***************************************************************** W R I T I N G W O R L D A World of Writing Information - For Writers Around the World http://www.writing-world.com Issue 5:09 15,500 subscribers April 28, 2005 ***************************************************************** SPECIAL NOTICE: Please DO NOT REPLY to this e-mail; any messages sent to the listbox address are deleted. See the bottom of this newsletter for information on how to subscribe, unsubscribe, or contact the editors. ***************************************************************** CONTENTS ================================================================= From the Editor's Desk SPRING CLASSES on Writing-World.com WRITER TO WRITER: Snail mail submissions by Peggy Tibbetts News from the World of Writing FEATURE: Selling Your Nonfiction Book, Part I: Finding the Right Publisher, by Moira Allen The Write Sites -- Online Resources for Writers JUST FOR FUN: Word Plays, by Harriet Cooper WHAT'S NEW at Writing World MARKET ROUNDUP/Writing Contests ***************************************************************** EARN AN MFA IN WRITING through the brief-residency program at Spalding University in Louisville, KY. Call (800) 896-8941x2105 or e-mail gradadmissions"at"spalding.edu and request brochure FA90. For more info: http://www.spalding.edu/graduate/MFAinWriting ***************************************************************** WRITERSCOLLEGE.COM has 57 online courses. Prices are low. If you can reach our web site, you can take our courses. http://www.WritersCollege.com ***************************************************************** DISCOUNTED SOFTWARE FOR WRITERS -- PowerWriter, DramaticaPro, StoryCraft, WritePro, MovieMagic, StyleWriter, plus many more. HUGE SAVINGS! GREAT SELECTION! Save online at: http://www.MasterFreelancer.com ***************************************************************** THE WELL-FED WRITER by Peter Bowerman - Learn how you can make $50-100 an hour as a freelance writer and easily earn $1000 a week or more working 2-3 good days. Details: http://www.writingcareer.com/pb001.shtml ***************************************************************** LOOKING FOR PAYING MARKETS? Absolute Write Can Help! Subscribe to the Absolute Markets PREMIUM Edition for just $15 a year and get all the writing markets we can cram into your inbox! We've got calls for freelance writers, screenwriters, editors, greeting card writers, translators... http://www.absolutemarkets.com ***************************************************************** FROM THE EDITOR'S DESK ================================================================= Is it Spring Yet? ----------------- Or is it summer? Or perhaps the last gasp of winter? Here in Virginia, the weather can't seem to make up its mind. One day, the sun shines and a soft breeze blows, and the deck calls me -- "Mooiiiirraa! Leave your eeee-maiiillll!" So I put on the kettle and fix a nice cup of instant, totally artificial, sugar- free international coffee -- and by the time it's brewed, the sun is gone and the temperature has dropped 20 degrees (or so it seems). The next day it will be too hot to even think of sitting on the deck -- but by nightfall, it has dropped back to near-freezing and I have to remember to switch the air conditioner back to the heater. Meanwhile the blossoms have come and gone; usually they linger, but this year they seemed to vanish in a blink. The dogwood is blooming, glimmers of white amid the spring green of the woods. Soon they'll vanish as well; it's almost as if the dogwood trees themselves become invisible for the rest of the year. Something else is about to vanish soon: Our spring classes! There are only four days left to enroll, and several of these classes will NOT be held open for late enrollments! So please don't wait until next Tuesday, or Wednesday, or even Friday, to sign up for a class that actually starts Monday. Like the dogwood, it may not be there if you wait too long. These will probably be the only classes we offer this year, so if you miss them, they'll be gone. If you want to pay by check (or if you have already sent a check but have not yet received our confirmation), just drop me a note so that I can reserve your place. To sign up for a class, either click one of the links below, or go to http://www.writing-world.com/classes/index.shtml And then -- go enjoy the spring sunshine, assuming you have any! -- Moira Allen, Editor ***************************************************************** I FINALLY FOUND A WAY TO MAKE A LIVING AS A WRITER! I'm averaging about $150 an hour and I only work a few hours each morning, leaving me with most of the day to pursue my first love: Fiction. Here's how you can learn the secrets of this little known, lucrative business: http://www.thewriterslife.com/ph/wworlda62 ***************************************************************** SPRING CLASSES ON WRITING-WORLD.COM ================================================================= ALL CLASSES BEGIN MAY 2 - SO SIGN UP NOW!!! BREAKING INTO THE MAGAZINE AND PERIODICAL MARKET * Instructor: Moira Allen * Eight weeks; $125 http://www.writing-world.com/classes/magazines.shtml INTRODUCTION TO SPECULATIVE FICTION: LECTURES AND WORKSHOP * Instructor: Bruce Boston * Eight weeks; $125 http://www.writing-world.com/classes/boston.shtml WRITING AND SELLING EROTIC FICTION * Instructor: Catherine Lundoff * Six weeks; $100 http://www.writing-world.com/classes/erotica.shtml WRITING AND SELLING MYSTERY SHORT STORIES * Instructor: John Floyd * Seven weeks; $100 http://www.writing-world.com/classes/mystery.shtml WRITING AND SELLING PERSONAL ESSAYS * Instructor: Isabel Viana * Four weeks; $75 http://www.writing-world.com/classes/essays.shtml WRITING THE HISTORICAL ROMANCE * Instructor: Linda Shertzer * Eight weeks; $100 * http://www.writing-world.com/classes/romance.shtml >>-----------------------------------------------------<< We also recommend the following classes, which are taught independently by former Writing-World.com instructors. FREELANCING FOR NEWSPAPERS * Instructor: Sue Fagalde Lick * Eight weeks; $100 * Ongoing; enroll and start the course at any time! http://www.writing-world.com/classes/newspapers.shtml FUNDAMENTALS OF FICTION * Instructor: Marg Gilks * Eight weeks; $150 * Ongoing; enroll and start the course at any time! http://www.writing-world.com/classes/fiction.shtml ***************************************************************** "WORD MAGIC IS A WRITING BOOK LIKE NO OTHER . . . joyful, exuberant, witty and wise. It is many things at once: a celebration of language, an examination of its mysteries, and an invitation for writers of every ilk to pick up their pens and join the party." Kate DiCamillo, Newbery Medal Winner, 2004. FREE 30-DAY EXAM. http://www.wordmagicforwriters.com/N0862/ ***************************************************************** BECOME a CREATIVITY COACH or be certified to Teach Creativity Workshops with author and creativity expert Jill Badonsky, M.ED. Contact jillbadonsky"at"hotmail.com, http://www.themuseisin.com ***************************************************************** WRITER TO WRITER ================================================================= by Peggy Tibbetts (peggyt"at"siltnet.net) Snail mail submissions and SASEs are still a fact of life for most writers, especially when submitting to book publishers. I've been searching for an agent and I'm surprised to find that the most agents demand snail mail queries and submissions. I can't explain this policy because I don't understand it. I have been web and email oriented for so many years I suppose I've lost my perspective. Yet more and more writers are reporting problems with the snail mail submission process. Members on a children's writers list complain that even though they send SASEs, editors don't return their manuscripts. Form rejections used to be the writer's curse. Now we feel lucky to hear anything at all. On a discussion board, writers compare notes about SASEs. They include them, but editors don't bother to reply, not even with a form rejection slip. They wonder if it's pointless to send SASEs. Still other writers blog about the response time. Snail mail submission turnaround time used to be 3-6 months. But those were the good ol' days. Gradually, over the past couple years, writers are seeing turnaround time expanded out to 9-12 months, even up to 2 years, or more! Now let's hear from you. Have you noticed problems with your snail mail submissions? If so, what kind of problems? Do you think it's pointless to include an SASE? Keep in mind this is a discussion about snail mail submissions. We'll discuss email submissions in a future column. Please send your responses to: peggyt"at"siltnet.net Subject: Writer to Writer >>-----------------------------------------------------<< Peggy Tibbetts answers your questions about writing for children in her monthly column, Advice from a Caterpillar: http://www.writing-world.com/caterpillar/index.shtml She is the author of "The Road to Weird" and "Rumors of War". Visit her web site at: http://www.peggytibbetts.net Copyright (c) 2005 by Peggy Tibbetts ***************************************************************** Our staff of experienced editors, including several published authors, specialize in first-time and novice writers. Free sample edit/critique. Personalized attention by editors specializing in your genre. Clients' needs are our first priority. See us at http://www.alphaediting.com ***************************************************************** NEWS FROM THE WORLD OF WRITING ================================================================= Amazon acquires Mobipocket -------------------------- On March 30, Amazon.com acquired Mobipocket, the privately-held French vendor of ebook server and client software for handheld devices. The transaction completes the realignment of the ebook industry that began last November when Adobe announced that it would no longer sell its ebook packaging and serving software. The groundwork is now laid for Amazon to take over leadership of the ebook industry from Adobe, as the latter company shifts its focus to corporate document management. Amazon spokesperson Patty Smith said the motivation behind the purchase "was mainly because they've got a great group of innovative engineers and we thought it was a smart move." As to what Amazon might do with the technology and its potential relationship to their purchase of BookSurge, Smith noted the company is "maddeningly consistent" in "never speculating on what might happen." Authors petition Oprah ---------------------- More than 150 authors, including Amy Tan, Susan Cheever, MJ Rose, Ann Beattie, and Stephen McCauley, have petitioned Oprah Winfrey to return to choosing new novels for members of her influential book club. In an open letter, Word of Mouth, an alliance of female writers, said fiction sales plummeted when Oprah's Book Club went off the air in 2002. When it was reinstated in June 2003, it stopped featuring contemporary authors, and turned to classics like Steinbeck's "East of Eden" and Tolstoy's "Anna Karenina." The letter said, in part: "The readers need you. And we, the writers, need you. Oprah Winfrey, we wish you'd come back." A spokeswoman for Winfrey's company, Harpo Productions, said, "There are no plans to change the focus of the book club at this time." However, in a special announcement at Oprah.com, Winfrey recommends Edward P. Jones' 2003 novel, "The Known World," to those who "need a book right away for your reading groups." Hinting that she'll pick other modern novels eventually, she adds: "The summer book club choice is a big one -- and I think you'll see it's been worth the wait. Once again, we are breaking new ground and doing something we haven't done before. Very exciting! Look for our announcement toward the end of May/beginning of June." For more information: http://www.wordofmouthwriters.org IFJ demands authors' rights on UN World Copyright Day ----------------------------------------------------- On April 23, UNESCO World Copyright Day, the International Federation of Journalists (IFJ) issued a call to global policy makers to adopt a 3-step program to guarantee quality and diversity in media content. "The importance of authors' rights protection cannot be overlooked in a world dominated by globalization, a communications revolution, and the hunger of millions for reliable information. To guarantee the need for quality and diversity in information services and particularly in journalistic and photographic works it is imperative to ensure: 1) that governments support creators by improving levels of authors rights protection and enforcing rights where they are established; 2) that publishers and broadcasters end the intimidation and bullying of journalists and writers to sign away all their rights; 3) that all parties negotiate agreements that guarantee fair payment for reuse of works and provide moral rights to protect the integrity of journalism." In a statement issued in Brussels the IFJ said UN agencies must bear these objectives in mind when negotiating new international treaties. According to the IFJ: "The celebration of the UNESCO Copyright Day must not ignore the fact that most creators in the world do not enjoy effective authors' rights protection. That's why the three-step plan is an essential starting point for reform." For more information: http://www.ifj.org Carnegie study finds young adults don't read newspapers ------------------------------------------------------- "Abandoning the News," the study written by MSNBC.com's founding Editor-in-Chief Merrill Brown, and commissioned by the Carnegie Corporation of New York, documents that young people don't get their news from newspapers or other traditional news media. The survey of 18-34 year olds finds that 19% read a newspaper daily, 17% read it once a month or less, and 12% never do. However, 44% of the young people visit a new web site every day, and 37% watch local TV news. Only 14% called the newspaper their "most important" source of news. Local TV newscasts were called the most important source for news by 31% of the young adults, another 25% cited the Internet. More than half of the respondents told the survey they trust newspapers "a lot." The 25-34 year olds said the Internet is as trustworthy as newspapers. More than half of newspaper readers predicted that in the next 3 years they will be accessing the Web more for news. In his report, Brown writes that traditional news outlets must figure out ways to "engage" young people the way the Internet does: "In short, the future of the US news industry is seriously threatened by the seemingly irrevocable move by young people away from traditional sources of news." ***************************************************************** BOOK DESIGN WIZARD - Easily create you book layout in MS Word with our book design wizard. Features a friendly user form. Inserts title, copyright, headers, page numbers, ToC, chapters & more. Visit http://www.self-pub.net/wizard.html for more information. ***************************************************************** INTERESTED IN WRITING FICTION OR NONFICTION? Find inspiration and ideas for that next project at Profitable Pen's newest forums! Register for free at http://www.profitable-pen.com. ***************************************************************** SELLING YOUR NONFICTION BOOK, PART I: FINDING THE RIGHT PUBLISHER ================================================================= by Moira Allen One of the best things about writing a nonfiction book is that you can often "sell" that book to a publisher before it is actually written. Most nonfiction publishers make decisions based on proposals rather than on finished manuscripts. By submitting a proposal, you can determine whether your book has a market before you spend months (or even years) researching and writing it. Better yet, you can often do so without an agent. Marketing your book via a proposal is a two-pronged process. The first step, discussed in this article, is to find a publisher (or several publishers) that seems "right" for your book. The second step, discussed next issue, is to convince that publisher that your book is right for them. One way to find a publisher is to simply pick up a market guide and check the "book publisher" section. However, this isn't the best way -- or even a very good way! For example, one leading market guide lists 109 publishers who handle books in childcare and parenting. However, each of those publishers is likely to have very different interests and requirements; Charisma Press, for example, certainly isn't going to want the same type of book as "Celestial Arts." To narrow the field, you'll have to read each and every one of those 109 listings -- a daunting task! Fortunately, there's a better way. Check Your Bookshelf -------------------- The best place to start your search for a publisher is your own bookshelf. If you're writing about a nonfiction topic, you probably already have several books on that topic. Take a look at the books you've collected. Pick out the ones that you enjoyed the most, or found most useful. There's a good chance that the publishers of those books are the ones who will be most interested in your proposal, because of the similarity of content and approach. If your book will be more comprehensive than your "favorites," look for the publisher of the most comprehensive book on your topic to date; they might be interested in a book that takes that topic to the next level. Another approach is to check your bookshelf for books on a comparable or related topic, but not necessarily the same topic. For example, if you're writing about a craft or hobby, look at the craft books on your shelf. Is there a publisher who produces good books, but nothing on the topic you want to cover? Look at publishers of broader topics -- for example, a publisher of pet-related books who hasn't yet brought out a book on "caring for the older cat," or a regional publisher who publishes books about your state, but hasn't covered your specific area. Go to the Bookstore ------------------- After you've checked your own shelves, it's time to visit the bookstore. Find the section where you believe your book would be most likely to be sold -- e.g., the parenting shelf, the craft shelf, the travel shelf, etc. Once again, your goal is to look for books on the same, or similar, topics. See if you can find books that cover the same general subject area. For example, if you're writing about stained glass, look for other books about stained glass. Look for publishers who are covering related topics but haven't covered yours yet (or recently). Find out what, if anything, has already been published on your topic; you don't want to reinvent the wheel! Keep in mind that two of the questions you'll need to answer in your proposal are "what books are already out there on your topic?" and "how is your book different from or better than those books?" A bookstore may not be the only place to find books on your topic area. Another question to ask yourself is "where do I buy the books I like to read on this subject?" If you're writing about pets, check the book section of a pet store. Books about local history might be found at a local museum. If you're writing a Christian book, check the Christian bookstore. Check the office store for books on business and computers. Some categories of books are sold primarily through specialty stores, book clubs and catalogs; for example, the Military History Book Club offers dozens of books that you would be hard-pressed to find in your local store. Consider running a search on your topic on Amazon.com. Thanks to Amazon.com's new search and "look inside the book" capabilities, you can often "browse" the results right on the screen. Finally, don't overlook the library! Evaluating a Publisher ---------------------- Now that you have a stack of books on "related subjects," you're probably wondering what you're looking for. How do you choose a potential publisher from so many options? Here's a handy checklist for evaluating those publishers: 1) Is the cover appealing? Despite the old adage, people do judge books by their covers -- and books with unattractive covers may sit, unnoticed, on the shelf. Does the book make you want to pick it up and browse? Or does it make you want to move on to the next? 2) Is the content interesting? Skim a few pages; do they hold your attention? Do you want to read more, or are you instantly bored, confused or "put off" and ready to put the book back on the shelf? 3) Does the writing style match your own? If you're writing a scholarly tome, you'll want to find a publisher who handles more academic works; if you're writing for the "average" reader, however, you'll want to find a publisher who puts out books written in a more lively, general style. 4) Does the content match the "depth" of your own book? Some books offer superficial overviews of a topic, while others provide complex explorations that may be over the head of the average reader. Make sure that the publisher offers books that have about the same level of depth you want to provide. 5) What are the author's credentials? Does a travel publisher offer books only by writers with 20 years of travel experience? Does a self-help publisher offer books written only by PhDs and MDs? Will your credentials be enough to get you in the door -- and convince the publisher's readership that you know what you're talking about? 6) Does the book include illustrations? If your book will include illustrations (such as graphs, charts, line drawings, black and white photos, or color), look for a publisher who routinely incorporates such elements into its books. Conversely, if you don't intend to include illustrations, don't bother with a publisher who produces lavishly illustrated books. 7) Would the book appeal to the audience you envision for your book? If you consider yourself typical of the type of reader you want to target, would you buy a book from this publisher? 8) Does the book match your audience's price range? Do you believe your readers will cheerfully plunk down $35 for a glossy coffee-table edition, or are they more likely to prefer an inexpensive paperback? What would you pay for your own book? 9) Is the book well-produced? Do you like the cover, the text style, the layout, the feel of the paper? Does the book seem well-designed, or does it look "cheap"? Would you be proud to have a book that looks like the one you're holding? 10) Where is the publisher located? It's generally best to look for a publisher in your own country, at least to start with. Worry about foreign-rights sales later. (One thing to note: If you're doing all this research in Barnes and Noble, do not bother evaluating titles with the Barnes and Noble imprint. These are reprints, usually of out-of-print and foreign books.) One final thing to watch for, of course, is a book that is "exactly" like yours. If your book has already been done, your chances of selling it are slim. Keep in mind, however, that there is room for a great deal of variation on a single topic. No matter what has been written on a subject, there's usually room for a different angle, an analysis of a less-explored topic, or a different viewpoint. Another thing to check is the publication date: If the last book on your subject was written ten or twenty years ago, it may be time for an update! The Next Step ------------- Once you've completed your bookshelf and bookstore research, the next step is to find out exactly what your "chosen" publishers require. This is where a market guide can come in handy. A market guide can often give you a capsule description of a publisher's wants and requirements (such as whether it accepts proposals). More importantly, a market guide can often direct you to the publisher's Web site, where you may be able to find the publisher's complete guidelines. (Or, just try doing a Google search on the publisher's name.) Here's what you want to find out next: 1) What is the submission process? Should you approach the publisher with a proposal, a query, or a complete manuscript? Do submissions have to be agented? (If a publisher says "no unsolicited submissions," this usually means that you must begin with a query.) Most publishers explain exactly what they want to receive, including the maximum length of a proposal, the number of sample chapters to include, and so forth. Consider this a test: Publishers don't want to work with authors who can't follow their guidelines! 2) What type of payment is offered? Does the publisher provide an advance? Does it give any figures on "typical" advances? What royalties does it offer? If possible, try to find out whether royalties are based on "list price" (the cover price of the book) or "net sales" (the discounted price at which the book is sold to stores). How often are royalties paid? 3) What rights does the publisher demand? Book publishers usually demand a fairly broad grant of rights, including translation rights, audio rights, movie rights, electronic rights and more. Subsequent sales of these rights are usually split 50/50 between the author and publisher. However, some publishers demand more. Some "series" publishers require books to be written on a "work-for-hire" basis, meaning that you are giving up your copyright and any future rights to the work (including the right to create derivative works, such as sequels, or even competitive works). Before giving up your rights, make sure that the return will be worth it. 4) How long will it take to produce your book? The amount of time required to actually publish a book once it has been accepted (and delivered) varies widely -- anywhere from nine months to three years. If your book is on a "timely" topic, a long publication lag time can mean poor sales. Also, keep in mind that though you'll receive your advance before the book is published, you won't see any additional royalties until six months to a year (or more) after it has hit the shelves. 5) Where does the publisher sell books? Do its titles appear in bookstores? Can they be found in mail-order catalogs or book clubs? Are they sold in specialty stores? Make sure that your book can be found by potential readers; if a book never shows up on the right shelves, it's not going to sell. 6) Does the publisher expect money from the author? If so, run, don't walk, to the nearest exit: You're dealing with a subsidy publisher. The exception is university presses, which often do require an author subsidy. You may eventually choose to go the subsidy or print-on-demand route -- but don't confuse that with commercial publishing! In short, you're looking for a publisher that you can do business with. If a publisher offers terms that you don't like, don't expect that publisher to change those terms for you! However, keep in mind that going through an agent can help you retain certain rights, or negotiate a higher advance or royalty rate. Even if you don't use an agent to find a publisher, you may wish to use one to help you negotiate an agreement. The next step is making contact. The research you've just conducted should tell you whether to approach a publisher with a complete manuscript, a proposal, or an initial query. A query is much like a magazine query; it's simply a short, one-page letter that describes your book and asks whether the publisher would like to see a formal proposal. Publishers often respond more quickly to queries, particularly if they're not interested -- which will help you refine your search even further. Also, most publishers don't mind receiving simultaneous queries, though many do object to simultaneous proposals. Sooner or later, however, you'll have to develop a formal book proposal. And that's the subject for next issue! RESOURCES: ---------- Writing-World.com: Book Publisher Links http://www.writing-world.com/links/bookpubs.shtml >>-----------------------------------------------------<< Moira Allen has been writing and editing professionally for more than 20 years. A columnist for The Writer, she is also the author of "Starting Your Career as a Freelance Writer", "The Writer's Guide to Queries, Pitches and Proposals" (now available as an e-book) and "Writing.com: Creative Internet Strategies to Advance Your Writing Career". For more details, visit: http://www.writing-world.com/moira/moira.shtml Copyright (c) 2005 by Moira Allen ***************************************************************** SCRIPTCOPIER.COM is the number one source for all your script needs. 2 cents per copy including free collating and free 3- hole punching. From Final Draft, Movie Magic, PDF and more. Visit http://www.scriptcopier.com/portal/testimonials.asp for complete information and to order or contact Maziar at (310) 402-7528. ***************************************************************** FREE SPECIAL REPORT! How to Write Your Book in 14 Days or Less!! Guaranteed!! Mark Victor Hansen (Chicken Soup for the Soul) called this information outstanding! http://www.1shoppingcart.com/app/adtrack.asp?AdID=133225 ***************************************************************** THE WRITE SITES ================================================================= The Literacy Site ----------------- To help promote literacy among children from low-income families nationwide "click on daily". Every click provides 1% of a book. http://www.theliteracysite.com Kalliope -------- A comprehensive online poetry writing workshop and information center. http://anitraweb.org/kalliope/index.html Writer's Marketing Association ------------------------------ WMA mission is to create a network of national writers in all genres, free membership, newsletter, and regional workshops. http://www.wmaconnect.com Poetry Writing with Jack Prelutsky ---------------------------------- Award winning children's poet offers a poetry writing guide for kids, but has fun exercises for all poets. http://teacher.scholastic.com/writewit/poetry/jack_home.htm StrongEyeContact.com ---------------------- An online network covering all aspects of the film community. http://www.strongeyecontact.com ***************************************************************** SUNPIPER PRESS is dedicated to giving exposure to new, emerging and established writers. Showcasing poetry, short stories and the works of self-published writers. Also offers two essay contest for students. We want you to read AND participate. Join us at http://www.sunpiperpress.com. Promoting the Voices of Our Future! ***************************************************************** WRITE IN STYLE AND SELL MORE! We edit and evaluate manuscripts, proposals, synopses and more. Bobbie Christmas (author of Write In Style) BZEBRA"at"aol.com. Sign up for our free tips/markets newsletter! Zebra Communications: http://www.zebraeditor.com. ***************************************************************** JUST FOR FUN: Word Plays ================================================================= by Harriet Cooper (harcoop"at"hotmail.com) In a Word --------- About 20 aspiring writers showed up at a community college creative writing course, ready to dazzle the world with our prose. Our instructor decided to test our creativity by having us pick one of the concrete blocks that formed the back wall of the classroom and describe it. We all dutifully stared at the wall and then stared at the instructor. Nobody could think of anything to write. There was a long silence and then a voice called out, "Is this what they mean by a writer's block?" Words of Wisdom --------------- It was the first day of my creative writing class at a local community college and I eagerly awaited the instructor's words of wisdom that would transform me into a best-selling author. He carefully outlined the course content and requirements and then asked if there were any questions. A hand immediately shot up and a young woman earnestly asked what he thought was the single greatest problem facing a novice writer today. Without a moment's hesitation the instructor replied, "Starvation." >>-----------------------------------------------------<< Harriet Cooper is a freelance humorist and essayist living in Toronto, Canada. Her humor, essays, articles, short stories and poetry have appeared in newspapers, magazines, web sites, anthologies, radio and a coffee can. She specializes in writing about family, relationships, cats, yoga, psychology, writing and being the anti-Martha Stewart of household hints. Copyright (c) 2005 by Harriet Cooper ***************************************************************** BOOK PUBLICITY & PROMOTION Smith Publicity -- One of the most creative publicity and book promotion agencies in the country. Flexible, affordable publicity packages. Radio and TV interviews, features and reviews in newspapers and magazines; book tours, special events. Interviews placed on virtually every top show; stories and reviews in most major newspapers and magazines. Check out http://www.smithpublicity.com or call (215) 547-4778, ext. 111; e-mail: info"at"smithpublicity.com ***************************************************************** WHAT'S NEW AT WRITING-WORLD.COM ================================================================= MAY COLUMNS: ------------ Advice from a Caterpillar, by Peggy Tibbetts How to Structure a Critique Group; Finding Children's Writing Conferences; Marketing Bible Stories http://www.writing-world.com/caterpillar/cat52.shtml Ask the Book Doctor, by Bobbie Christmas Punctuating Monologues, Selling a Profile, Finding an Old Book http://www.writing-world.com/columns/book/ Murder Ink, by Stephen Rogers Slow-Cooked Suspense http://www.writing-world.com/columns/mystery/murder21.shtml ARTICLES: --------- An Interview with David Brin, by Lynne Jamneck http://www.writing-world.com/sf/brin.shtml ***************************************************************** FIND 1700 MARKETS FOR YOUR WRITING! Writing-World.com's market guides offer DETAILED listings of over 1700 markets, with contact information, pay rates, needs and more. Fourteen themed guides are available for $2.50 apiece or $25 for the set. For details, see http://www.writing-world.com/bookstore/index.shtml ***************************************************************** MARKET ROUNDUP ================================================================= ANTHOLOGY: TRAVELERS' TALES James O'Reilly, Publisher 853 Alma Street, Palo Alto, CA 94301 EMAIL: submit"at"travelerstales.com URL: http://travelerstales.com 30 Days in the South Pacific: Urgent Call for Tales of Paradise This series differs from traditional Travelers' Tales books by presenting 30 short, snappy, but meaningful stories -- a story a day -- to help plan trips or while away the time. We are looking for engaging personal stories that capture a sense of place in Polynesia, Melanesia, and Micronesia. DEADLINE: May 1, 2005 See web site guidelines for more upcoming titles and deadlines. LENGTH: 2,000 words or less; shorter stories have a better chance of being accepted. PAYMENT: $100 REPRINTS: Yes RIGHTS: Non-exclusive rights, in all languages, throughout the world. SUBMISSIONS: By email, attachments must be in MS Word or RTF. Please put the book title that you are submitting for in the subject line. GUIDELINES: http://www.travelerstales.com/guidelines/ >>-----------------------------------------------------<< EVENT Billeh Nickerson, Editor PO Box 2503, New Westminster, BC, V3L 5B2, Canada URL: http://event.douglas.bc.ca We publish mainly fiction, poetry and creative non-fiction. As well, each issue contains a selection of reviews, and in these we try to match book and reviewer. We occasionally publish unsolicited reviews, but you should query us first. We publish mostly Canadian writers, but are open to anyone writing in English. We do not read manuscripts in January, July, August and December. LENGTH: 5,000 words or less PAYMENT: $22/printed page; mininum $25 for one page; maximum $500 RIGHTS: FNASR REPRINTS: No SUBMISSIONS: By mail only, include SASE; send Canadian stamps or international reply coupons if you are submitting from outside Canada GUIDELINES: http://event.douglas.bc.ca/submit.html >>-----------------------------------------------------<< STORIE Barbara Pezzopane, Assistant Editor George Lerner, Foreign Editor Via Suor Celestina Donati 13/E, 00167 Rome, Italy EMAIL: storie"at"tiscali.it URL: http://www.storie.it/contenuti/english.HTM STORIE accepts high-quality literary fiction and poetry. More than erudite references or a virtuoso performance, what we're interested in is the recording of a human experience in a genuine, original voice. Multiple submissions are fine, however we do not accept simultaneous submissions and are looking for previously unpublished work only. We encourage writers to read a sample copy of the review before submitting. LENGTH: 1,500 words or less PAYMENT: Up to $600 REPRINTS: No RIGHTS: First English and Italian rights SUBMISSIONS: Query by email, send manuscripts by mail GUIDELINES: http://www.storie.it/contenuti/english.HTM (Click on writer's guidelines) >>-----------------------------------------------------<< Please send Market News to: peggyt"at"siltnet.net "FNASR": First North American Serial Rights, "SASE": self-addressed, stamped envelope, "GL": guidelines. If you have questions about rights, please see "Rights: What They Mean and Why They're Important" http://www.writing-world.com/rights/rights.shtml ***************************************************************** WRITING CONTESTS ================================================================= This section lists contests that charge no entry fees. For more contests, check our online contests section. http://www.writing-world.com/contests/index.shtml >>-----------------------------------------------------<< Bordighera Poetry Prize DEADLINE: May 31, 2005 GENRE: Poetry book OPEN TO: Poet must be US citizen, translator may be an Italian native speaker, not necessarily US citizen. Poet may translate his/her own work if bilingually qualified. LENGTH: 48 pages or less THEME: The prize (consisting of book publication in bilingual edition by Bordighera, Inc.) is dedicated to finding the best manuscripts of poetry in English by an American poet of Italian descent, to be translated upon selection by the judges into quality translations of modern Italian, for the benefit of American poets of Italian ancestry and the preservation of the Italian language. Quality poetry in any style is sought. Universal themes are welcome. PRIZE: $2,000 ($1,000 to winning poet; $1,000 for commissioned translator) ELECTRONIC ENTRY: No ADDRESS: Daniela Gioseffi & Alfredo de Palchi, Founders, Box 8G, 57 Montague Street, Brooklyn Heights, NY 11201-3356 URL: http://www.italianamericanwriters.com/prize.html >>-----------------------------------------------------<< Shiva Naipaul Memorial Prize 2005 DEADLINE: May 31, 2005 GENRE: Creative nonfiction/travel writing OPEN TO: English language writers of any nationality under 35 as of May 31, 2005 LENGTH: 3,000 words or less THEME: The Shiva Naipaul Memorial Prize will be awarded to the writer best able to describe a visit to a foreign place or people. The award is not for travel writing in the conventional sense, but for the most acute and profound observation of a culture alien to the writer. Such a culture might be found as easily within the writer's native country as outside it. PRIZE: £3,000, and publication in The Spectator ELECTRONIC ENTRY: No, entry from must accompany submission ADDRESS: Lucy Vickery, Shiva Naipaul Memorial Prize, The Spectator, 56 Doughty Street, London WClN 2LL URL: http://www.spectator.co.uk/shiva_naipaul_details.php >>-----------------------------------------------------<< 2005 Bechtel Prize DEADLINE: May 31, 2005 GENRE: Essay/article OPEN TO: All LENGTH: 5,000 words, or less THEME: An honorarium and publication in a special issue of Teachers & Writers Magazine is offered for an exemplary article (or essay) relating to creative writing education, literary studies, and/or the profession of writing. Possible topics include: contemporary issues in classroom teaching; innovative approaches to teaching literary forms and genres; and the intersection between literature and imaginative writing. PRIZE: $3,500, and publication in Teachers & Writers Magazine ELECTRONIC ENTRY: No ADDRESS: The Bechtel Prize, Teachers & Writers Collaborative, 5 Union Square West, Seventh Floor, New York, NY 10003 EMAIL: editors"at"twc.org URL: http://www.twc.org/bechtel_prize.htm >>-----------------------------------------------------<< Desdmona's 2005 Fragrant Flash Contest DEADLINE: June 1, 2005 GENRE: Erotic flash fiction OPEN TO: 18 years and older LENGTH: 300 words or less THEME: Write us a hot, sexy story, and include something that has to do with the sense of smell. It doesn't matter what the aroma is -- anything from perfumed bath water to sexual pheromones to baking brownies is fine -- just be sure to tickle our noses as well as our libidos. Our provider does not permit child pornography; please, no underage sex. The story must not have been published, in whole or in part, prior to the contest deadline. PRIZES: 1st Prize: $200; 2nd Prize: $100; 3rd Prize: $50; Honorable Mention Prizes: $20 ELECTRONIC ENTRY: Yes, email must include entry text posted at contest web page, plus MS Word documents or plain text as attachments. Limit: 3 stories/author EMAIL: contest"at"desdmona.com URL: http://www.desdmona.com/contestsubmit.php?RoomID=33 >>-----------------------------------------------------<< Helen Keller Foundation Anthology Prizes DEADLINE: June 1, 2005 GENRE: Poetry or prose OPEN TO: All LENGTH: 3,000 words or less THEME: Poetry or prose for anthology about overcoming a physical or emotional disability. PRIZES: 1st Prize $2,000; 2nd Prize $1,000; 3rd Prize $500 ELECTRONIC ENTRY: No ADDRESS: Diane Scharper, English Department, Towson University, Towson, Maryland 21252 EMAIL: dscharpe"at"towson.edu URL: http://www.helenkellerfoundation.org/images/PandP.pdf ***************************************************************** 2000 ONLINE RESOURCES FOR WRITERS -- links for every kind of writer! Still only $5. THE WRITER'S GUIDE TO QUERIES, PITCHES AND PROPOSALS - available as an e-book! Find out how to write the perfect query, book proposal, novel synopsis, column proposal, or grant application. Only $8.95 (save $5 from the print edition.) To order, visit http://www.writing-world.com/bookstore/index.shtml ***************************************************************** New Listings on THE AUTHOR'S BOOKSHELF: --------------------------------------- The Nine Modern Day Muses (and a Bodyguard), by Jill Badonsky Poetry of the Soul, by Alina Oswald Writing a Novel that Sells, by M. R. 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Weekly Inspirational/How-To E-zine: http://www.naww.org/homepage.html Membership Information: http://www.naww.org/generic1.html ***************************************************************** SPAWN (Small Publishers, Artists and Writers Network) is launching local networking Chapters. Check with us to find a Chapter near you. Contact us if you'd like to start one. Patricia"at"spawn.org. Subscribe to newsletter http://www.spawn.org ***************************************************************** WRITERS: FIND MARKETS EASILY - Worldwide Freelance has a NEW fully-searchable Markets Database. Discover writing markets from North America, Europe, Australasia and other places. It's free, so come and try it out here: http://www.worldwidefreelance.com ***************************************************************** WRITING FOR DOLLARS! - the FREE ezine for writers featuring tips, tricks and ideas for selling what you write. FREE ebook, 83 WAYS TO MAKE MONEY WRITING when you subscribe. 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