********************************************************* W R I T I N G W O R L D A World of Writing Information - For Writers Around the World http://www.writing-world.com Issue 7:10 16,300 subscribers October 4, 2007 ***************************************************************** SPECIAL NOTICE: Please DO NOT REPLY to this e-mail; any messages sent in reply to the newsletter are deleted. See the bottom of this newsletter for information on how to subscribe, unsubscribe, or contact the editors. ***************************************************************** CONTENTS ================================================================= The Editor's Desk The Publisher's Desk: NEWS from the World of Writing THE INQUIRING WRITER: Writing and Illness, by Dawn Copeman FEATURE: Can I make a living as a novelist? by Marilyn Henderson The Write Sites -- Online Resources for Writers FEATURE: Short Stuff, by Marie E. Cecchini WHAT'S NEW at Writing World WRITING CONTESTS with no entry fees The Author's Bookshelf ***************************************************************** EARN AN MFA IN WRITING through the brief-residency program at Spalding University in Louisville, KY. Call (800) 896-8941x2423 or email mfa"at"spalding.edu and request brochure FA90. For more info: http://www.spalding.edu/mfa ***************************************************************** WRITERSCOLLEGE.COM has 57 online courses. Prices are low. If you can reach our web site, you can take our courses. http://www.WritersCollege.com ***************************************************************** DISCOUNTED SOFTWARE FOR WRITERS -- PowerWriter, DramaticaPro, StoryCraft, WritePro, MovieMagic, StyleWriter, plus many more. HUGE SAVINGS! GREAT SELECTION! Save online at: http://www.MasterFreelancer.com ***************************************************************** LEARN HOW TO BREAK INTO PRINT. Train with an experienced professional author--online or by mail. Create manuscripts that are ready to submit to editors in the $200 billion publishing market. Train online or by mail. Free Writing Test offered. http://www.breakintoprint.com/T5881 ***************************************************************** CAN YOU WRITE A SIMPLE LETTER? If yes, you could be in big demand, earning big money, writing just a few hours a day from anywhere in the world you choose to be. I personally made more than $200,000 this way in one year. Please click here NOW for more details: http://www.thewriterslife.com/cyw/wworlda6 ***************************************************************** FROM THE EDITOR'S DESK ================================================================= If It Isn't One Thing; It's Another ------------------------------------ So, when I left you last month, it was with the words, "No more excuses, fiction here I come!" And I really did mean it. But then, as it will, life got in the way. First of all my daughter was back at school for three whole days and then came down with an ear-infection, which then spread to her chest, made her asthma worse and meant she was at home for a week. Okay, not much writing time there then. Then, just as she went back to school; I got the chest infection. Fantastic! But actually, it was. When I was laid up in bed, laptop across my knees, struggling to clear my foggy head for long-enough to meet deadlines, I did something strange when I'd finished my work. Instead of switching it off and going back to sleep; I clicked on to a blank screen and began typing. I began to write a story. I wrote solidly for four hours! Since getting back to full-health and back to work, I haven't been able to spare it that much time, but whenever I get a spare moment, my eyes glaze over and I'm off. I'm in the world in my head, working things out for the story and it's fantastic! So, do please excuse me if the editorial is short this month. I'm itching to get back to my novel and find out what's going to happen next. Besides which, we've got a packed enough issue for you as it is, with loads of useful information and do check out the website, we've loaded it with four online only articles this month. Also, I've got a feeling Moira has one or two things to say. So I'll leave her plenty of space in which to do it. Till next time, -- Dawn Copeman, Editor ***************************************************************** CHILDREN'S WRITERS. Read by most children's book and magazine editors in North America, this monthly newsletter can be your own personal source of pointers, market tips, and editors "wants" to help you sell more manuscripts in this growing segment of the publishing market. Free sample issue. http://www.thechildrenswriter.com/N9400 **************************************************************** FROM THE PUBLISHER'S DESK ================================================================= A Lame Excuse for an Editorial.... ---------------------------------- Actually, right now I have a lame excuse for just about anything: I'm lame! Somehow, three weeks ago come Sunday, coming down the stairs right here in my own house, I managed to miss the bottom step. I swear that I heard something snap as I went down, and OOOH, the pain. For a few minutes I was convinced I'd broken my ankle, but finally managed to wiggle my foot and put some weight on it. Patrick insisted, however, that we get an x-ray to be sure, so we set off on Monday for our first foray into the National Health Service. I'm happy to report that it was actually a good experience (despite the horror stories we'd heard) -- we only sat in the emergency room for two hours, start to finish. And, sure enough, I HAD broken a bone, though not, thankfully, the main weight-bearing ankle bone. (I'm pretty sure the snap I heard was actually a ligament or three.) So I hobbled out of ER (excuse me, "A&E;," as in "accident and emergency") with a cast and crutches. Three days later I went back for the "permanent" cast, which, also thankfully, is a walking cast, so I could at least put my foot on the floor and didn't need to crawl upstairs on my backside. (We have, BTW, 19 stone steps leading up to the front door, and that's the ONLY way in and out of this house.) All this occurred just after we got home from a wonderful vacation in Winchester -- one week, 2000 photos! I'm getting a bit superstitious about "wonderful vacations," though -- the last time I sprained my ankle was on a wonderful vacation to Salisbury, in 2003. Fortunately that was a very minor twist, and I was able to limp through the rest of my holiday fairly easily. I was, in fact, congratulating myself on getting through the Winchester trip without incident (on one occasion I actually did miss a step, but landed on my feet.) At least we got the holiday in while the sun shone (most of the time). Despite having to keep my foot up about 75% of the time, I still managed to finish off a short story and get it out the door for the Writers of the Future contest. And October marks another landmark event: 20 years ago this month, I wrote my first book! So this seemed the ideal time to bring out a third edition of Coping with Sorrow on the Loss of Your Pet, written in 1987 and never out of print. Ironically, the book was originally self-published, then sold to a commercial publisher, and now (thanks to the Internet, Amazon and all that) it's self-published again. (Hmm, that points to another pattern in my life; when I first self-published the book, I promptly ended up overseas in Germany and had to handle sales long-distance; now here I am in England!) Unfortunately I still don't have the new books in hand, but will report on their progress (hopefully) next month! And now it's time to limp back to the sofa and put my foot up! -- Moira Allen (editors"at"writing-world.com) ***************************************************************** "MY FIRST NOVEL IS NOW PUBLISHED THANKS TO NEWNOVELIST SOFTWARE" Many times over the last few years I would attempt to write, not sure what my problem was. Then NewNovelist showed me the way. Writing became a real joy. Thank you for your fine product: http://www.newnovelist.com/index.html?source=wwnews ***************************************************************** NEWS FROM THE WORLD OF WRITING ================================================================= BANNED BOOK WEEK IN AMERICA ---------------------------- By the time you read this, Banned Book Week - Celebrating the Freedom to Read will be well and truly underway. It is an annual event that has been running since 1982 and exists to remind Americans not to take for granted their democratic right to read whatever books they please. Many bookstores and libraries across the nation join in the celebration with displays and readings of books that have been banned or threatened throughout history. These include works ranging from the Bible to John Steinbeck's "Of Mice and Men." Each year, the American Library Association's (ALA) Office for Intellectual Freedom receives hundreds of reports on books and other materials that were "challenged" (their removal from school or library shelves was requested). Last year they received 546 challenges, but "the number of challenges reflects only incidents reported," said Judith F. Krug, director of the ALA Office for Intellectual Freedom. "For each reported challenge, four or five likely remain unreported." "Most Challenged" titles include the popular "Harry Potter" series of fantasy books for children by J.K. Rowling. The series drew complaints from parents and others who believe the books promote witchcraft to children. Other "Most Challenged" titles include "The Adventures of Huckleberry Finn" by Mark Twain, for its use of language, particularly references to race; "It's Perfectly Normal," a sex education book by Robie Harris, for being too explicit, especially for children; and "I Know Why the Caged Bird Sings" by Maya Angelou, for the description of rape she suffered as a child. To see the most challenged books of 2006 visit: http://tinyurl.com/yrt9se For more information on Banned Book Week visit: http://tinyurl.com/2ngfjm CONCERN AS BURMA CRACKS DOWN ON MEDIA FREEDOM ----------------------------------------------- The military regime in Burma has come under attack by the International Federation of Journalists for apparently targeting foreign journalists and the Burmese media. Police have intimidated foreign journalists in hotels where internet access and phone lines are still working and threatened them for refusing to follow the demands of the regime. The ruling junta have also ordered the closure of several privately owned newspapers that had refused to print government propaganda. This follows the murder of Japanese cameraman, Kenji Nagai, who was shot when the military fired into a crowd to disperse them. The regime has also started to restrict internet access and has closed down several blogs. For more information on this story visit: http://www.ifj.org/default.asp?Index=5362&Language;=EN and http://news.independent.co.uk/world/asia/article3007117.ece WRITERS GUILD PICKET GAME SHOW ------------------------------ The Writers Guild of America have picketed the offices of Fremantle Media in protest over the pay and working condition of writers on a TV game show, Temptation. The trouble began last month when Fremantle refused to negotiate a contract with the WGAW for Temptation writers. Game show writers are covered in the WGAW's Minimum Basic Agreement (MBA), but Fremantle refused to honor the terms of the MBA. The writers then walked off the job until Fremantle agreed to negotiate with the WGAW. For more information visit: http://www.wga.org/subpage_newsevents.aspx?id=2476 WRITERS UNION OF CANADA CALLS FOR END TO STRIKE ----------------------------------------------- Meanwhile in Canada, the Writers Union is calling for public sector workers to end their strike, which has left citizens in Vancouver without access to public libraries for nine weeks and forced the cancellation of some events in the Word on the Street Festival. "Nine weeks is far too long for citizens of a major Canadian city to be denied access to library books, research materials, and literary readings," says Susan Swan, chair of The Writers' Union of Canada. "We urge the two sides in this dispute to return to the bargaining table, negotiate an equitable agreement, and allow the libraries to reopen. Writers and their readers are being hurt by this strike." For more information visit: http://www.writersunion.ca/av_pr260907.asp 19TH CENTURY NEWSPAPERS GO ONLINE -------------------------------- The Irish Times is putting every edition of its newspaper from its very first edition on March 29 1859 online. To digitize the archive took 1,100 reels of microfilm; each of those reels consisted of 700 page images. Access to the archive will not be free, but will cost £10 for 24 hours. In a similar story, the British Library has announced that it will digitize all 19th century newspapers in its collection. This will give researchers access to over two million pages from 43 different newspapers including national, regional and specialist titles such as Chartist newspapers. The Library is hoping to offer some access for free with perhaps a paid-for service for repeated access. For more information on these stories visit: http://tinyurl.com/2qph8j and http://www.journalism.co.uk/2/articles/530549.php NEW ONLINE SERVICE TO MATCH AUTHORS WITH AGENTS -------------------------------------------------- LitMatch.net is a free service that enables authors to contact literary agents and to track their submissions. When a user records a submission, LitMatch keeps track of key information, including when the query was sent, whether it was sent by mail or email, and which agent it was sent to. When the user gets a reply, LitMatch keeps track of any follow-ups and reports back on how agents are responding to his or her work.Users can also compare response times against those reported by other users, and use reported statistics to determine which agents they want to approach next. Reassuringly, LitMatch will not list any agents that charge reading fees. For more information visit: http:// www.litmatch.net ***************************************************************** FREELANCING FOR NEWSPAPERS: New book by veteran journalist Sue Fagalde Lick shows you how to break into this lucrative and little explored freelance market. Discover how to find markets, develop and pitch ideas, and much more. Perfect for classes or individual study. Quill Driver Books [http://www.quilldriverbooks.com], $14.95, plus s/h. ***************************************************************** HIRE EX-MACMILLAN EDITOR http://www.AnitaMcClellan.com. Fiction, nonfiction for all ages: Get the big picture from in-depth editing, evaluations, synopsis & proposal critiques. Email adm"at"AnitaMcClellan.com Subject "DeptWWorld". ***************************************************************** THE INQUIRING WRITER ================================================================= by Dawn Copeman (editorial"at"writing-world.com) Last month I asked if you could help me to help Judith Munson, an insulin-dependant diabetic who is finding it difficult to write with a chronic illness. She wanted to know if any other writers have chronic illnesses and how they cope. We had a lot of responses to this one. Judith's questions seems to have hit a chord with a lot of you. Lesley O'Brian Hoff wrote in to say: "When I saw Judith's question, I got my usual punch-in-the-gut reaction. I was diagnosed with Fibromyalgia about 11 years ago. Since that time, my ability to write has deteriorated to the point that I grab those times when I can write, but mostly I'm resolved to edit because that's what my attention span and body can handle. Shorter spurts of work time followed by longer breaks. What I've had to do is reset my expectation bar of what I can and cannot do and just get over the fact that I've had to make these changes. Of course, it's taken 8-10 years to do so and some really good doctors along the way. "That said, I had to make changes in my life and to find a schedule that works and when I get off it, it not only affects me physically (health), but also my writing. So I sneak it in where I can. I run story lines in my head when I'm walking the dogs, carry a notebook whenever we are out in case something comes to mind and I don't want to forget it. And should I forget my notebook, I record it on my cell phone or leave a message on my voicemail and transcribe it later. It's been an adjustment and when it gets just plain too frustrating, we take a day off and seek out a change of scenery and start out fresh later." Marion Ottaway can also understand Judith's frustrations. She writes: "I have the same problem but a different kind of illness. I have chronic high blood pressure. When I am focused for too long on my writing, I end up with my blood pressure rising because I've been sitting too long, all the blood has been pumped to my brain to keep it working, and the rest of my body gets ignored. "When I write I will get caught up in it from twelve to fourteen hours a day. I have begun to pace myself because what I was doing is ridiculous! I make myself get up and exercise to move the blood somewhere else which means healthy busy work like sweeping a floor or taking a long walk or a shower, maybe watch some mindless entertainment... whatever it takes to relax. "The other thing I tend to forget is to eat. We've all had times when we are so involved in what we are doing that the real world recedes into nothingness as we become our characters. Health is more important than making sure you get that recently written chapter edited. As an obsessed and too-motivated writer, I have to put the brakes on and remember I exist and my body needs its share of attention as well. The best thing to do is pace yourself and know when you're pushing the envelope. What does it matter if you write for three hours or ten? You're writing and that's what it is all about! Don't turn your writing into a marathon of endurance just to prove you are motivated. "Don't let yourself get over-tired, or forget to eat. Using brain energy uses up calories in the body. If you are a diabetic, stress and how you eat to compensate for it as well as how you exercise is key to overcoming that particular difficulty. It just means that you have to get focused to structure your work day with alternating spells of sitting and exercising to get the blood moving and the body working on other things besides brain power. If you don't get focused on that, you will burn out." Someone else who fully understands what Judith is going through is Anne Watkins. She wrote:" Like Judith Munson, I'm an insulin-dependent diabetic on four injections a day. I also have to deal with several other serious health issues along with the diabetes--and I'm a full-time freelance writer. I completely understand where Judith's coming from! "It can be extremely difficult to deal with work when my diabetes or other health issues interfere. Fortunately, though, I've found a few things that help. I take breaks when I need to--if I'm feeling sick, I take a few hours to rest and try to get things under control. The good thing about being a freelancer is that I can set my own hours! "Another thing that really helps me is having a laptop computer to work on. If I'm feeling too sick to sit at my desk, I'm able to crash in the recliner and keep right on working. "Conducting interviews via telephone or e-mail and digging up research online are wonderful ways to accomplish huge chunks of work. But when it gets down to actually having to put all that info into article form, sick days can bring on 'brain cramps' that really make things difficult. "I try to schedule my time so that I have a 'cushion' in case I need to take a few days off. A white board comes in handy to remind myself of assignments, interviews, deadlines and other work-related things I need to stay on top of. I also keep detailed notes in a day planner. "I'm proud to say that I've never missed a deadline because of illness and I've been working like this for many years. It hasn't been easy (oh, boy, it hasn't been easy!) but being a freelancer enables me to do the work I love, on a schedule I can handle, while earning a decent income at the same time." Deb Hockenberry is another writer struggling with a chronic illness. She writes: "I have Multiple Sclerosis. I have the pain, fatigue, spasms, relapses and other things to contend with. Chronic illness, as Judith can tell you, can really get in the way of your writing. When it does, it's very frustrating! "Because of the fatigue and pain, I haven't been able to write for a full day for years. Some times I can't write at all. I haven't been able to write for the past two years because of MS. I'm just now able to get back into it. "I've tried to keep writing through my MS symptoms but that just makes the MS worse. "What seems to work (for me anyway) is writing for four hours a day when my health allows it. Sometimes it doesn't. Much of the time I don't make it to four hours! I try to work around my MS issues. "I have to say that I cheer Judith for stepping up to the plate and asking for ideas or suggestions. I've been asking myself the same question for years! I really hope that someone has ideas or suggestions so Judith, myself and others can keep writing. As for myself all I can think of is to work around it. Any more ideas?" Janis Soucie has to deal with a lot of illnesses, including environmental allergies, asthma, food allergies, and adrenal fatigue. She has some useful, practical advice for Judith and Deb and anyone else dealing with chronic illness: "Before I became so ill, I would be up at about 8AM and writing by about 10AM and would write all day. I could write about ten poems a day or a few chapters. Now it is a whole new story. I struggle to complete a poem or two, or even a full article. With adrenal fatigue not only comes fatigue that is not resolved with sleep (no matter how much you get), but there is the foggy brain which I also get with allergies. Headaches come and go. "Frustration has played a large part. I still get ideas for poems, short stories and articles, and I jot these down as quick as possible. I may sit down and start writing on something but if I just can't concentrate I get frustrated and angry with myself and usually end up crying. I feel that no matter how deep and strong my passion to write is...I just can't do it. At least not to the extent I would like. I have had to do a lot of self-talk and train myself to relax... take it easy because getting frustrated and upset is not going to help. I have learned to first care for my health and if I feel like writing to do so but not to push myself. I've had to learn to listen to and work with my body's signals in telling me if I should rest, or if I could sit a spell and work on a project. If I don't feel up to writing, then I find something relaxing to do and don't get upset about it. I still may think about the current project I am on, and I'll jot down any ideas I have, and put them with my project. I figure what little writing I do is better than none at all. I have learned to have patience with myself and to do what I must to help my body, mind, emotions and spirit heal in order to get back to optimal health and to that full writing career I have always dreamed of. "Judith, don't give up. Chronic illness is no fun to deal with but it doesn't have to control your life. Write when you feel you can with little trouble. That's all that can really be expected. I know about diabetes as my mother, two grandmothers and brother have it. I sympathize, but know that you can work through your diabetes and still accomplish your dreams." Thank you to everyone else who sent in replies to this question; I passed them all onto Judith. Now, onto this month's question. You might remember last month, I took some advice from a children's book "The Phantom Tollbooth" to help me to deal with the terrible trivium. It helped me to realize I was wasting precious writing time doing unimportant things, because: "If you do only the easy and useless jobs, you'll never have to worry about the important ones which are so difficult. You just won't have the time. For there's always something to do to keep you from what you really should be doing." So having taken his advice on board, and yes, thank you, I am now actually writing fiction, I wondered whether you've ever taken writing advice from unusual sources. If so, what were these sources and what was the advice? More importantly, did the advice work? Email me with the subject line: Writing Advice to editorial"at"writing-world.com." Till next time, Dawn As most of our respondents stressed the importance of having a writing routine and managing the time you write, check this articles on how to best manage your writing time and get organised: http://www.writing-world.com/basics/campbell.shtml >>-----------------------------------------------------<< Dawn Copeman is a freelance writer based in England. She is the author of over 100 articles and is the editor of Writing World and also of Newbie Writers, http://www.newbie-writers.com, a site for new and aspiring writers. Dawn is also a copywriter as well as a contributing editor and columnist at http://www.timetravel-britain.com. Visit her website at http://www.write-away.biz Copyright (c) 2007 by Dawn Copeman ***************************************************************** JUST RELEASED! Copyright Companion for Writers is a clear and concise survey of copyright law written with the rights of writers in mind. It answers your most pressing questions about copyright & includes forms on CD-ROM. The perfect companion to have on your creative journey. For more information and to order your copy, visit http://www.literarylawguide.com. ***************************************************************** CAN I MAKE A LIVING AS A NOVELIST? =================================================================== by Marilyn Henderson If you ask yourself that question, you probably have written, are writing or want to write a novel. Good for you. Novelist is definitely high on the list of "Fab" careers, but like any other major decision in your life, there are some important things to consider before you compose that resignation letter to your current employer. Writing a novel is 5% talent and 95% hard work. The fact that you are writing a novel is a pretty good indication that you have the talent that can be developed for a successful career. A stronger indication is having finished and sold the novel you began. The best and safest indication is having written and sold several novels. A first sale is thrilling, but unless you can continue selling, you don't have a career. Agents and editors want writers who produce books regularly. Agents and editors will help build your career, but it's up to you to keep them supplied with the building blocks. There are thousands of unfinished and unsold novels in computers and desks around the world. They wind up there because beginning writers often neglect or skim over the most important first step in the 95% hard work. The First Step -------------- Like any career, becoming a novelist requires mastering the skills you need to do the job well. Recognizing an idea that will sell, writing the story so it hooks the reader, and keeps him hooked all the way through, then drawing it all to a satisfying finale, are skills that take time and practice to master. Many writers get what seem like great ideas and rush to their computers to begin chapter one. That can be a fatal mistake. Few, if any, great ideas come developed ready to sustain a novel that will grab an editor's interest and make her eager to read your manuscript. Your idea will only accomplish that if it creates an emotional reaction when the editor reads your description, query, or sample pages. Agents and editors know that emotional buttons sell books. It's up to you to create them throughout your work. Creating an emotional button means choosing words for your description or plot statement, as well as in the pages of your novel, that make the reader form a mental picture from his own experience or imagination so he reacts emotionally. You create the mood you want him to feel, be it suspenseful, romantic, sympathetic light-hearted, or terrifying. Another important thing to keep in mind is that editors and agents are always looking for something new and different. They reject most manuscripts because they aren't different enough from the hundreds of others they receive. As you build a career, your creativity must grow with it. The unwary writer often gets caught up in writing the novel, and doesn't give much thought to marketing until the book is completed. The career novelist knows marketability begins with the idea, and is planned and written into every page of the book. Marketability is measured by emotional impact. The publisher's marketing ideas and plans evolve from the content of the story, and how the author presents it. If you don't write your novel so an editor sees its market potential the first time she reads it, she won't recommend that the company buy it. Marketability must be written into your novel--it can't be added later Step 2 -------- Every novel, be it mainstream or any genre, must generate suspense and dramatic tension to hold the readers' interest, and stir an emotional response. The elements that build and escalate suspense and dramatic tension should be planned before you start writing. Suspense doesn't happen by accident, or grow by itself. As the writer, you need to master how to create and build it. Suspense must begin on page one and build steadily from there to the climax. Suspense keeps the reader reading. Planning ahead also keeps your story from ending with a fizzle. Identifying the dramatic or tension-building elements before you write lets you save the biggest emotional button for the final scene. Each suspense element should be able to support a scene that moves the story forward. And, each must create more dramatic tension or suspense as the story progresses. Whether you outline or use some other method, planning your book before you begin Chapter one also helps you determine whether or not you have enough scenes and action to fill an entire novel. Running out of story when the book needs 100 more pages can leave you floundering. And, more than likely, you'll have a hard time coming up with scenes that continue building the suspense you need. Many writers abandon their novels half way through because they don't know where the story should go next. If a story is worth writing, it's worth planning. Step 3 -------- Like any other career, writing demands your best effort and attention. This doesn't necessarily mean you need to work eight hours a day, five days a week, but you must set aside a definite amount of time on a regular schedule for actual writing. This isn't thinking time, it's writing time. You can think about the book while you do the laundry, walk the dog, or ride the bus to work. No matter how long it took you to write your first book, once it is accepted, you will be required to adhere to a time frame set out in your contracts. Agents and editors want writers who have a new book ready in 12 to 18 months after acceptance of the first one. Publishing schedules are planned that far in advance. If you don't meet your schedule, your "slot" will go to another writer. If you don't publish a new book every year, you may also lose your audience. Readers who purchased your first novel may forget you and move on to other authors. Step 4 ------- There are several questions you should also ask yourself if you are considering a career as a novelist. If you answer "yes" to all of them, you will probably have a good chance of success. 1. Are you a self-starter who can work well alone for long periods of time? Do you stick to a writing schedule? 2. Can you accept criticism and use it constructively? Not all criticism is valid. Can you tell the difference between valid criticism and reader reaction? 3. Do you have good skills in grammar, spelling, and punctuation? If not, are you steadily acquiring them? 4. Have you learned to self-edit your writing? Can you spot scenes that don't move your story forward, or holes where you left something out, or didn't develop it fully? Can you recognize unnecessary words that don't add to the meaning or flow of the scene? 5. Are you willing to work your way up the career ladder with respect to income and name recognition? Novelists rarely hit the big time on their first sales. 6. Are you financially able to sustain yourself until your writing career can support you? Do a reality check by investigating how much starting writers get for novels at the houses where you plan to send your work. Last but far from least, consider this advice from singer Tony Bennett in an interview on his 80th birthday about his long career: "If you're going to do something all your life, make sure you like it." So the answer to the question, "Can I make a living as a novelist?" is yes. You can do it, but it isn't easy. Nor will you get rich and famous quickly, if at all. How far you go depends completely on you. Being a successful writer takes determination, self-discipline, persistence, and the ability to handle disappointments as well as successes. Being a novelist is a lifetime learning process. It is also a richly rewarding career where you determine your own level of success or failure. It's a tough journey, but worth every step. >>-----------------------------------------------------<< Marilyn Henderson decided to be a writer when she made a career change so she could work from home. She had no idea how hard it was to make that first sale then keep selling, but she soon learned the difference between writing a novel she hoped would sell and what agents and editors wanted. Now after more than 60 novels published, she shares that expertise with writers who want to build careers or make those first sales. Visit her website at: http://www.MysteryMentor.com Copyright (c) 2006 Marilyn Henderson For more information on writing novels, (and boy, do we have a lot of information on this) visit: http://www.writing-world.com/fiction/index.shtml ***************************************************************** WORLDWIDE FREELANCE WRITER - You can download a free list of writing markets if you subscribe this week. Discover almost 2,000 writing markets from USA, Canada, UK, Europe, Australasia. http://www.worldwidefreelance.com ***************************************************************** CAN'T GET PUBLISHED? Be a Well-Fed Self-Publisher and make a living! Control the process and timetable. Keep the rights AND most of the profits. Here's the step-by-step blueprint used to create a full-time living from ONE book! By the award-winning author of The Well-Fed Writer. http://www.wellfedsp.com. ***************************************************************** THE WRITE SITES ================================================================= Club 100 For Writers ------------------------ A fabulous method for increasing your writing output! Try it for yourself and see. http://www.bethpattillo.com/id8.html Shelfari.com --------------- Shelfari is a free site that lets you share book ratings and reviews with friends and meet people who have similar tastes in books. It also lets you build an online bookshelf, join book clubs, and get good book recommendations from friends. http://www.shelfari.com/ Inspiration for Writers.com ----------------------------- Useful site for writers of all levels of experience. Writing tips and techniques, editing and critiquing services, and plenty of encouragement. http://www.inspirationforwriters.com/ Reading&WritingLounge.com; ------------------------- This shiny new site will cover all aspects of reading and writing - from book reviews, bestseller lists, breaking news to tips and tricks from the writing trade. We hope to have a little something for everybody - new writers, voracious readers and anybody else with a love for words. http://www.readingandwritinglounge.com/ Cute Baby Names ------------------ A useful site listing names of all sorts of origins, plus their definitions. Check it out when you're trying to find just the right name for that elusive character. http://www.cutebabynames.org South Bay Branch, California Writers Club ----------------------------------------- A San Jose group that exists to assist published, nascent and aspiring writers in the pursuit of their muse and the honing of their craft through conferences, educational workshops, lectures, opportunity alerts and networking. http://www.myspace.com/southbaywriters / If you don't live near San Jose, the group does have other locations throughout California; check out the main site to find out your nearest club. http://www.southbaywriters.com. ***************************************************************** NEW AND ESTABLISHED MARKETS FOR YOUR WRITING. Up-to-date submission guidelines/leads for poetry, short prose, and book projects. You'll receive your FREE report TODAY via email NEWSFLASH. Visit http://www.writersrelief.com or call toll-free (866) 405-3003. Absolutely no subscription or purchase necessary. We'll share our know-how with you. In our 14th Year! ***************************************************************** WRITE BETTER; WRITE FASTER; WRITE IT RIGHT! Discover a simple five-step process for creating flawless written text. Write It Right: The Ground Rules for Self-Editing Like The Pros shows you how! $17.95 + s/h. http://www.amazon.com/exec/obidos/ASIN/0974496626/peregrine ***************************************************************** SHORT STUFF ================================================================= By Marie E. Cecchini Even if you've never given it much thought, venturing into the children's market could add dollars to your income. And, if you give it a chance, you'll find it can be a lot of fun. The children's market is chock-full of possibilities, in addition to traditional fiction and non-fiction stories. This market also includes poetry, songs (new words written to familiar children's tunes), kid-friendly recipes, how-to projects and games, and puzzles. There is a wealth of opportunity for both creativity and additional income. Poetry and Songs ----------------- Younger children have a limited range of experience, so you will need to use concrete images and write about common experiences. Children also love sing-song rhyme and rhythm. Your work should flow naturally. Poems with action and movement are easy for children to visualize, even imitate, and humor is always a plus. Some publishers look for poems that teach some sort of lesson, such as good manners or counting. Last, but not least, poems for children need to be simple, simple, simple -- kind of like reducing to the lowest common denominator in math. Songs for children are simply poems set to familiar tunes. Think of the tune "Twinkle, Twinkle Little Star". Create new lyrics to that tune and you have a song. One caution, though most familiar tunes are in the public domain, some are not, "Happy Birthday" being one of them. One website you can check to see if the tune is free to use is http://www.kididdles.com. Tunes listed on this site should be fine to use. Kid-Friendly Recipes -------------------- All it takes is a quick trip to the children's section of your local library to see how popular recipes are with kids. Not only will you find an entire shelf of books on the subject, but you'll get an idea of what kinds of foods kids like to prepare. Many children's and family publications also publish recipes for kids and do so on a monthly basis. If this is something that appeals to you, start by asking or observing what kids like to eat and what is easy to prepare. As you begin to develop an original recipe, keep nutrition in mind. Many publishers prefer recipes that encourage children to eat healthy foods. When you are ready to begin, remember that ingredients should be listed in order of use, and the directions should be very specific. Don't leave out a single word of explanation thinking that it's self-explanatory because for kids, it's not. For all measurements and cooking times use numerals, not words. Finally, always try out your recipe with children before sending it to a publisher. This will help you determine whether or not the recipe will work, if it was easy to prepare, and if the kids enjoyed eating the finished product. If you don't have kids of your own, borrow your neighbors or call on your nieces and nephews. How-To Projects and Games ------------------------- This is a very popular area and you will be able to sell your creations to both print and online publications. How-to articles include things like arts and crafts, woodworking projects, and science experiments. Obviously your topic needs to be kid-friendly and all safety precautions should be included. Materials needed should be listed in order of use and nothing should be left out. For instance, if you need to line your working surface with newspapers, then newspapers should be listed in "What you need." Step-by-step directions should be very specific and use words kids can understand. Use numerals, not words, for all quantities and measurements. You can increase your chances of publication by doing a little research and re-creating a craft made or game played by children of other nations or eras. Keep in mind that each publication has its own form of presentation, so it's wise to check this out by reading samples before you begin to write. You will also need to check publication guidelines, as many editors will want to see either a photograph or prototype of the finished project along with the instructions. Puzzles ------- If you love to work puzzles, this could be right up your alley. Educational as well as traditional publishers use puzzles for the simple reason that kids love the challenge. You can develop a kid-friendly crossword, word search or mind-bending math puzzle. Publications like Jigsaw, put out by the Highlights Corporation, publish only puzzles, which increases your chances of a sale. Best Bets ---------- If you're looking to get the best "bang for your buck", the following websites would be the places to start. http://www.Highlights.com - guidelines on website. They take games, puzzles, craft projects, and some poetry. http://www.craftideas.com - guidelines on website. They take all kinds of projects, games and recipes. http://www.cricketmag.com - guidelines on website. Carus Publishing has several magazines on the market each month, for all different age groups. They take craft projects, games, and recipes. It's easy to see that the children's market, though not as simple as it may seem, holds tremendous possibilities. It could be the perfect addition to your normal fare. If you have any doubts remember, nothing ventured, nothing gained. >>-----------------------------------------------------<< Marie E Cecchini is the author of five books. She writes informational articles for writers, parents, teachers, and children. She also writes children's poetry and designs children's craft projects. Copyright (c) 2007 by Marie E Cecchini For more information on writing for children visit: http://www.writing-world.com/children/index.shtml ***************************************************************** WHAT'S NEW AT WRITING-WORLD.COM ================================================================= OCTOBER COLUMNS: ------------------ Writing for Young Readers, An Interview with Dallas Woodburn, by Eugie Foster http://www.writing-world.com/foster/foster15.shtml NEW ARTICLES: ------------- The Review Process: How a Book Gets Reviewed, by Sally Murphy http://www.writing-world.com/promotion/murphy1.shtml So You Got a Review -- Now What? by Sally Murphy http://www.writing-world.com/promotion/murphy2.shtm Who Reads Book Reviews Anyway? by Sally Murphy http://www.writing-world.com/promotion/murphy3.shtm The Newspaper/Blog Connection by Sue Fagalde-Lick http://www.writing-world.com/freelance/blogs.shtml ***************************************************************** RECOMMENDED WRITING CLASSES ***************************************************************** Fundamentals of Fiction, by Marg Gilks. 8 weeks, $150; enroll at any time! http://www.writing-world.com/classes/fiction.shtml ***************************************************************** WRITING CONTESTS ================================================================= This section lists contests that charge no entry fees. Unless otherwise indicated, competitions are open to all adult writers. For more contests, check our contests database. Please note, we are no longer updating the contests database and will be replacing it with an annually updated book. http://www.writing-world.com/contests/index.shtml CRESCENT MOON FIRST TO BE PUBLISHED ------------------------------------ DEADLINE: October 31, 2007 GENRE: Books DETAILS: For completed, unpublished, full-length manuscripts. PRIZE: $100 and publication URL: http://www.crescentmoonpress.com/contests.html FUNDSFORWRITERS ANNUAL ESSAY CONTEST --------------------------------- DEADLINE: October 31, 2007 GENRE: Nonfiction DETAILS: Four themes to choose from. Up to 750 words in essay form. This year they are very common sense topics. Your assignment, if you choose to accept it, is to write about common sense in such a creative way as to entice the rest of us to follow your lead. Impress us. PRIZE: £50 URL: http://www.fundsforwriters.com/annualcontest.htm MILDRED AND ALBERT PANOWSKI PLAYWRITING AWARD --------------------------------------------- DEADLINE: October 31, 2007 GENRE: Scripts/Screenplays DETAILS: Open to all playwrights. No musicals or one-act plays. Any theme or genre. PRIZE: $2000 and production. URL: http://www.nmu.edu/theatre/award2.html ATLANTIC MONTHLY STUDENT WRITING COMPETITION -------------------------------------------- DEADLINE: November 1, 2007 GENRE: Poetry, Short Stories, Nonfiction DETAILS: Entrants must be full-time undergraduate or graduate students currently enrolled in an accredited degree-granting U.S. institution. Should not exceed three poems or 7,500 words of prose. PRIZE: $1000, $500, $250 URL: http://www.theatlantic.com/a/contest.mhtml MYSTERY AUTHORS FLASH FICTION CONTEST ------------------------------------- DEADLINE: November 15, 2007 GENRE: Short Stories THEME: Original flash fiction of between 100 and 1500 words. Theme: A Mysterious Holiday. Email submissions only. No attachments. PRIZE: $5 and publication URL: http://www.mysteryauthors.com/submit.html LITTLE PHILOSOPHERS INTL PEACE PRIZE ------------------------------------------- DEADLINE: November 23, 2007 GENRE: Young Writers/Nonfiction THEME: See website for details PRIZE: $1,000 for first place. Honorary PhD URL: http://littlephilosophers.com/ ***************************************************************** AUTHOR'S BOOKSHELF: Books by Our Readers ---------------------------------------- No Experts Needed: The Meaning of Life According to You! by Louise Lewis Find these and more great books at http://www.writing-world.com/books/index.shtml Have you just had a book published? If so, let our readers know: just click on the link below to list your book. http://www.writing-world.com/books/listyours.shtml ***************************************************************** ADVERTISE in WRITING WORLD or on WRITING-WORLD.COM! 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