit http://www.naww.org ***************************************************************** SPAWN (Small Publishers, Artists and Writers Network) is launching local networking Chapters. Check with us to find a Chapter near you. Contact us if you'd like to start one. Patricia[at]spawn.org. Subscribe to newsletter http://www.spawn.org ***************************************************************** BE PUBLISHED IN Australia, Canada, New Zealand, UK, USA. From the world's favorite Writing Market Directory. Free access. 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