***************************************************************** W R I T I N G W O R L D A World of Writing Information - For Writers Around the World http://www.writing-world.com Issue 4:21 14,400 subscribers October 14, 2004 ***************************************************************** SUBSCRIBE/UNSUBSCRIBE INSTRUCTIONS AT END OF NEWSLETTER ***************************************************************** SPECIAL NOTICE: Please DO NOT REPLY to this e-mail; any messages sent to the listbox address are deleted. See the bottom of this newsletter for information on contacting the editors. ***************************************************************** CONTENTS ================================================================= From the Editor's Desk News from the World of Writing FEATURE: Lights, Camera, Action! How to Get Paid to Write About Motion Pictures, by Paul Armentano The Write Sites -- Online Resources for Writers WRITING DESK: Using Public Places in Fiction, by Moira Allen JUST FOR FUN: Characters Will/Will Not, by Suzanne Mead WHAT'S NEW at Writing World MARKET ROUNDUP/Writing Contests ***************************************************************** EARN AN MFA IN WRITING through the brief-residency program at Spalding University in Louisville, KY. Call (800) 896-8941x2105 or e-mail gradadmissions"at"spalding.edu and request brochure FA90. For more info: http://www.spalding.edu/graduate/MFAinWriting ***************************************************************** WRITERSCOLLEGE.COM has 57 online courses. Prices are low. If you can reach our web site, you can take our courses. http://www.WritersCollege.com ***************************************************************** DISCOUNTED SOFTWARE FOR WRITERS -- PowerWriter, DramaticaPro, StoryCraft, WritePro, MovieMagic, StyleWriter, plus many more. HUGE SAVINGS! GREAT SELECTION! Save online at: http://www.MasterFreelancer.com ***************************************************************** THE WELL-FED WRITER by Peter Bowerman - Learn how you can make $50-100 an hour as a freelance writer and easily earn $1000 a week or more working 2-3 good days. Details: http://www.writingcareer.com/pb001.shtml ***************************************************************** LOOKING FOR PAYING MARKETS? Absolute Write Can Help! Subscribe to the Absolute Markets PREMIUM Edition for just $15 a year and get all the writing markets we can cram into your inbox! We've got calls for freelance writers, screenwriters, editors, greeting card writers, translators... http://www.absolutemarkets.com ***************************************************************** 2000 ONLINE RESOURCES FOR WRITERS -- Just updated, with hundreds of new links for every kind of writer! Still only $5. THE WRITER'S GUIDE TO QUERIES, PITCHES AND PROPOSALS - available as an e-book! Find out how to write the perfect query, book proposal, novel synopsis, column proposal, or grant application. Only $8.95 (save $5 from the print edition.) To order, visit http://www.writing-world.com/bookstore/index.shtml ***************************************************************** FROM THE EDITOR'S DESK ================================================================= This is Your Mind on Bugs... ---------------------------- Only one alert reader apparently caught the fact that, in my flu-buggy state last issue, I made a number of changes to the newsletter but never updated the table of contents! Thus, the TOC referenced a Writing Desk that didn't exist and a "Just for Fun" piece that also didn't exist. (The "Just for Fun" piece is in this issue.) Oh, well! Fortunately, I'm feeling much better this week, which simply means that I don't have as good an excuse for any mistakes I might happen to make THIS issue! Announcing a New, Improved Contest Database! -------------------------------------------- We've just made a major change to the Writing Contest Database. Instead of being divided into a series of twelve monthly databases that must be searched separately, our list of writing contests is now in one single, searchable database. That means that you can access an entire year's worth of contests -- nearly 900 entries -- with a single search. One reason for the change is to make it easier for contest sponsors to post their contest listings. Organizations that offer multiple contests (such as quarterly or bimonthly contests) no longer have to register for each separate monthly database; they only need to register and log in ONCE to list all their competitions. Similarly, when WE update contests, we no longer have to switch back and forth between databases, but can input everything much more quickly and easily. Another reason for the change is to make it possible for anyone seeking contest information to be able to look at an entire year of data, including listings for contests that have not yet posted information for the current year. We try to keep the database updated for about three to four months ahead of the current month (the database is currently checked through January 2005). However, no system is perfect. Now that the database is ONE database rather than twelve MONTHLY databases, it is now less easy to search for contests within a specific month. At present, the only way to search by date is to enter an entire date in the "deadline" field (e.g., December 31 2004). I'll be talking to the database support people to determine whether we can set it up so that the database can be searched by month and/or year (e.g., all December, or all 2005 contests). It's also just a little more difficult to find all the contests in a specific category (such as poetry, fiction, nonfiction, etc.). We wrestled with a tradeoff here: Whether we should make the contests easier to post, or easier to search. Since part of our goal is to encourage people to post their own contests (rather than having to ask us to do it for them), we opted for "easier to post." Previously, if a contest had more than one category of entry, the sponsor had to post a separate listing for each category. Now a contest sponsor can specify up to three categories for each listing -- but this means that one must now SEARCH each of those three categories separately. However (another "however"), here's a cool thing: If you LOG IN to the contest database, you can run a search and have the results of your search e-mailed to you! The online search page displays only 10 listings per page, which means you have to keep clicking to the next page if you have a lot of results. If you have the results e-mailed to you, however, you'll get them all in one nice document. To log in to the database, go to http://www.writing-world.com/contests/submit.shtml and REGISTER (you don't have to do anything else). This puts your e-mail into the system, so that you can have the results of your search sent to you. To search the contest database, visit http://www.writing-world.com/contests/index.shtml To enter a contest listing, or to register your e-mail, visit http://www.writing-world.com/contests/submit.shtml -- Moira Allen, Editor ***************************************************************** Your Travel Writing Career Could Start Here... Today Imagine sliding out of bed and knowing your "work" for the day is to scuba dive along the Barrier ReefÉmountain climb in the Andes... or kayak the San Juans... Here's the opportunity you've been looking for. http://www.thetravelwriterslife.com/sh/wworlda6/ ***************************************************************** PROMOTE YOUR BOOK! Get your book media exposure & in bookstores & distribution houses. New publication reveals how. Putting It On Paper: The Ground Rules for Creating Promotional Pieces that Sell Books http://snipurl.com/61m5 or http://www.cameopublications.com ***************************************************************** NEWS FROM THE WORLD OF WRITING ================================================================= Children's book donations wanted -------------------------------- Lullalee Publications provides free literacy services for children with special needs and or disadvantages. They offer story telling services with costumed characters, free books, coloring books and teddy bears for children in crisis. They are calling for children's authors to donate their books for ages 3-12. Authors who donate will be acknowledged on the web site. For more information: http://www.lullaleepublications.org Nonfiction authors wanted ------------------------- First Voice is an author interview show on the web, looking for authors willing to do phone interviews for their nonfiction book. Authors can email a query to see if their book would be something of interest. No children's books, ebooks, biography. They will be doing a series on astrology books in November. Interviews are long format, pre-taped. There is no charge to authors or publishers. For more information: http://www.7to7.net/ I Love to Write Day ------------------- Founded by Delaware author John Riddle, I Love To Write Day will mark its third anniversary on November 15. This year's honorary chairperson is Jenna Glatzer, editor of Absolute Write. People of all ages are encouraged to write something: a poem, an essay, a letter to the editor, a short story, start a novel, finish a novel, etc. Last year more than 12,000 schools all across the country held special writing events and activities. For a media kit and suggested activities, see http://www.ilovetowriteday.org Google Print goes live ---------------------- After a year of testing, Google Print, which puts book content into the company's databases, went live October 5. Under the program, Google scans a book's content into its information archive and the material becomes part of Google's search services. When a user does a search, books that contain the search term will show up among the results. The term will be highlighted in an excerpt from the book, along with the book's title, author, publisher and the page number. Users can browse only two pages backward and forward from any page where their search term appeared. According to Director of Product Management Susan Wojcicki, Google has taken other security measures, such as disabling the copy and paste function, to ensure that a book's content isn't copied illegally. Google executives did not specify how many titles have been scanned, but it is believed to be more than 100,000. The company is working with most major houses with their permission. Smaller publishers can sign up online. For more information: http://print.google.com Lightning Source and Ingram revise POD fulfillment -------------------------------------------------- On October 4, Ingram Book Group and Lightning Source (LSI) announced a new program for the stocking and fulfillment of print-on-demand (POD) books. Beginning in 2005, books will be printed as they are ordered, and all LSI titles will display as active and available for ordering from Ingram and on iPage. Backordering of these titles will not be necessary. Ingram will continue to stock certain titles with a demonstrated sales history. During the transition period, LSI will fund the printing of at least one copy of all new books and any currently out-of-stock books with a recent sales history. These books will be placed in inventory at Ingram. However for most POD titles, booksellers will find no stock on hand and will need to backorder. How much time do Americans spend reading? ----------------------------------------- In September, a Time-Use Survey by the Bureau of Labor Statistics of the US Department of Labor reported that in 2003, reading as a primary leisure activity varied greatly by age. The oldest age group, 65 and older, averaged an hour of reading per day, while the youngest, 15 to 24-year olds, averaged about 8 minutes. The overall average is .33 hours/day (about 19 minutes) for men, and .40 hours/day (about 24 minutes) for women. ***************************************************************** INTERESTED IN WRITING FICTION OR NONFICTION? Find inspiration and ideas for that next project at Profitable Pen's newest forums! Register for free at http://www.profitable-pen.com. ***************************************************************** TAKE THE TEST -- IT'S FREE! Has that novel been rejected too many times? Worried reviewers will notice poor grammar more than the story? Present a professional image, hire a professional editor. See the difference editing makes with a free test edit. Visit http://www.scripta-word-services.com ***************************************************************** LIGHTS, CAMERA, ACTION! HOW TO GET PAID TO WRITE ABOUT MOTION PICTURES ================================================================= by Paul Armentano (paularmentano"at"aol.com) When I was a young child in the early 1980s, my family and I would gather around the television to watch Siskel & Ebert's Sneak Previews (now Ebert & Roeper's At The Movies). Eight years old and wide-eyed, I'd think, "Wouldn't it be great if someday I could make my living watching movies?" Twenty-four years later, I'm pleased to say that I've enjoyed ample opportunities to live out my childhood dream to write about motion pictures. Below are some tips on how you can too. Think Local ----------- Perhaps the most practical way to break into the film market is to submit to your community's alternative weekly newspaper. These are the free periodicals stacked knee-high each week at your local newsstands and bookstores. These publications, so-called alt-weeklies, highlight the local community's arts and entertainment scene, alerting readers of what's playing, where and when. Large sections of these papers are written by local freelancers. Query your paper's arts editor to see if they have a need for a freelance writer to review local movie premieres, film festivals, theater openings and/or other entertainment related topics. I began my own writing career this way by submitting a manuscript profiling three up-and-coming independent directors to the local alt-weekly. The publication of that article eventually landed me a position as one of the periodical's chief movie critics. When writing film reviews, a few rules apply. Most importantly, your review must be timely. This means that your critique should be written and published before the film opens in local theaters. Fortunately, most major motion pictures enjoy private screenings several days before they open publicly. After becoming affiliated with your local paper, you will be granted access (typically in the form of a pass supplied by the film's distributor) to these advanced screenings, which typically take place secretly at one of the community's local movie houses. Second, your critique must be impartial. How many times have you decided not to attend a motion picture after reading a negative review of it in your local paper? Well, now it's your words and opinions that have the power to potentially influence the minds (and wallets) of thousands of potential filmgoers. As such, it is pivotal that you give them an honest, objective assessment of a film's worth. Lastly, your review should be concise and focus on a handful of essential elements, including direction, storyline, genre (i.e. Is the film a comedy, drama, etc.) and acting. Your review should not be a plot synopsis, nor should it reveal any important plot twists. Surprises are best enjoyed by audiences while they are at the movie, not ahead of time. Of course, there exist plenty of other opportunities to write about the motion picture industry aside from reviewing movies for the local paper. I've published numerous articles on various aspects of cinema, including profiles of film directors, analyses of motion picture scripts, and reviews of film-related books. Many of these articles have been published in film magazines. Take a trip to your local newsstand and you will be amazed at the wide range of film publications available -- from mainstream publications like Cineaste to scholarly journals like Film Quarterly to niche and fanzine publications like Video Watchdog. Most of these publications rely primarily on freelancers. A quick and relatively easy way to crack the film magazine market is to submit reviews of film-related books. Many magazines such as Creative Screenwriting and Cineaste devote several pages per issues for book reviews -- often commissioning freelancers to write them. Querying to write a book review is one of the most practical ways to gain assignments from an unfamiliar editor. A well-written book review demonstrates that you can be analytical, objective, and to the point. Once you have established a relationship with an editor, you will have better success querying them for larger feature topics. More "Getting Started" Tips --------------------------- Here are some additional hints for getting started: 1. Be passionate about films and filmmaking. For the successful freelancer, it (literally) pays to write about what you know and love. 2. Seize opportunities locally. Many of my published articles focus subjects of local interest or significance, such as area filmmakers and film festivals. Often I pitch these stories to local periodicals, and then later rework them for national markets. 3. Familiarize yourself with the market. There is a wide range of film magazines in circulation. Many of these publications are 50% to 100% freelance written. However, most focus on particular film genres (i.e., horror, sci-fi, etc.) and target specific, often narrow audiences. Therefore, it's vital to be familiar with the magazine's guidelines, as well as its content and tone, before querying. 4. Be creative. Films are open to a wide variety of interpretations, so don't be afraid to propose articles that explore alternative points of view. For example, several years ago I queried an editor about comparing Ang Lee's action adventure hit "Crouching Tiger, Hidden Dragon" to the Shakespearean tragedies of yesteryear. Not only did he publish the article, it's now on the required reading list for a film studies course at St. Michael's College in Vermont. 5. Leave your comfort zone. Although I started out by penning almost exclusively film and video reviews, I now publish articles on a variety of film-related topics. In fact, just recently I sold a feature entitled "Revenge of the Cheerleaders: A Definitive Analysis of the Forgotten Cheerleader Films of the 1970s." Believe me, it doesn't get much more "out there" than that. Reflecting upon my childhood days, I realize that I'll likely never be the next Gene Siskel or Roger Ebert. But then again, that doesn't mean that I -- or anyone else who possesses a passion for both cinema and the written word -- can't be successful freelancing for the film market. >>-----------------------------------------------------<< Paul Armentano's work has appeared in dozens of newspapers and magazines, including Creative Screenwriting, the San Francisco Weekly, the Washington City Paper, and Penthouse Magazine. He recently published the e-book "Stranger Than Fiction: The 99 Cent Video Review Guide to The Most Bizarre and Intriguing Documentary Films Ever Made." Excerpts are available online at: http://www.suite101.com/topic_page.cfm/4651/4557 He also manages the film review web site, 99 Cent Video Reviews: http://www.suite101.com/welcome.cfm/cult_cinema Copyright (c) 2004 by Paul Armentano ***************************************************************** DREAM OF PURSUING A *SUCCESSFUL* WRITING CAREER? Start by subscribing to WriteSuccess--the free biweekly ezine of ideas, information, inspiration and resources for writers--and turn that dream into reality! To subscribe, visit http://writesuccess.com ***************************************************************** Write and Publish Articles on Topics You Love! Christina Katz has a proven track record inspiring and guiding emerging writers and recently appeared on Good Morning America. To learn more about writing classes and services, visit http://www.christinakatz.com. ***************************************************************** THE WRITE SITES ================================================================= Babynology ---------- Lists of names, some with meanings and some without, from around the world. http://www.babynology.com Writing Full Time: A User's Guide --------------------------------- A look at some statistics about publishing and writing for a living by Robert Weinberg. http://www.robertweinberg.net/writing.htm Hiring a Personal Publicist --------------------------- What to do, where to go for help, and what to consider by Nancy Berland. http://www.nettrends.com/romanceauthors/hiringpublicist.htm I Don't Really Have to Use Roman Numerals, Do I? ------------------------------------------------ Alternatives to "traditional" outlining, including mindmapping and others by Jeff Kirvin. http://www.writingonyourpalm.net/column030310.htm The Glossarist -------------- Links to a huge selection of glossaries on a vast range of topics. http://www.glossarist.com/ PoynterOnline: Organization Links --------------------------------- Huge collection of writing, editing, publishing and media associations. http://www.poynter.org/content/content_view.asp?id=1256 ***************************************************************** SUNPIPER LITERARY & CONSULTING, P.C. is looking for authors possessing creativity and vision in fiction and nonfiction genres. Agency fees are on a strict contingency basis. You don't profit, we don't profit. Visit http://www.sunpiper.com/ for more info. "In the business of representing ideas!" ***************************************************************** THE WRITING DESK ================================================================= by Moira Allen Using Public Places in Fiction ------------------------------ Q: When making a reference in a book to such buildings as the Sears Tower or a sport team as the New York Yankees, will I need to get permission? A: Generally the answer is no. If you are writing fiction that is set in the real world, there is no law against referencing real places, people, events, etc. If you want to have your character watch a Yankees game, they can do so; they can also visit the Sears Tower, or have dinner at a real restaurant in some back street in New York. However, you should limit your use of "real" places to "setting" -- i.e., if your story is set in New York, by all means use real places as part of your setting. Use real people or events as a way of establishing the time -- that is, what is going on in the "real" world in the background of your story. But be careful of moving beyond setting and making real places or persons an actual part of the ACTION of your story. For example, if your story involves a bomb being planted in a high-rise building, I wouldn't use the Sears Tower -- I'd invent a building. If your story involves a character interacting with a sports star, I would invent a team and an individual rather than using a "real" person for this fictional interaction. Good examples of how to combine fictional and real locations and events in a story can be found in the work of Stephen King. He uses a number of REAL places to set his scenes (unless, of course, they're set in one of his fictional towns) -- but when he wants to weave a setting more closely into the action, he invents that setting. Thus, many of his stories are set in a fictional town in Maine, which may resemble a real town, but doesn't involve actual places. If he wants to describe a mass shooting in a restaurant chain, he'll invent that restaurant, rather than using a real one. Another thing to keep in mind is that while public figures can be referenced in a story, private individuals cannot, without permission. Thus, you could include a reference to, say, Mayor Giuliani, or a major sports figure, or a movie star, or any other celebrity or public official, in a fictional story (again, best used as background rather than as part of the story). Private individuals, however, are protected by privacy laws, and cannot be referenced in a story (fictional or nonfiction) without permission. This includes private individuals who may have been in the news at one time, but are no longer "news items." So while you could have your character observe, or even possibly encounter, a movie star or political figure, that character CANNOT legally interact with, say, your ordinary next-door neighbor. The bottom line is: It's OK to use real places and people as background setting, but keep them in the background. When they become part of the action, it's better to invent fictional places and people. NOTE: Please don't confuse this column with actual legal advice! >>-----------------------------------------------------<< Moira Allen has been writing and editing professionally for more than 20 years. A columnist for The Writer, she is also the author of "Starting Your Career as a Freelance Writer", "The Writer's Guide to Queries, Pitches and Proposals" (now available as an e-book) and "Writing.com: Creative Internet Strategies to Advance Your Writing Career". For more details, visit: http://www.writing-world.com/moira/moira.shtml Copyright (c) 2004 by Moira Allen ***************************************************************** THE WRITER'S ANSWER AND RESOURCE BOOK FOR NEW AND EXPERIENCED WRITERS. Filled with answers, insider information and markets for your writing. Become the writer you've always wanted to be, order now http://www.CreativeCauldron.com/mybooks.shtml ***************************************************************** JUST FOR FUN: Characters Will/Will Not ================================================================= by Suzanne Mead (Word2Pen"at"jnsmead.com) 1. Characters will divulge story plot and descriptions at a comfortable pace, in a place where obtainable writing (or recording) material is available (cars are off-limits), and will adhere to strict times of quiet during the author's need for sustenance, "real" work, and sleep. 2. Characters will not wake the author at 3 AM to reveal some important tidbit of information, and then allow the idea to evaporate before proper writing materials are located (See Rule 1). 3. Characters will not change their name once a moniker is placed upon them. This goes for eye and hair color, age, race, height, body type, gender, clothing style, home village, job, etc. 4. Characters who manage to change their name or personal description will do so early in the story, without several more changes, and not close to the end of the project. 5. Characters will not swap places in the story. Antagonists will remain as such. Ditto for Protagonists. 6. Characters will not balk at who (or what) is offered them when suitable mates or sidekicks are created. 7. Characters will absolutely, positively NOT visit the author's "real" place of work during business hours. 8. Characters will not take a vacation when the author finally has time to write. 9. Characters will willingly accept their demise as the story dictates. They will agree to leave the scene when called to do so, and will not return to haunt the author or beg for a miraculous "comeback." 10. Characters will not slip into other works-in-progress. Cross-book/genre relationships are not permitted. 11. Characters brought into a story for the sole purpose of delivering a message, or nodding their head in reply to a question, will not be named. Take it or leave it. 12. Characters who are walk-ons (and who end up with a name), will not displace already developed characters, nor take up precious time or page space by divulging their life story. Under no circumstances will they fall in love with the main character! 13. Characters will describe settings with enough detail to get the scene rolling. The history of the land, or one's love life exploits is not a one scene monologue. 14. Characters will never, ever utter the words: "Well, as you know ..." 15. Characters will not offer information critical to the story once the end is written and the story proofed, packaged, and sent out. 16. Characters who divulge the ending before the middle is written will hang around long enough for the author to discover how the heck they got that far! 17. Characters will not show up unexpectedly in the middle of a hot writing session, only to start a whole new story (see Rule 10), but will wait patiently until the author has time to jot down notes and get around to it. (See Rule 8.) 18. Characters will not divulge scenes and information pertaining to the next six sequels and three "prequels" while the author is in the middle of writing the first "stand alone" novel. (See Rule 17) 19. Characters will limit their sequels to five books. Anything beyond that may cause the author fall into a rut and produce solely for the sake of money and fame. 20. Characters will not sulk when a manuscript is rejected, but will get right back into the stream of things and offer a brilliant rewrite! >>-----------------------------------------------------<< Suzanne Mead lives in upstate NY and works as a musician and gardener, and will admit to having an office job on the side. She and her husband live in the country with an odd assortment of characters who have yet to learn how to follow the rules. Copyright (c) 2004 by Suzanne Mead ***************************************************************** WHAT'S NEW AT WRITING-WORLD.COM ================================================================= COLUMNS: -------- Imagination's Edge, by Paula Fleming Refreshing the Palate: How Writing in Other Genres Can Help Our SF/Fantasy http://www.writing-world.com/columns/sf/edge18.shtml ARTICLES: --------- The Key to Success: Write More! - Lee Tobin McClain http://www.writing-world.com/basics/writemore.shtml Why You Can't Rely on Your Spellchecker, by Jan K. the Proofer http://www.writing-world.com/basics/spellcheck.shtml ***************************************************************** FIND 1700 MARKETS FOR YOUR WRITING! Writing-World.com's market guides offer DETAILED listings of over 1700 markets, with contact information, pay rates, needs and more. Fourteen themed guides are available for $2.50 apiece or $25 for the set. For details, see http://www.writing-world.com/bookstore/index.shtml ***************************************************************** MARKET ROUNDUP ================================================================= ANTHOLOGY: THE NEW WAVE OF FIRST-GENERATION WOMEN Angela Fountas, Editor 10039 49th Ave NE, Seattle, WA 98125 EMAIL: anthology"at"writehabit.org URL: http://www.sealpress.com To be published Fall 2005, by Seal Press. First-generation women straddle two cultures, often struggling to carve an identity that finds a place in both, which may or may not be accepted by either. I am seeking first-person essays from women in their late teens through early thirties who immigrated to the US during childhood and are American-born of at least one foreign-born parent who immigrated as an adult. This anthology aims to spark a conversation about the generation of first-generation women who will help shape the 21st century -- specifically women in their late teens through early thirties -- and ways in which the sociopolitical climate has come into play in their lives. This anthology will collect emerging as well as established writers and give voice to all women. Essays from women of all nationalities, religions, belief systems, socioeconomic classes, sexual orientations, and abilities are encouraged to submit. See online guidelines for a list of possible topics DEADLINE: November 1, 2004 LENGTH: 3,000-6,000 words PAYMENT: $100, plus 2 copies RIGHTS: Subsidiary rights REPRINTS: Yes SUBMISSIONS: Email submissions are preferred as attachment in .doc or .rtf format GUIDELINES: http://www.sealpress.com/sealcall.html#Anchor-The-49575 >>-----------------------------------------------------<< ANTHOLOGY: ITALY, A LOVE STORY Camille Cusumano, Editor 1270 D Storey Avenue, San Francisco, CA 94129 EMAIL: ocaramia"at"earthlink.net URL: http://www.sealpress.com To be published Spring 2005, by Seal Press. We are looking for compelling essays by women who have great stories to tell about their travels or experiences in Italy. Send your finest nonfiction writing. Whether traditional or creative personal essays, weâre looking for more than memoir or travelogue, though these genres may lend appeal to a story. We're looking for a strong narrative -- stories that build toward a satisfying dŽnouement -- something changed, learned, understood more deeply. Strong character development is helpful. A good sense of humor is desirable, though tragic accounts are welcome. Stories may be rooted in some aspect of traveling there, the joy and/or difficulty of living and/or studying in Italy, an insightful moment of culture shock, the agony and ecstasy of immersion, loves lost or gained with Italian men or women. Weâre looking for substance, but style is encouraged. DEADLINE: November 30, 2004 LENGTH: 2,000-5,000 words PAYMENT: $100, plus 2 copies RIGHTS: One time anthology rights REPRINTS: Yes SUBMISSIONS: Email submissions are preferred GUIDELINES: http://www.sealpress.com/sealcall.html#Anchor-Italy-49575 >>-----------------------------------------------------<< ANTHOLOGY: TESSERACTS10 2005 Kimberly Gammon, Editorial Manager EDGE Science Fiction and Fantasy Publishing Attention: Series Editors, c/o Tesseracts10 Submissions, PO Box 1714, Calgary, Alberta, T2P 2L7, Canada EMAIL: kimberly"at"hadespublications.com URL: http://www.edgewebsite.com Tesseract Books announces that Tesseracts10, the 2005 volume in the award-winning anthology of Canadian Speculative Fiction, is now open to both short fiction and poetry. Speculative fiction includes the genres of magic realism, science fiction, fantasy (this term incorporates dark fantasy and supernatural fiction), horror, and la fantastique. In all these areas, the editors prefer not to be presented with genre clichŽs, but with original, well-written, well-crafted works of art. DEADLINE: December 31, 2004 LENGTH: Up to 10,000 words, preferred length: 7,500 words or less PAYMENT: Poetry: $20; Short stories: $50; Longer stories: up to $100 REPRINTS: Yes RIGHTS: Non-exclusive world rights SUBMISSIONS: By mail, email submissions must be followed by mailed hard copy GUIDELINES: http://www.edgewebsite.com/books/tess10/t10-catalog.html >>-----------------------------------------------------<< Please send Market News to: peggyt"at"siltnet.net "FNASR": First North American Serial Rights, "SASE": self-addressed, stamped envelope, "GL": guidelines. If you have questions about rights, please see "Rights: What They Mean and Why They're Important" http://www.writing-world.com/rights/rights.shtml ***************************************************************** WRITING CONTESTS ================================================================= This section lists contests that charge no entry fees. For more contests, check our online contests section. http://www.writing-world.com/contests/index.shtml >>-----------------------------------------------------<< Koret Young Writer on Jewish Themes Award DEADLINE: November 15, 2004 GENRE: Fiction, non-fiction, or poetry OPEN TO: Age 40 years or younger and have published no more than one book at the time of application LENGTH: No word length requirement THEME: Established in 2001, the Koret Young Writer on Jewish Themes Award annually awards one emerging writer a prize and the opportunity to spend a quarter as writer-in-residence at Stanford University. The residency allows time for writing, participating in and/or leading workshops on campus and within the Bay Area community; and the option of designing and teaching a course at Stanford. PRIZE: $25,000, and three months in residence at Stanford University ELECTRONIC ENTRY: Yes, as Word attachment EMAIL: kywa"at"koretfoundation.org ADDRESS: Koret Young Writer on Jewish Themes Award, Koret Foundation, 33 New Montgomery Street, Suite 1090, San Francisco, CA 94105 URL: http://www.koretfoundation.org/initiatives/young_writer.shtml >>-----------------------------------------------------<< Donard Publishing Short Story Competition DEADLINE: November 27, 2004 GENRE: Short story OPEN TO: All LENGTH: 5,000 words or less THEME: This is a free monthly short story competition. The stories may have any theme or subject. You must select a genre for your story from the following list and include this in the subject line of the email when submitting your story: children's; science fiction and fantasy; thriller; adventure; romance; humor; adult (to include any story with an adult theme such as violence, sex or language); other (if your story does not easily fit into any of the other categories). PRIZE: £25 ELECTRONIC ENTRY: Yes, as an attachment (Word file) or in the body of email EMAIL: submissions"at"donardpublishing.com URL: http://www.donardpublishing.com/sscomp.html >>-----------------------------------------------------<< True Life Story Contest DEADLINE: November 30, 2004 GENRE: Creative nonfiction OPEN TO: 16 years of age and older LENGTH: 5,000 words or less THEME: The True Life Story Contest invites professional and amateur writers to submit manuscripts exploring the creative nonfiction form using themes of friendship, animals, Christmas, or amazing coincidences. At the conclusion of the contest selected entries will be compiled and published in a book to be released in 2005. PRIZES: 1st Prize: $1,000; 2nd Prize: $500; 3rd Prize: $250 ELECTRONIC ENTRY: Yes, in the body of email EMAIL: submissions"at"truelifestorycontest.com URL: http://www.truelifestorycontest.com/ ***************************************************************** New Listings on THE AUTHOR'S BOOKSHELF: --------------------------------------- Sparkle from Darkness, by Ronald Henderson Find these and more great books at http://www.writing-world.com/books/index.shtml Advertise your own book on Writing-World.com: http://www.writing-world.com/books/listyours.shtml ***************************************************************** ADVERTISE in WRITING WORLD or on WRITING-WORLD.COM! 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