***************************************************************** W R I T I N G W O R L D A World of Writing Information - For Writers Around the World http://www.writing-world.com Issue 5:15 15,500 subscribers July 21, 2005 ***************************************************************** SPECIAL NOTICE: Please DO NOT REPLY to this e-mail; any messages sent to the listbox address are deleted. See the bottom of this newsletter for information on how to subscribe, unsubscribe, or contact the editors. ***************************************************************** CONTENTS ================================================================= From the Editor's Desk FALL CLASSES on Writing-World.com WRITER TO WRITER: How do you organize the clutter? by Peggy Tibbetts News from the World of Writing FEATURE: Who's Who on the Magazine Masthead, by Moira Allen The Write Sites -- Online Resources for Writers WRITING DESK: How to pitch a "short," by Moira Allen JUST FOR FUN: How Many Does It Take...? by Carol L. Skolnick WHAT'S NEW at Writing World MARKET ROUNDUP/Writing Contests ***************************************************************** EARN AN MFA IN WRITING through the brief-residency program at Spalding University in Louisville, KY. Call (800) 896-8941x2423 or email mfa"at"spalding.edu and request brochure FA90. For more info: http://www.spalding.edu/mfa ***************************************************************** WRITERSCOLLEGE.COM has 57 online courses. Prices are low. If you can reach our web site, you can take our courses. http://www.WritersCollege.com ***************************************************************** DISCOUNTED SOFTWARE FOR WRITERS -- PowerWriter, DramaticaPro, StoryCraft, WritePro, MovieMagic, StyleWriter, plus many more. HUGE SAVINGS! GREAT SELECTION! Save online at: http://www.MasterFreelancer.com ***************************************************************** THE WELL-FED WRITER by Peter Bowerman - Learn how you can make $50-100 an hour as a freelance writer and easily earn $1000 a week or more working 2-3 good days. Details: http://www.writingcareer.com/pb001.shtml ***************************************************************** LOOKING FOR PAYING MARKETS? Absolute Write Can Help! Subscribe to the Absolute Markets PREMIUM Edition for just $15 a year and get all the writing markets we can cram into your inbox! We've got calls for freelance writers, screenwriters, editors, greeting card writers, translators... http://www.absolutemarkets.com ***************************************************************** FROM THE EDITOR'S DESK ================================================================= Limping Along... ---------------- I had hoped to give you a joyful update on the status of the website in this issue -- everything fixed, all systems go! Alas, it was not to be. Instead, our progress report seems to be more a matter of "one thing after another..." First we thought we would be able to restore the "Writers Wanted" classified section from the files that I had on hand -- which I had purchased back in 2003. It turned out, however, that this was an "upgrade" -- and one needed to have the original program in place before one could install the upgrade. Of course, that was lost with the crash. But in the interim, the company that offered the program changed hands and had no record of my registration. I finally dug this out of the files, but we are still trying to get them to give us the "basic" program (which used to be free but isn't any longer) so that we can then pay a SMALL fee to buy the latest upgrade and install it. Otherwise, we're stuck paying more than three times what I paid for the program originally -- something I'm not sure I want to do. We actually DO have the contests database program installed, but since it has been installed on a new server that it doesn't recognize, it thinks it is a "new" installation, and won't accept my original registration code. So we're still waiting for the support people to help solve THAT little problem, and so far they have not been responding to my e-mails. Needless to say, I have no intention of actually trying to restore the data until I know that the program isn't going to disappear when it reaches the end of its "test" period. So, once again, all I can say is "we really hope to have these problems fixed by the next newsletter!" In the meantime, thanks for your patience; it's nice to know how popular these sections are, and we really, REALLY hope to have them working again soon. In the meantime, the newest issue of TimeTravel-Britain.com is now online, featuring a focus on Lancashire and Lancaster, a bunch of castles, a look at Cheddar Gorge and Wookey Hole, information on the events being held to celebrate the 200th anniversary of the Battle of Trafalgar, and LOTS more. Stop by at http://www.timetravel-britain.com (and no, I haven't gotten THOSE databases to accept my registration numbers either...). -- Moira Allen, Editor ***************************************************************** BE YOUR OWN BOSS! If you ever wanted to start your own business, work from home, or both, then click here to find out how one man started his own business and now makes $2,400 a day. http://www.myresumebiz.com/tv/wworlda67 ***************************************************************** CHILDREN'S WRITERS' COMPETITIVE EDGE. Monthly newsletter of editors' current wants and needs - up to 50 each month. Market studies and genre analyses loaded with editors' tips and insights into subjects and writing styles they're looking for right now. Free sample issue. http://thechildrenswriter.com/N1555 ***************************************************************** FALL CLASSES ON WRITING-WORLD.COM ================================================================= We have two classes for you this fall on Writing-World.com: ADVANCED EROTICA WORKSHOP * Instructor: Catherine Lundoff * Four weeks; $80 http://www.writing-world.com/classes/erotica2.shtml BREAKING INTO THE MAGAZINE AND PERIODICAL MARKET * Instructor: Moira Allen * Eight weeks; $125 http://www.writing-world.com/classes/magazines.shtml We also recommend the following classes, which are taught independently by former Writing-World.com instructors. FREELANCING FOR NEWSPAPERS * Instructor: Sue Fagalde Lick * Eight weeks; $100 * Ongoing; enroll and start the course at any time! http://www.writing-world.com/classes/newspapers.shtml FUNDAMENTALS OF FICTION * Instructor: Marg Gilks * Eight weeks; $150 * Ongoing; enroll and start the course at any time! http://www.writing-world.com/classes/fiction.shtml ***************************************************************** LOOSE ENDS (http://www.loose-ends.net) is seeking authors to supply articles (500-2500 words). No investment required, we provide free worldwide publicity for your writings plus regular income. Hundreds of subject and topic areas to choose from. ***************************************************************** A day without writing is like a day without sunshine. Pearls of Writing Classes: Six month membership for $50. Join before Sept 15, 2005 and enter to win a $20 gift certificate (Amazon.com). http://www.pearlsofwriting.com ***************************************************************** WRITER TO WRITER ================================================================= by Peggy Tibbetts (peggyt"at"siltnet.net) How do you organize the clutter? -------------------------------- In the June 9 newsletter, Moira lamented the clutter in her office and vowed to tackle it. She hasn't said whether or not she won that particular battle, but her predicament inspired Carmen in Sydney to make her own plan to tackle the clutter: "We have a public holiday [coming up] here in Australia and I was planning on tackling my table tops including the desk." Of course she predicted what most of us find happens within a few weeks of clearing out the clutter: "No doubt it will be like that again after a very short time." Carmen is looking for ways to keep that clutter under control. A year and a half ago I was frustrated by the amount of time I wasted moving files and rearranging my desk. At any given time I have several projects in the works -- this newsletter, my columns, a novel, a picture book, books to review, etc. One day while sorting through a pile, I saw a picture of a cherry wood library cart on the back of a catalog and instantly fell in love. I bought it and I have to say it has really helped control my clutter. The cart has four shelves. The top shelf is reserved for books that I'm reading or use often for research. The other three shelves contain files of all my current projects. When I sit down to work all I have to do is pull the files and/or books I need off the shelves. The trick is, I have to remember to put them back when I'm done working on that project, or my desk is easily buried. I can't make the leap and say that the library cart has solved my clutter problem. A certain amount of discipline is required on my part. But it has helped me save time and stay organized -- and it looks really cool in my office! Do you have any advice for Carmen? Please share your tips for keeping organized. How do you keep your clutter under control? Please send your responses to: peggyt"at"siltnet.net Subject: Writer to Writer [Editor's Note: Shortly after declaring war on the clutter on my desk, the server crashed -- so half of my desk looks neat as a pin and the other half still looks like someone tossed a grenade into the paper recycling bin.] >>-----------------------------------------------------<< Peggy Tibbetts answers your questions about writing for children in her monthly column, Advice from a Caterpillar: http://www.writing-world.com/caterpillar/index.shtml She is the author of "The Road to Weird" and "Rumors of War". Visit her web site at: http://www.peggytibbetts.net Copyright (c) 2005 by Peggy Tibbetts ***************************************************************** BOOK PROPOSAL COACHING: Get the support you need to develop your book idea into a formal proposal you can send to literary agents and publishers. You ll be surprised how much fun the "business" of writing can be! Meet by phone at your convenience. http://www.simplycelebrate.net/coaching.html ***************************************************************** DO YOU HAVE A BOOK TO SELL? Are you trying to get published? Respond to Calls for Submission or post your book proposals and manuscripts. Personal blogs, video broadcasts, podcasts, jobs board, email and more. Go now to http://www.BookPitch.com ***************************************************************** NEWS FROM THE WORLD OF WRITING ================================================================= Le Figaro pulls hoax on French vanity publishers ------------------------------------------------ French newspaper Le Figaro sent manuscript copies of "Madame Bovary" by Gustave Flaubert, to five of France's biggest vanity publishing companies. The title and names of the main characters were changed and the novel was not identified. Believing it to be a new work, the vanity houses offered to print it at a cost to the author of up to Euro 4,800 (£3,200). One vanity publisher, Benevent, in Nice, said that it submitted all manuscripts to an editorial committee made up of writers, professors and journalists. Its report on the manuscript said: "We envisage publishing it in the form of a 360-page work that will go on sale for Euro 21.50." The cost to the author would have been Euro 3,360. Benevent declined to comment on Le Figaro's story. A second French vanity publisher said that its committee had "retained" Flaubert's work after "studying" it. For Euro 4,800, it was prepared to print 300 copies. A third publisher charged Euro 4,200 for 200 copies. Mohammed Aissaoui of Le Figaro said: "These committees should have been surprised at the literary quality, at the style of this text and at the absence of faults, which contrast sharply with what they usually receive." Book groups criticize House Bill reauthorizing Patriot Act ---------------------------------------------------------- In a July 13 press release, organizations representing booksellers, librarians, publishers and writers expressed disappointment over the failure of Rep. Nadler's (D-NY) amendment to the House Judiciary Committee bill reauthorizing the USA Patriot Act. Despite a 238-187 vote in the House on June 15 to cut off funds for bookstore and library searches under the Act, the committee did not adopt Nadler's amendment, which would have restored crucial safeguards for the privacy of library and bookstore records that were eliminated by Section 215. For more information: http://www.readerprivacy.org/news.jsp Penguin will publish $2.99 paperbacks ------------------------------------- Beginning this fall, Penguin Group USA's Berkley imprint will launch a Hot Shots promotion that will feature paperbacks for $2.99. "We were looking for a way to spur the business, and we came up with this," said Ken Kaye, Penguin VP and director of distribution sales. The program will feature short stories, 92-128 pages each, by Nora Roberts, JD Robb, Jayne Castle, Christine Feehan, Sherrilyn Kenyon, and Maggie Shayne. Kaye hopes the low price will entice people to sample new authors, and is counting on customers buying more than one title at a time. According to CEO David Shanks, mass market paperbacks represented 33% of the company's gross sales in 2004, making mass market Penguin's largest segment. Let's Go Library Expo online conference --------------------------------------- On July 28, the first of an ongoing series of online conferences about hot topics in librarianship and information technology will be held. The first conference in the series, Let's Go Library Expo will focus on "Books, eBooks, and Audiobooks." Librarians, library users, information technologists, vendor representatives, and others are welcome to attend. Registration is required, but there is no cost to register. For more information: http://www.planetlibrary.info/lgle200508.htm ***************************************************************** BECOME a CREATIVITY COACH or be certified to Teach Creativity Workshops with author and creativity expert Jill Badonsky, M.ED. Contact jillbadonsky"at"hotmail.com, http://www.themuseisin.com ***************************************************************** INTERESTED IN WRITING FICTION OR NONFICTION? Find inspiration and ideas for that next project at Profitable Pen's newest forums! Register for free at http://www.profitable-pen.com. ***************************************************************** WHO'S WHO ON THE MAGAZINE MASTHEAD ================================================================= by Moira Allen One of the first questions writers ask about a magazine is "where do I send my submission?" Deciphering the masthead can be a challenge. With all those names and titles to choose from, who is the right person to contact? What do all those people do? The first place to look for contact information is the publication's guidelines, which you may be able to locate in a market guide or on the publication's Web site. Web guidelines are usually the most up-to-date, as they're likely to reflect any recent changes in editorial staff. If you're using a market guide, check the title of the person you're asked to contact, then check the magazine's contact page online (even a printed masthead can be three to six months out of date) to make sure that the same person still holds this title. If the name has changed, send it to the person who now holds that title. If you can't locate a magazine's guidelines, it's time to review the masthead. Fortunately, most magazines have a relatively small editorial staff, usually consisting of an editor, managing editor, and either an associate or assistant editor (or both). Some may have an editor-in-chief; some may have an editorial assistant. Some may also list "contributing editors," who are actually freelancers who contribute regularly to the publication (including columnists). These have no actual editorial status and do not make decisions on manuscripts, and should be ignored. For this type of publication, the first title to look for is "managing editor." In most cases, this is the person who reviews queries and manuscripts. Often, the managing editor has full authority to make decisions about acceptances and rejections, and will also make assignments in response to query letters, often "on speculation" (which means that acceptance of the finished article is not guaranteed). In some cases, however, a magazine's editor must make the final decision on manuscripts the managing editor recommends for accceptance (including assigned pieces). This makes no difference to you -- you should still contact the managing editor. It's important to remember, however, that when the managing editor isn't the final decision-maker, an acceptance can take awhile. If no managing editor is listed, check next for either the editor or the associate editor. If the only title listed is "editor," this is the person to contact. If, however, an associate editor is listed, chances are that this person is in training to become a managing editor, and probably screens the slush pile. An associate editor will generally have the power to screen out obviously unacceptable material, and perhaps to respond to queries, but will generally not be able to accept material directly without the final approval of the editor. Two other titles on the masthead that may look tempting, but that should be ignored, are "editor-in-chief" and "editorial assistant." An editor-in-chief generally presides over a group of related magazines produced by the same publisher, but does not get involved in day-to-day decisions for each magazine. Conversely, there's a popular myth among writers that one should send submissions to the "editorial assistant," on the premise that this person will be so pleased that you've contacted them directly that they'll make an extra effort to support your manuscript. Forget it. The most an editorial assistant can do is hand your manuscript to the appropriate editor -- the person to whom the material should have been addressed in the first place. While in some cases editorial assistants may help screen the slushpile by weeding out obviously unacceptable and inappropriate submissions, they have no decision-making power. For major publications, your choices are usually more diverse. You may not even see titles like "managing editor" on the masthead. Instead, you'll probably see a list of department editors, covering such areas as health, travel, food, fashion, and so forth. In this case, addressing your submission to the "editor" is definitely not a good idea. Instead, see if you can pinpoint the department that would be the most appropriate for your submission, and contact that editor directly. Again, check the magazine's guidelines if you can find them (though the larger the publication, the less likely they are to publicize these guidelines). Again, ignore contributing editors, editorial assistants, and the editor-in-chief. What Happens Next? ------------------ When dealing with smaller publications, the process between submission and print may be relatively uncomplicated: You submit your article, it is accepted, you get a check, and six to twelve months later, you get a copy of the magazine in which the piece was published. Often, you will deal with only one person on the staff -- the editor who handles submissions, makes assignments, and (when appropriate) discusses recommended changes to your proposed article. This may also be the person who edits and proofreads your article before sending it to the designer. This is also the person you'll talk to regarding rates, rights, contracts -- and, eventually, raises! If you're dealing with a mid-size publication, you may find yourself talking to more than one person. Major publications, for example, generally employ research departments to "fact-check" submissions, and even queries. Some women's magazines, for example, contact writers to gather additional information about a proposed article before a decision is made. Some writers are alarmed by this practice, fearing that the magazine is just trying to gather enough information to enable a staff writer to put together the article. Generally, however, the publication simply wishes to be able to verify the facts, and to gather enough information to present the proposal at the next editorial content-planning meeting. Larger publications are also more likely to fact-check an article after it has been accepted. You may be asked to provide details about the sources referenced in your article, such as books, artricles, Web sites, and contact information for interviewees. A researcher may contact you to verify the exact spelling of names and addresses. You may also be contacted by a researcher or a subordinate editor if the facts in your article seem unclear or contradictory, or to provide a specific reference for a number or quote. If the copyeditor doesn't fully understand something in your text, you may be asked to clarify the material. The final interaction you're likely to have with a publication before your article is actually printed is the "galley proof" stage. Again, the smaller the publication, the less likely it will be to actually send you galley proofs for review. Galley proofs are actual copies or print-outs of the article as it will appear in print -- fully formatted and typeset. By this time, your article has already been edited (perhaps by the editor who accepted it), copyedited (for grammar and often for "house style"), and proofread. It may also have been trimmed for length. Sometimes the editor trims the article before it goes to the designer; often, however, an editor may have to make cuts at the last minute because the article proves a paragraph or so too long for the allotted space. Since all the major editing work has already been done, at this point the last thing an editor wants is for you, the writer, to suggest major changes and revisions to the article. The purpose of galley proofs is to give the author one last chance to make sure that no errors have been made in the text (either by the author or during the course of editing), that everything is spelled correctly, and so on. Often, galleys will be faxed to you, and you'll be asked to review them in one to three days. If everything is fine, a quick e-mail to the editor will often suffice. If you need to make small corrections -- such as correcting a misspelling or a URL -- that can also often be done by e-mail. If, however, you need to make more detailed corrections, you'll generally need to mark these on the proof and fax it back. While the galley stage is not the time to rewrite or edit your article, this may also be the first time you've seen the changes or cuts that the editor has introduced. In some cases, these changes may have altered the meaning of the article, in which case you may need to discuss ways to "change it back." Most editors are understanding if you can show where cuts have introduced inacccuracies by altering information or leaving it incomplete. You will, however, greatly endear yourself to your editor if you can provide a correction that matches the original length of the galley. Deciphering the masthead is the first step to building a positive, long-term relationship with a publication. Once you've done this, and become a regular contributor to that publication, who knows? One day people may be looking at your name on the masthead! >>-----------------------------------------------------<< Moira Allen has been writing and editing professionally for more than 20 years. A columnist for The Writer, she is also the author of "Starting Your Career as a Freelance Writer", "The Writer's Guide to Queries, Pitches and Proposals" (now available as an e-book) and "Writing.com: Creative Internet Strategies to Advance Your Writing Career". For more details, visit: http://www.writing-world.com/moira/moira.shtml Copyright (c) 2005 by Moira Allen ***************************************************************** FREE SPECIAL REPORT! How to Write Your Book in 14 Days or Less!! Guaranteed!! Mark Victor Hansen (Chicken Soup for the Soul) called this information outstanding! http://www.writeabooknow.com/writing-world2.html ***************************************************************** GET YOUR PUZZLES PUBLISHED! Make money writing & selling puzzles. 5 week e-course shows you how. For details, write Lries3"at"yahoo.com ***************************************************************** THE WRITE SITES ================================================================= BookConnector ------------- Free database that matches your book's characteristics with reviewers, review sites, book clubs, and reading venues. http://www.bookconnector.com BookBuffet ---------- A literary web site directed at book groups, with news, author interviews, book reviews and information, and member tools to help book groups communicate, organize, research, archive the books they read. http://www.bookbuffet.com Matilija Press -------------- The webpage of writer Patricia Fry, this site offers loads of tips for writers; click the "Articles" or "For Writers" header. http://www.matilijapress.com Education Writers Association ----------------------------- The national professional organization of education reporters. http://www.ewa.org One Minute Motivator -------------------- Sign up for a free, daily email tip covering goals, setbacks, time management, stress reduction, motivation, plus more. http://www.brightmoment.com ***************************************************************** Do you enjoy writing short poetry & Haiku? Visit our website; we are accepting original poetry & we have a new Haiku contest! Visit: http://www.purpleecho.com/ ***************************************************************** WRITE IN STYLE AND SELL MORE! We edit and evaluate manuscripts, proposals, synopses and more. Bobbie Christmas (author of Write In Style) BZEBRA"at"aol.com. Sign up for our free tips/markets newsletter! Zebra Communications: http://www.zebraeditor.com. ***************************************************************** THE WRITING DESK ================================================================= by Moira Allen How to pitch a "short" ---------------------- Q: I have a question about the correct terminology to use in a query letter to a magazine. I am proposing a short piece of around 500 words, maybe less, and an accompanying photo or two about an upcoming event and wondered if there is a specific term that I should be using. Is it just a "short feature"? I don't think that it would qualify as a sidebar, as I believe a sidebar is information related to a feature piece. Right? If you could let me know, I'd really appreciate it. A: This type of article would either be referred to as a "short" (or "short article") or as a "filler." You are correct -- a sidebar generally only refers to a short item accompanying a longer feature. Sidebars are rarely submitted independently; however, on occasion an editor may choose to use a relevant short article as a sidebar to another piece. A more pertinent question is what section of the magazine you are submitting this piece TO. If this is about an upcoming event, most likely you're aiming it toward the "news" portion of the magazine, if it has one. In that case, you should make it clear that you are submitting a piece for a specific DEPARTMENT rather than just to the magazine in general. Often, these departments are the best place to break in, so letting the editor know that you are targeting a department is a good idea. Also, be sure that the upcoming event isn't going to come and go before the magazine actually hits the stands. Many magazines work as much as six months in advance, and just about all print magazines work at least three months in advance. So if your event were coming up in, say, June, it would already be too late (in most cases) to get any information on the event into the publication -- the June issue would, by this time, already be heading to the printer. In many cases, you don't actually need to query on very short items, unless the magazine specifically states that you must. So be sure to check the guidelines -- if you can send the piece WITHOUT a query, so much the better! >>-----------------------------------------------------<< Moira Allen has been writing and editing professionally for more than 20 years. A columnist for The Writer, she is also the author of "Starting Your Career as a Freelance Writer", "The Writer's Guide to Queries, Pitches and Proposals" (now available as an e-book) and "Writing.com: Creative Internet Strategies to Advance Your Writing Career". For more details, visit: http://www.writing-world.com/moira/moira.shtml Copyright (c) 2005 by Moira Allen ***************************************************************** JUST FOR FUN: How Many Does It Take ...? ================================================================= by Carol L. Skolnick Q. How many self-help authors does it take to change a lightbulb? A. All it takes is you ... with the help my latest book, LIGHTEN UP! How to Illuminate Your Life in 6 Easy Steps (with a forward by Neale Donald Walsch). Q. How many memoirists does it take to change a lightbulb? A. It wasn't until the day my father left, slamming the back door with such force that the fuses blew in the kitchen, that I realized if I wanted a way out of the dark, I would have to find it myself. Q. How many celebrity tell-all authors does it take to change a lightbulb? A. I can't begin to name all the amazing people who made this happen, from my agent, Swifty Dealcatcher, to my publicist, Lucky Breakstone, to my editor, Red Pentzel. Thanks also to my dearest friends, including Paris, Gwenyth, Leo, Tom and Katie, Bill and Hill, [SNIP]. Thanks most of all to my devoted fans, without whom this change would not have been possible. >>-----------------------------------------------------<< Carol L. Skolnick, a regular columnist for the Women's Independent Press, is a New York-based humorist, essayist, sometime poet and playwright whose work has appeared at Salon.com and in publications ranging from I Love Cats to Glamour. Visit her web site: http://hometown.aol.com/sput6 Copyright (c) 2005 by Carol L. Skolnick ***************************************************************** WHAT'S NEW AT WRITING-WORLD.COM ================================================================= ARTICLES: --------- E-mail Submissions: Why We Love Them (or Hate Them), by Peggy Tibbetts http://www.writing-world.com/basics/survey.shtml (Summarizes the results of the "Writer to Writer" survey) Expert-Finding Strategies Every Writer Needs to Know, by Mridu Khullar http://www.writing-world.com/freelance/experts.shtml ***************************************************************** FIND 1700 MARKETS FOR YOUR WRITING! Writing-World.com's market guides offer DETAILED listings of over 1700 markets, with contact information, pay rates, needs and more. Fourteen themed guides are available for $2.50 apiece or $25 for the set. For details, see http://www.writing-world.com/bookstore/index.shtml ***************************************************************** MARKET ROUNDUP ================================================================= BACKHOME MAGAZINE Lorna K. Loveless, Editor PO Box 70, Hendersonville, NC 28793 EMAIL: backhome"at"ioa.com URL: http://www.backhomemagazine.com BackHome is a down-to-earth, how-to magazine whose primary purpose is to help people gain more control over their own lives by doing more for themselves. We are looking for interesting, lively, preferably first-person articles based upon actual experience in the fields of gardening, home construction and repair, workshop projects, cooking, crafts, outdoor recreation, family activities and vacations, livestock, home business, home-based and other education, and community/neighborhood action. In general, we'll consider any article that will help our readers improve the quality of life -- for themselves, their families, their community, and their environment. We seldom publish essays or basically philosophical contemplations. LENGTH: No word length requirements PAYMENT: $35/printed page RIGHTS: FNASR REPRINTS: Occasionally SUBMISSIONS: Query first by email GUIDELINES: http://www.backhomemagazine.com/BackHome_guidelines.html >>-----------------------------------------------------<< CONVERSELY Alejandro Gutirrez, Editor EMAIL: query"at"conversely.com URL: http://www.conversely.com We seek writers, new or established, who can produce articles and essays on all aspects of male-female relationships. Though we value the individual stamp each writer brings to her or his work, we do highly recommend that you read through some of the essays and stories posted on the site, as well as What We're About, to get a feel for our style. Also, please be sure to review the list of topics we don't consider. Our readers are both female and male, primarily in their twenties and thirties. Thus, we focus on topics that relate to the types of relationships, and relationship issues, facing this group. We welcome unsolicited submissions for each of our different categories. Please see online guidelines for specific details in each category. LENGTH: 750-3,000 words PAYMENT: $50-$200 RIGHTS: Exclusive electronic rights for 90 days, and non-exclusive thereafter; one-time print anthology rights REPRINTS: No SUBMISSIONS: Please visit our online submissions page, we do not accept email or paper submissions: https://conversely.ixwebhosting.com/Masth/onlin.shtml GUIDELINES: http://www.conversely.com/Masth/submi.shtml >>-----------------------------------------------------<< SPLITMYSIDE.COM Chad Burud, Editor 565 Rabbit River Road, Box 202, Campbell, MN 56522 EMAIL: webmaster"at"splitmyside.com URL: http://www.splitmyside.com We are looking for unpublished original true stories about your most embarrassing moment or time when you stuck your foot deep into your mouth. Within the story tell us a little bit about yourself, the type of person you are. The events surrounding the moment, the people involved and what they are like. Describe exactly what happened and tell us what you felt during the event and right after. Also what transpired following the event to yourself and the people involved in the story. LENGTH: No word length requirement PAYMENT: $200 REPRINTS: No RIGHTS: Written permission for non-exclusive rights, author retains copyright SUBMISSIONS: Submit online only: http://splitmyside.com/_wsn/page2.html GUIDELINES: http://www.splitmyside.com/ *Managing Editor's note: Payment is on publication, not acceptance, and depends upon finding a publisher for the book. >>-----------------------------------------------------<< Please send Market News to: peggyt"at"siltnet.net "FNASR": First North American Serial Rights, "SASE": self-addressed, stamped envelope, "GL": guidelines. If you have questions about rights, please see "Rights: What They Mean and Why They're Important" http://www.writing-world.com/rights/rights.shtml ***************************************************************** WRITING CONTESTS ================================================================= This section lists contests that charge no entry fees. For more contests, check our online contests section. http://www.writing-world.com/contests/index.shtml >>-----------------------------------------------------<< Happy Tales Literary Contest DEADLINE: September 1, 2005 GENRE: Fiction OPEN TO: All LENGTH: No word limit THEME: Have you ever read a great work of literature and been disappointed by an ending that might have been more uplifting, affirmative, or happy? Take any literary work with a sad, disturbing, or negative ending and supply a happy, affirmative, or uplifting ending. The new ending must more or less parody the idiom, style, atmosphere, and so on, of the original. PRIZES: Grand prize: $100 and the Nahum Tate Cup. Entries, including the winning entry, may be read and praised and/or ridiculed by contest judges in a public session of the Montana Festival of the Book, September 22-24, Missoula, MT. Winning entries will be weblished at the Festival web site or published in other media. ELECTRONIC ENTRY: Yes, also by mail EMAIL: lastbest"at"selway.umt.edu ADDRESS: Happy Tales, Montana Festival of the Book, Montana Center for the Book, 311 Brantly Hall, The University of Montana, Missoula, MT 59812-7848 URL: http://www.bookfest-mt.org/happy.htm >>-----------------------------------------------------<< Enlisted Essay Contest DEADLINE: September 1, 2005 GENRE: Essay OPEN TO: Active, reserve, retired, and former enlisted personnel of all service branches and countries LENGTH: 2,500 words THEME: Any subject relevant to military service. PRIZE: 1st Prize: $1,500; 2nd Prize: $1,000; 3rd Prize: $500 ELECTRONIC ENTRY: Yes ADDRESS: U.S. Naval Institute, 291 Wood Road, Annapolis, MD 21402-5034 EMAIL: essays"at"navalinstitute.org URL: http://www.usni.org/contests/contests.html#enlisted >>-----------------------------------------------------<< Marine Corps Essay Contest DEADLINE: September 1, 2005 GENRE: Essay OPEN TO: All LENGTH: 3,000 words or less THEME: Any subject relating the Corps' warfighting excellence. PRIZE: 1st Prize: $2,000; 2nd Prize: $1,500; 3rd Prize: $750 ELECTRONIC ENTRY: Yes ADDRESS: U.S. Naval Institute, 291 Wood Road, Annapolis, MD 21402-5034 EMAIL: essays"at"navalinstitute.org URL: http://www.usni.org/contests/contests.html#marine ***************************************************************** New Listings on THE AUTHOR'S BOOKSHELF: --------------------------------------- Writing Children's Books for Dummies, by Peter Economy Find these and more great books at http://www.writing-world.com/books/index.shtml Advertise your own book on Writing-World.com: http://www.writing-world.com/books/listyours.shtml ***************************************************************** ADVERTISE in WRITING WORLD or on WRITING-WORLD.COM! For details on how to reach 50,000 writers a month with your product, service or book title, visit http://www.writing-world.com/admin1/adrates.shtml ***************************************************************** FR*EE ebook with subscription. 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