Don’t we guitarists just love gear that looks like it was salvaged from our mom’s kitchen circa 1961? Give us something in high-gloss pastel, with Formica styling, gas-cooker knobs, plenty of chrome, and an emblem lifted off a fridge door and we go weak in the knees every time. When it comes to kitchen kitsch, [...]
Category Archives: Classic Instruments
Vox Pacemaker V-3
1965 Vox Pacemaker v-3 Preamp tubes: three Mullard ECC83 (12AX7) Output tubes: two Mullard EL84, cathode-biased, no negative feedback Rectifier: Mullard EZ81 Controls: Volume, Treble, Bass, Speed, Depth Speaker: gold 10″ Oxford “Vox Bulldog” Output: approximately 17 watts RMS No doubt the mere appearance of that Vox logo and the diamond grillecloth beneath it has [...]
The Guild Starfire Bass
In the mid ’60s, Guild took its knocks for making guitars that looked “inspired by” Gibson models. Fans of the brand think the sterotype is unfair, of course, and certainly, many Guilds from the era have their own intrigue. One very good example is the Starfire Bass. Guild was founded by musical-instrument importer/distributor Al Dronge [...]
The G&L El Toro
At the beginning of 1983, Leo Fender was just more than three years into his last guitar-manufacturing venture when he decided to diversify the company’s bass lineup. Until that point, G&L had marketed the one-pickup L-1000, the two-pickup L-2000, and the no-frills SB-1 and SB-2 models – all with fairly traditional, straightforward designs. The brand’s [...]
Bruce and Butter
It would be an understatement to say that REO Speedwagon bassist Bruce Hall and his 1965 Fender Jazz Bass, dubbed “Butter,” have been through a lot. Born and raised in Champaign-Urbana, Illinois, Hall, who has been with the band for more than 30 years, acquired this mainstay when he was 16. In an ironic twist, [...]
Carvin DN640K
Doubleneck instruments have always been a unique niche in the guitar market, for good reason. They’ve also carried an air of superiority or the insinuation that they were intended for pro players; i.e., those who could deftly switch from one instrument to another in the middle of a song without doffing their part. And [...]
Gibson SG Les Paul
In 1961, Gibson replaced its Les Paul series with a new line of lightweight, ultrathin, all mahogany, double-cutaway solidbodies the SG (for solid guitar). Developed under the aegis of Ted McCarty and introduced as the “new Les Paul,” the SG heralded new directions and a new marketing emphasis for Gibson; trends exemplified only two years [...]
Yamaha Image
Some years back, an insurance company promoted itself as “the quiet company.” While they probably wouldn’t like to hear it, in many ways that description fits Yamaha guitars. Whether you say acoustic or electric, Yamaha is almost never the first name that leaps to mind. Nevertheless, since the mid 1960s, Yamaha has been quietly turning [...]
Holy Cripes
Rickenbacker Transonic
Rickenbacker Transonic TS100 Topology: Solid State Output: 100 watts RMS Controls: Volume, Treble, Bass controls and Hollow, Mellow and Pierce switches on each channel; Tremolo Speed and Depth, Reverb, and Fuzz-Tortion on Custom channel. Speakers: two 12″ Altec 417. A major artist’s endorsement of a piece of gear is often seen as a springboard to [...]