***************************************************************** W R I T I N G W O R L D A World of Writing Information - For Writers Around the World http://www.writing-world.com Issue 4:15 13,500 subscribers July 22, 2004 ***************************************************************** SUBSCRIBE/UNSUBSCRIBE INSTRUCTIONS AT END OF NEWSLETTER ***************************************************************** SPECIAL NOTICE: Please DO NOT REPLY to this e-mail; any messages sent to the listbox address are deleted. If you wish to contact the editor, please e-mail moirakallen@writing-world.com. ***************************************************************** CONTENTS ================================================================= From the Editor's Desk CLASSES on Writing-World.com News from the World of Writing FEATURE: Crafting the Perfect Profile, Part I: Researching Your Subject, by John Rains The Write Sites -- Online Resources for Writers WRITING DESK: How do royalties affect disability benefits? by Moira Allen WHAT'S NEW at Writing World MARKET ROUNDUP/Writing Contests ***************************************************************** SPEND YOUR SUMMER AS A PUBLISHED AUTHOR Bring your book to life to experience the thrill of having your voice in print. Get published. Claim your free Publishing Guide to learn how 18,000+ people like you got published at AuthorHouse http://snipurl.com/6yoo ***************************************************************** EARN AN MFA IN WRITING through the brief-residency program at Spalding University in Louisville, KY. Call (800) 896-8941x2105 or e-mail gradadmissions@spalding.edu and request brochure FA90. For more info: http://www.spalding.edu/graduate/MFAinWriting ***************************************************************** WRITERSCOLLEGE.COM has 57 online courses. Prices are low. If you can reach our web site, you can take our courses. http://www.WritersCollege.com ***************************************************************** DISCOUNTED SOFTWARE FOR WRITERS -- PowerWriter, DramaticaPro, StoryCraft, WritePro, MovieMagic, StyleWriter, plus many more. HUGE SAVINGS! GREAT SELECTION! Save online at: http://www.MasterFreelancer.com ***************************************************************** THE WELL-FED WRITER by Peter Bowerman - Learn how you can make $50-100 an hour as a freelance writer and easily earn $1000 a week or more working 2-3 good days. Details: http://www.writingcareer.com/pb001.shtml ***************************************************************** 2000 ONLINE RESOURCES FOR WRITERS -- Just updated, with hundreds of new links for every kind of writer! Still only $5. THE WRITER'S GUIDE TO QUERIES, PITCHES AND PROPOSALS - available as an e-book! Find out how to write the perfect query, book proposal, novel synopsis, column proposal, or grant application. Only $8.95 (save $5 from the print edition.) To order, visit http://www.writing-world.com/bookstore/index.shtml ***************************************************************** FROM THE EDITOR'S DESK ================================================================= All That's Fit to Print ----------------------- About this time last week, the lights on my faithful printer started blinking. I checked the manual, which said, helpfully, "when the lights blink, take your printer to a repair shop." My printer is a ten-year-old Apple LaserWriter that has accompanied me through four moves and six book manuscripts, without a hiccup (until now). So I faced a dilemma: Should I get it repaired, or look for something new? I flirted briefly with the idea of investing in a shiny new HP color laser printer. But I have two (yes, two) photo printers upstairs, hooked to my laptop (which is where I do all my photo work), so I didn't feel that great a need for more color printing options. Nor did I really want to part with $600 for a new laser printer if "old faithful" could be repaired. It was interesting, however, to be "disconnected" from a printer for more than a week. If I absolutely HAD to print something, I could run it upstairs or over to my husband's PC -- but the extra effort made me think twice about everything I wanted to print. Did I really need to print that e-mail from Half.com about my latest bank transfer -- or could I just jot the amount on a notepad? Do I really have to print out this newsletter (all 18 pages) to proof it, or could I edit it onscreen? Must I print out every interesting web page I stumble across, or could I find a better way to file some of that information in my "bookmarks"? It's hardly a surprise that the myth of the "paperless office" is just that. Instead, I would say that the amount of paper we generate is in direct correlation to the ease with which we can generate it. A printer can churn out documents far more quickly than we could ever produce them with a typewriter, or by hand -- so I'm sure that I'm not the first person to discover that computers often mean more paper rather than less! But at least for a week, I stopped killing trees -- and now that "old faithful" is back on the desk, I'm trying to think a little more carefully about what I print, and what I don't! A Minor Peeve ------------- I hate spam as much as anyone, and I can hardly blame people for taking steps to reduce the amount of spam in their inbox. Those nifty programs that require people to visit a website and type in the secret word in order for their e-mail to get through strike me as a fine way to combat the problem. And yet... And yet, as an editor, I confess to feeling a bit peeved whenever someone sends me a manuscript submission (or a request for advice and information) -- and when I respond, I get back one of those form e-mails requiring me to visit a website and type in the magic word so that my response can be "received." It's not a huge effort, but it's a minor annoyance, an interruption in the work flow -- and believe me, when you're an editor, minor annoyances and interruptions have a way of adding up. These days, it's tough to get a response from an editor under ANY circumstances. More and more editors just aren't bothering with rejections, apparently not realizing (or caring) that rejections are a vital way of informing a writer that they are free to submit their material elsewhere. Thus, it seems to me that the last thing a writer wants to do is make the job of responding HARDER for an editor. One possible solution is to maintain more than one e-mail account -- one for your "regular" mail and one for your "business" mail. Use the second account only for direct correspondence with people you know or are doing business with. Don't post that address on your website, or broadcast it in a newsletter, or use it in a chat room. Don't use an "obvious" type of address, like Mary32@yahoo.com -- spammers automatically generate e-mails to this type of address just by adding numbers to common names. If you do wish to use a spam filter, then I'd recommend letting your correspondents know this up front. I'd be much happier to receive a submission (or information request) that includes a statement like, "By the way, I use a spam filter, so when you respond to this e-mail, you will be asked to verify your response online; I apologize for the inconvenience!" That's far better than having an editor discover your filter only after the response bounces back! -- Moira Allen (moirakallen@writing-world.com) ***************************************************************** BE YOUR OWN BOSS! If you ever wanted to start your own business, work from home, or both, then click here to find out how one man started his own business and now makes $2,400 a day. http://www.myresumebiz.com/wworlda6 ***************************************************************** PROMOTE YOUR BOOK! Get your book media exposure & in bookstores & distribution houses. New publication reveals how. Putting It On Paper: The Ground Rules for Creating Promotional Pieces that Sell Books http://snipurl.com/61m5 or http://www.cameopublications.com ***************************************************************** AUGUST CLASSES ================================================================= LAST CHANCE TO SIGN UP FOR AUGUST CLASSES! Enroll for any course and receive a set of Writing-World.com Market Guides FREE (a $25 value). Guides will be delivered after the class has begun. All classes begin on August 2, 2004. >>-----------------------------------------------------<< BREAKING INTO THE MAGAZINE AND PERIODICAL MARKET Instructor: Moira Allen (8 weeks, $100) http://www.writing-world.com/classes/magazines.shtml If you've been trying to market your work to magazines or other periodicals with no success, or if you're just getting started as a freelance writer, this is the class for you. Allen will walk you through the process of developing topics and ideas, preparing a query, and outlining and developing the article itself. By the end of the class, you'll have an article "ready to go" and a selection of markets to approach. >>-----------------------------------------------------<< WRITING AND SELLING EROTIC FICTION Instructor: Catherine Lundoff (6 weeks, $90) http://www.writing-world.com/classes/erotica.shtml For centuries, writers have portrayed sensuality and sexuality in words to captivate, titillate and amuse their readers. Learn to write convincingly about erotic activity and to incorporate the erotic into the everyday to capture what is perhaps the greatest intimacy their characters will experience. For new and experienced writers. >>-----------------------------------------------------<< WRITING SPECULATIVE FICTION: LECTURES AND WORKSHOP Bruce Boston (8 weeks, $100) http://www.writing-world.com/classes/boston.shtml A creative writing lecture series and workshop with an emphasis on speculative fiction. Our definition of speculative fiction will be inclusive rather than exclusive, ranging from the experimental/slipstream to science fiction and fantasy. Students will have the choice of completing assignments or having their own writing critiqued. Students will also have the option of participating in an email workshop. (NOTE: Only three openings are left in this class, so enroll now if you wish to secure a place!) >>-----------------------------------------------------<< WORLDBUILDING IN SCIENCE FICTION AND FANTASY Paula Fleming (4 weeks, $50) http://www.writing-world.com/classes/fleming.shtml Can you imagine Lord of the Rings set anywhere other than Middle Earth? Settings are an integral part of science fiction and fantasy stories. This class will help you create rich, believable worlds -- and make those worlds real to your readers. Get individual feedback on your concerns and questions. >>-----------------------------------------------------<< WRITING AND SELLING MYSTERY SHORT STORIES John Floyd (7 weeks, $100) http://www.writing-world.com/classes/mystery.shtml Whether you're a beginner or a well-established writer, this class will help you develop and hone your mystery-writing skills. Find out how to write mystery and suspense stories and get them published, from an author who has written and published more than 400 stories and fillers in over 100 magazines, including the top mystery and suspense publications. >>-----------------------------------------------------<< WRITING AND SELLING PERSONAL ESSAYS Isabel Viana (4 weeks, $60) http://www.writing-world.com/classes/essays.shtml To write a personal essay is to embark on a journey toward self-knowledge. To sell that essay, one must be able to express that knowledge in ways that enable the reader to identify with the writer's experience. Find out how to develop ideas, write the first draft and revise it until it expresses your thoughts in a way that is meaningful to others. You'll also learn the business side of essay-writing, including how to write a cover letter, format a manuscript, and find markets for your essays. >>-----------------------------------------------------<< WRITING FOR ANTHOLOGIES Stephen Rogers (6 weeks, $75) http://www.writing-world.com/classes/rogers.shtml During this course, you'll learn how to write and sell to the growing anthology market. Whether you prefer memoir, fiction, or poetry, by the end of the class you should have a completed manuscript to send to an appropriate editor. >>-----------------------------------------------------<< WRITING THE HISTORICAL ROMANCE Linda Shertzer (8 weeks, $100) http://www.writing-world.com/classes/romance.shtml There's more to historical romance than heroines in long skirts, heroes on horseback, and fiery embraces. Find out how to give your plot, characters, dialogue and narration the special touches that make historical romance its own, unique genre. The course includes a review of up to 50 pages of your romance novel. ***************************************************************** Romantic Interludes is looking for people to work in the promotion department! Do not need tons of experience, if any. Pay is small at first! RI is looking for romance reviewers, article writers, and columnists. No pay for the first 3-4 months; then it will be a paying job. http://www.rominterludes.com/ ***************************************************************** Romantic Interludes, "Your Place For Romance", is open as of July 6th, 2004! We have romance reviews, columns, articles, free eBooks, interviews, contests, and much more! Feel free to come and check us out! http://www.rominterludes.com/ ***************************************************************** NEWS FROM THE WORLD OF WRITING ================================================================= Literary reading in dramatic decline ------------------------------------ According to National Endowment for the Arts (NEA) Survey released July 8, literary reading is in dramatic decline with fewer than half of American adults now reading literature. Reading at Risk: A Survey of Literary Reading in America reports drops in all groups studied, with the steepest rate of decline -- 28% -- occurring in the youngest age groups. The rate of decline is increasing and has nearly tripled in the last decade. NEA Chairman Dana Gioia said: "This report documents a national crisis. Reading develops a capacity for focused attention and imaginative growth that enriches both private and public life. The decline in reading among every segment of the adult population reflects a general collapse in advanced literacy. To lose this human capacity -- and all the diverse benefits it fosters -- impoverishes both cultural and civic life." For more information: http://www.nea.gov/news/news04/ReadingAtRisk.html Fire department bans book burning --------------------------------- In Cedar Rapids, Iowa, the Rev. Scott Breedlove, pastor of The Jesus Church, was planning an old-fashioned book burning for July 28, where books, CDs, videos and clothing would be thrown into the flames. However the plan has been thwarted by city and county fire codes. "We don't want a situation where people are burning rubbish as a recreational fire," said Brad Brenneman, the city fire department's district chief. Officials for Linn County also said the county's air quality division prohibits the transporting of materials from the city to the county for burning. The city's fire inspector suggested shredding the offending materials, but Rev. Breedlove said that wouldn't seem biblical, adding: "I joked with the guy that St. Paul never had to worry about fire codes." Breedlove's new plan calls for members of the church to throw materials into garbage cans and then light candles to symbolically "burn" the material. Poetry's new watchdog --------------------- The new web site, Foetry is a self-described "American poetry watchdog." On the home page, the anonymous hosts promise to uncover scandals among the publishers of contemporary poetry, including "exposing the fraudulent contests; tracking the sycophants; naming names". Since its launch on April 1, Foetry has received steady traffic and growing popularity. However some poets are not pleased. Poet and publisher Janet Holmes of Ahsahta Press calls it "repellent". California poet and blogger Eileen Tabios describes it as "the dark side of the poetry world". Poet, critic, and publisher Kevin Walzer of WordTech Communications says, "These guys see conspiracies everywhere, and it's causing needless harm." Ironically, this site seems to focus on literary competitions, and virtually ignores such sites as Poetry.com. For more information: http://www.foetry.com Penguin will launch book sales in homes --------------------------------------- Penguin Publishing Group will sell directly to consumers in their homes with the launch of Family Books. Sales consultants will be recruited to sell the Penguin titles through a traditional party-plan arrangement. Family Books will initially focus on selling children's books from a list drawn mainly from the Dorling Kindersley line, supplemented by selected titles from other Penguin children units. The launch list has about 200 titles. David Shanks, CEO of Penguin USA, said the new direct selling program "helps us reach segments of the population who may not have sought out our books through other channels." Writer's Digest hits the road ----------------------------- The Road Trip Touring Van is traveling the US this summer on the Great American Writing Road Trip Adventure (RTA), sponsored by Writer's Digest Books (F+W Publications). With bookstore events in over 30 cities, the RTA Van is also making stops at libraries and college campuses along the tour route, offering resources for writers. The trip began in June and ends in late July. At tour stops, aspiring writers are connecting with published fiction writers, such as John Biguenet and Marcia Thornton Jones, and also Michael Larsen, who wrote "How to Write a Book Proposal". The companion web site provides photos, tour schedule, and diary: http://www.livetowrite.com Amazon limits free searches --------------------------- Historian David Homsher reports that he recently began using Amazon's "Search Inside the Book" to locate material about the WWI American Expeditionary Forces. "I found it to be a marvelous research tool," he says. Now, because he abused the "publisher-approved page-viewing limits," he finds himself terminated from using the search feature. According to Amazon: "If you have reached a page-viewing limit, either in a particular book or from pages viewed in multiple books, we encourage you to use the other features associated with Search Inside the Book that are available regardless of your limit status. For security reasons we are not able to provide further information regarding these page-viewing limits." Making a better bookmark ------------------------ Mark-My-Time, a digital bookmark designed for students, parents, and teachers to encourage better reading habits, was named the "best new product" at this year's BookExpo America. At the top of each brightly colored bookmark is a digital, programmable countdown timer with alarm, which also works as a cumulative timer for multi-session readings and reading logs. For more information: http://www.mark-my-time.com ***************************************************************** INTERESTED IN WRITING FICTION OR NONFICTION? Find inspiration and ideas for that next project at Profitable Pen's newest forums! Register for free at http://www.profitable-pen.com. ***************************************************************** CRAFTING THE PERFECT PROFILE, PART I: RESEARCHING YOUR SUBJECT ================================================================= by John Rains (johnrains@hotmail.com) Profiles demand a lot of a writer. And when they are done well, they showcase a writer's skill. All too often, however, profiles fall short. This is usually because: 1. The character remains undeveloped as a person. The profile may give a lot of facts about the person, but he doesn't emerge as a human being. 2. The piece lacks depth. Again, we may get a lot of facts, but we don't get below the surface with insights about who the person is, what moves him. We may have a lot facts, but what do they mean? 3. The piece lacks breadth. Often the profile gives only a narrow part of the person's life. If, for example, the subject is a politician, the profile may tell a lot about the person's political career without delving into other aspects of his life. People are more than their jobs, their political lives or whatever it is that causes us to choose to profile them. 4. The piece is larded with gush quotes. Some writers seem to think that the purpose of a profile is to praise the subject, or have others do it. That is totally wrong -- it is not our job to do PR flackery in a profile, nor, for that matter to do a hatchet job. Even if it were our purpose to elevate the subject, gush quotes are a terrible way to do it. They turn readers off; and they make the writer sound like a toady. A rule: If you set out to do a profile on a living saint, don't waste space quoting five people telling us that the subject is a saint. Instead, show us the subject doing saintly things. That is one of the key techniques for making profiles or any story come to vivid life -- showing, with a minimum of telling. Make Time for Solid Reporting ----------------------------- A profile starts, as most good writing does, with reporting. Pretty writing, dazzling writing, cannot substitute for solid reporting. The first consideration, then, is to try to get time for the reporting. Spend time interviewing the subject and people who know him; spend time observing the subject. It is unrealistic to expect to write a first-class profile based on one interview with a person. Try to get at least one interview outside of the person's own turf. Get him away from the office. (Granted, sometimes circumstances allow only a single interview under less than optimal conditions!) Use that time well. Your reporting ought to go beyond the routine questions. You should have more in your notebook than facts and quotes. You should have details about the setting, the person's appearance, mannerisms, your impressions, anecdotes. You should end up with a wealth of material to work with. Some of it, maybe a lot of it, you will discard in the writing. However, if you have a lot of material, you have a greater possibility of finding the details that will be useful. It is hard sometimes to sort out the good stuff from the dross, but not nearly as hard as trying to flesh out a story when you have too little material. Expand Your Focus ----------------- When you set out to write a profile, don't focus too narrowly on whatever made the person worth a profile. If you are profiling a business executive, remember that he has a life outside the office. Find out about it. You need to do some prospecting. You could make up a list of categories to explore in your reporting. Such a list might look something like this: Roots -- Everybody comes from somewhere. Find out where. Family background is part of who we are. Geography is part of who we are. A man who comes off a North Carolina tobacco farm, growing up in the '50s, comes from a different world than a kid from Brooklyn growing up in the '80s. Formative experiences -- What was it like for the person growing up? Who influenced his life? How? Education -- Again, schooling is part of what shapes character. Relationships -- We are all part of a web of relationships -- parents, brothers and sisters, wives, husbands, sons, daughters. But it is surprising how often profiles barely touch on these relationships and how they affect the person. Work -- This is a big part of most people's lives. How did the person get into his career? What ups and downs has he had? Where is he headed? Civic life -- What kind of groups and causes is this person involved in? Spiritual life -- This is important in many lives. Is the person involved in church? What are his spiritual beliefs? Other beliefs -- When we read a profile, we ought to be able to come away with some idea of the person's philosophy about at least some things. If he is a politician, what is his core belief about the role of politics and government? If he is a businessman, what does he believe about how a business should operate? Military experience -- People who have served in the military all seem to have a fund of war stories. A great source of anecdotes. Achievements, awards, honors. Crossroads -- crises and turning points. People who lead interesting lives have tribulations as well as successes. The choices they made, and why, are part of their stories. Psychology -- No, you shouldn't try to psychoanalyze the profile subject. But do a little probing. What does he love, hate, fear? What are his goals? What moves him? You probably will not end up writing exhaustively about all of these areas of a person's life -- unless you are writing a book. But you shouldn't neglect them when you do the reporting. The more you know about the subject, the more confidently you can write, and the better your chance of drawing a well-rounded portrait. And there is a purely practical consideration, too -- the more you learn, the less chance of being embarrassed after the profile appears and somebody calls up to ask why you didn't tell people about the time old Joe got arrested. Use Evergreen Questions ----------------------- Evergreen questions are simple questions that can be used over and over to get people to open up. You could make a list of almost any length of such questions. Some examples: What was the worst thing that ever happened to you? What was the best day of your life? Who was the person who most influenced you -- and how? If you were writing your epitaph, what would you say? You could easily list 25 or 30 evergreen questions, and you should. They come in handy not only for profiles, but also for other stories. This doesn't mean, of course, that you will go methodically through the whole list when you interview someone. The idea is that, in the course of interviewing, you can pick a question that seems appropriate or that might help restart a flagging conversation. Evergreen questions can turn up information you might not otherwise get. They can get a person to talking and telling you something real instead of telling you what the person thinks would be nice to say. After you have done the reporting it's time to write the profile. We'll address that in the next issue! >>-----------------------------------------------------<< John Rains is a newspaper writing coach in North Carolina and has self-published three books: "Shooting Straight in the Media/A Firearms Guide for Writers," "Writing Beyond the Routine/For More Readable Newspapers," and "Write Your Way into the Papers." Visit his weblog: http://www.smalltownpress.net/blogger.html Copyright (c) 2004 by John Rains ***************************************************************** YOUR CREATIVITY CAN HELP YOU MAKE MORE MONEY. Learn how at http://www.writingusa.com/power.html Discover the secrets of using your creativity to promote yourself, manage your writing career and increase your income. ***************************************************************** THE WRITE SITES ================================================================= Good Books to Read ------------------ Looking for a great story to read? This web page has reviews of books and authors that received an "Excellent" or "Very Good" rating from readers. Submit reviews of books that you recommend. http://www.geocities.com/hasmita/gbtr/gbtr.htm The MuseItUp Club ----------------- This club is for anyone who enjoys writing anything from flash fiction to novels. The main goal is to match up critique partners for authors who are willing to revise a fellow writer's work. http://pages.ivillage.com/rockofrealm/museitup/ Yellapalooza ------------ A web site by and for children's writers and illustrators featuring the latest news, articles, and advice. http://www.yellapalooza.com Publishing Industry Soundbytes ------------------------------ Current news and information about the publishing industry. http://www.writenews.com/2004/070204_soundbytes.htm Places for Writers ------------------ Literary news from several countries, plus calls for themed submissions, contests, and other info (the calls are mainly from Canadian sources). http://www.placesforwriters.com Coverscript Resources --------------------- A variety of screenwriting articles, tips and links. http://www.coverscript.com/links.html ***************************************************************** SUNPIPER LITERARY & CONSULTING, P.C. is looking for authors possessing creativity and vision in fiction and nonfiction genres. Agency fees are on a strict contingency basis. You don't profit, we don't profit. Visit http://www.sunpiper.com/ for more info. "In the business of representing ideas!" ***************************************************************** THE WRITING DESK ================================================================= by Moira Allen (moirakallen@writing-world.com) How Do Royalties Affect Disability Benefits? -------------------------------------------- Q: I would like to ask you a question about a subject that apparently is rarely discussed -- money. Several years ago, I was a hard-working professional with a promising career. Then I developed a chronic illness. It eventually forced me to stop working full time. I fought a long, hard battle for disability benefits. With the help of your book, I recently sold an article and have considered trying to sell longer version as a book. What terrifies me is the thought of losing my disability benefits. I'm only allowed to make a certain amount of money in addition to the disability benefit. Of course, if my book is a best-seller and makes me a ton of money, it won't matter. What I am afraid of, however, is only earning a modest sum of money, not enough to live on, but enough to take away the safety net that I have. Would it be possible for you to explain to me the range of payments that can author can expect for various types of work? A: Unfortunately, there is no single answer to this question. The real answer is "it depends". Very few books actually make it to the bestseller list and bring in "tons of money." It could happen, but the odds against it are high. But you never know what is going to work and what isn't! The more likely scenario is that such a book will bring in, as you say, a "modest" amount. Advances for new authors for nonfiction books (I'm assuming you're writing this as nonfiction/autobiography) tend to range from $3000 to, at the very most, $10,000. An advance of $5000 is fairly typical. Often, this advance is paid in two parts, half when the contract is signed and half when the book is completed. Thus, if you signed the contract in, say, 2004, and completed the book in 2005, your income would be divided between two years. Thus, on a $5000 advance, you might only earn $2500 each year, and I imagine that's below the limit. Often, that advance may be the ONLY money you'll ever see. This is an "advance against royalties," and before you earn any additional income, your book has to "sell out" that advance. Thus, if your book sells for, say, $10.95, and you are receiving 5% of the cover price (54.7¢ per book), and your advance was $5000, the book would have to sell about 9100 copies before you'd start receiving any additional royalties. When you DO start receiving royalties, you'll generally receive them twice a year. Using the figures above, let's say that you do earn out your advance, and sell another 1000 copies of your book in a single year (500 in each royalty period). This would mean that on your $10.95 book, you'd be receiving two checks for roughly $274 in a single year. Perhaps a better way to run your own calculation is to start with the figure for your income limit, and divide that number by a projected royalty amount to determine how many books you'd actually have to sell before you begin to lose benefits! If a publisher offers you an advance that exceeds your income limits, you would probably be able to work out a different deal on when that advance is paid. For example, you might be able to divide up the money by having one third paid when the contract is signed, one third paid when you are halfway through the writing process, and the remaining third paid when the book is delivered. This way, you could stretch the payments out over three years and thus avoid triggering the penalty point. I wish you the best of luck in your project, and hope that you get such a wonderful sum that you no longer have to worry about disability! >>-----------------------------------------------------<< Moira Allen has been writing and editing professionally for more than 20 years. A columnist for The Writer, she is also the author of "Starting Your Career as a Freelance Writer", "The Writer's Guide to Queries, Pitches and Proposals" (now available as an e-book) and "Writing.com: Creative Internet Strategies to Advance Your Writing Career". For more details, visit: http://www.writing-world.com/moira/moira.shtml Copyright (c) 2004 by Moira Allen ***************************************************************** WHAT'S NEW AT WRITING-WORLD.COM ================================================================= NEW ARTICLES: ------------ Grab That Memory Before It Slips Away! by Uma Girish http://www.writing-world.com/freelance/uma.shtml Creating Character and Characterization in Screenplays, by Elizabeth English http://www.writing-world.com/screen/film3.shtml The Field of Dreams: Conflict as Metaphor in Screenplays, by Elizabeth English http://www.writing-world.com/screen/film4.shtml The Making of a Hollywood Film: A Guide for Screenwriters, by Elizabeth English http://www.writing-world.com/screen/film1.shtml Two Brads Or Three? 21 Ways to Better Your Chances Winning Screenplay Contests, by Elizabeth English http://www.writing-world.com/screen/film2.shtml ***************************************************************** FIND 1700 MARKETS FOR YOUR WRITING! Writing-World.com's market guides offer DETAILED listings of over 1700 markets, with contact information, pay rates, needs and more. Fourteen themed guides are available for $2.50 apiece or $25 for the set. For details, see http://www.writing-world.com/bookstore/index.shtml ***************************************************************** MARKET ROUNDUP ================================================================= MOTHERING Ashisha, Articles Editor PO Box 1690, Santa Fe, NM 87504 EMAIL: ashisha@mothering.com URL: http://www.mothering.com Our main objective is to be truly helpful, to provide information that empowers our readers to make changes and supports them in being their own experts. We like articles that have a strong point of view and come from the heart, that are challenging or evocative. Our choice of articles depends on the other material we have published on the subject, how new the topic is to us, and how unique the presentation is. It helps if you include photos. Familiarize yourself with Mothering. We are more likely to publish your article if you are a reader and are familiar with the issues we discuss. Please see our online guidelines for a list of our regular subject areas. LENGTH: approximately 2,000 words, say what you have to say PAYMENT: $200-$500 RIGHTS: One time rights REPRINTS: No SUBMISSIONS: By mail or email. Send as Word Document attachment. You can also send a disk with a text-only file saved on it. GUIDELINES: http://www.mothering.com/writers/writers-guidelines.shtml >>-----------------------------------------------------<< FRANCHISING FOCUS Dhawal Shah, Publisher Franchising Association of India 54-A, Sir M. Vasanji Road Chakala, Andheri E Mumbai, India EMAIL: dhawal@mail.com URL: http://www.franchisingassociationofindia.com We're looking for country specific articles about the franchising industry. See online Archive for examples of articles published. LENGTH: 500-1000 words PAYMENT: $250 RIGHTS: The writer retains all the rights. When published again, the Franchising Association of India will pay a royalty of $100. REPRINTS: Yes SUBMISSIONS: Copy and paste your article and send as an email, no attachments >>-----------------------------------------------------<< Please send Market News to: peggyt@siltnet.net "FNASR": First North American Serial Rights, "SASE": self-addressed, stamped envelope, "GL": guidelines. If you have questions about rights, please see "Rights: What They Mean and Why They're Important" http://www.writing-world.com/rights/rights.shtml ***************************************************************** WRITING CONTESTS ================================================================= This section lists contests that charge no entry fees. For more contests, check our online contests section. http://www.writing-world.com/contests/index.shtml >>-----------------------------------------------------<< Pockets Fiction Writing Contest DEADLINE: August 15, 2004 GENRE: Fiction OPEN TO: All LENGTH: 1,000-1,600 words THEME: There are no pre-selected themes for the fiction contest. Contest guidelines are essentially the same as for regularly submitted material. Historical and biblical fiction are not eligible. See online writer's guidelines for more information: http://www.upperroom.org/pockets/writer_guidelines.asp PRIZES: $1000, and publication in Pockets magazine ELECTRONIC ENTRY: No ADDRESS: Pockets, Attn: Lynn W. Gilliam, 1908 Grand Avenue, PO Box 340004, Nashville, TN 37203-0004 URL: http://www.upperroom.org/pockets/contest_winner.asp >>-----------------------------------------------------<< Feile Filiochta International Poetry Competition DEADLINE: August 28, 2004 GENRE: Poetry OPEN TO: 3 categories: Adult; 13-17 year olds; 12-years old and under LENGTH: No word length requirements THEME: The 16th Annual Feile Filiochta -- Europe's biggest and brightest international poetry competition -- is underway! Last year it attracted in excess of 4,900 entries in nine languages from all over the world and we are now looking for your entries. With a prize fund of 15,400 euros from Dun Laoghaire-Rathdown County Council, three age categories and a range of additional prizes from cultural organizations and embassies, the Feile Filiochta is internationally recognized as a showcase and stimulus for the craft of poetry writing. This will be the third year that the beautiful Feile Filiochta Poem of Europe trophy will be awarded by the Assemblee des Regions d'Europe for the most outstanding poem in the adult categories. The competition is open to all adults and young people, who may submit up to four poems in each language in their age group. This year, entries are invited in Irish, English, German, French, Italian, Welsh, Spanish, Scottish Gaelic, and Swedish. All entries must be accompanied by the official entry form which is available online in several languages or by email or mail request. PRIZES: Adult - 1st Prize: 800 euros and The Irish Times Perpetual Trophy; 2nd Prize: 400 euros; 3rd Prize: 200 euros 13-17 - 1st Prize: 300 euros and Feile Filiochta Award; 2nd Prize: 200 euros; 3rd Prize: 150 euros 12 and under - 1st Prize: 250 euros and Feile Filiochta Award; 2nd Prize: 150 euros; 3rd Prize: 100 euros ELECTRONIC ENTRY: No, online entry form must accompany all entries by mail. ADDRESS: Feile Filiochta/International Poetry Competition, PO Box 6983, Blackrock Co. Dublin, Ireland EMAIL: libraries@dlrcoco.ie URL: http://www.dlrcoco.ie/library/Feile04/Home.htm ***************************************************************** New Listings on THE AUTHOR'S BOOKSHELF: --------------------------------------- The Soul Cages, by Nicole Kurtz Summerhawk, by Donna Diamond Kordela The Whitlow Sanction, by Betty Bradford Byers Find these and more great books at http://www.writing-world.com/books/index.shtml Advertise your own book on Writing-World.com: http://www.writing-world.com/books/listyours.shtml ***************************************************************** ADVERTISE in WRITING WORLD or on WRITING-WORLD.COM! For details on how to reach 80,000 writers a month with your product, service or book title, visit http://www.writing-world.com/admin1/adrates.shtml ***************************************************************** NATIONAL ASSOCIATION OF WOMEN WRITERS (NAWW) Get the new FREE eBooklet, RESOURCES FOR WRITERS by subscribing to NAWW WEEKLY, the FREE inspirational/how-to emagazine for women writers. Send blank e-mail to: naww@onebox.com or visit http://www.naww.org ***************************************************************** SPAWN (Small Publishers, Artists and Writers Network) is launching local networking Chapters. Check with us to find a Chapter near you. Contact us if you'd like to start one. Patricia@spawn.org. Subscribe to newsletter http://www.spawn.org ***************************************************************** WRITERS: FIND MARKETS EASILY - Worldwide Freelance has a NEW fully-searchable Markets Database. Discover writing markets from North America, Europe, Australasia and other places. It's free, so come and try it out here: http://www.worldwidefreelance.com ***************************************************************** WRITING FOR DOLLARS! - the FREE ezine for writers featuring tips, tricks and ideas for selling what you write. FREE ebook, 83 WAYS TO MAKE MONEY WRITING when you subscribe. Email to subscribe@writingfordollars.com http://www.WritingForDollars.com ***************************************************************** Writing World is a publication of Writing-World.com http://www.writing-world.com Editor/Publisher: MOIRA ALLEN (moirakallen@writing-world.com) Managing Editor (Newsletter): PEGGY TIBBETTS (peggyt@siltnet.net) Managing Editor (Site): DARCY LEWIS (darcylewis@sbcglobal.net) Copyright 2004 Moira Allen Individual articles copyrighted by their authors. 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